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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Through the Cross, O Lord, I pray

Fullness of the Spirit By the Cross

English279
1
First the blood, and then the ointment,
Cleansing, then anointing comes;
If we pass not thru Golgotha,
Ne’er to Pentecost we’ll come.
If the blood has never cleansed us,
Ne’er the Spirit’s pow’r we’ll know,
If for Christ we’d truly witness,
Self-life to the Cross must go.
 
Through the Cross, O Lord, I pray,
Put my soul-life all away;
Make me any price to pay,
Full anointing to receive.
2
Christ, the Rock, must first be smitten,
That the living water flow;
Without death the Spirit’s fullness
Ne’er could dwell in man below.
If with Christ we die completely,
Willing thus our all to lose,
He will clothe us with His power
And to win the world will use.
3
First the altar, then the fire,
If no loss, there’ll be no gain;
If our all has not been offered,
To the throne we’ll ne’er attain.
If to sacrifice we’re willing,
All forsaking, God t’obey,
He to us will be committed
And thru us His pow’r display.
4
First we must prepare the vessels
That the Oil they may contain;
Dig the valley full of ditches
That they may be filled with Rain.
First we must go thru the Jordan
Ere anointed from above;
First in death we must be baptized,
Then experience the Dove.
5
When we see the ripened harvest
Of the golden countryside,
We may know that many seeds have
Fallen to the earth and died.
Ere the fruit of life may blossom,
We must surely suffer death;
If with Christ we’ve not been buried,
We’ll not feel the Spirit’s breath.
6
Since it must be thus, I pray, Lord,
Help me go the narrow way;
Deal with pride and make me willing
Thus to suffer, Thee t’obey.
I for greater power pray not,
Deeper death is what I need;
All the meaning of the Cross, Lord,
Work in me—for this I plead.

Copyright Living Stream Ministry. Used by permission.

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CC

London, United Kingdom

Mar 4, 2026

Lord Jesus Lord Jesus
Work in me -Lord
Through the Cross, O Lord, I pray,
Put my soul-life all away;
Make me any price to pay,
Full anointing to receive.
Since it must be thus, I pray, Lord,
Help me go the narrow way;
Deal with pride and make me willing
Thus to suffer, Thee t’obey.
I for greater power pray not,
Deeper death is what I need;
All the meaning of the Cross, Lord,
Work in me—for this I plead.

Read more
Un Hermano

Sep 24, 2025

Having Died with Christ

from the Elements of the Worl

The experience of Christ’s death is versus asceticism. Day by day we should pass through the cross. This means that no matter what we have done or no matter what has happened to us, the cross takes care of everything. If we are made unhappy in some way by others, we need to apply the cross to our feeling of unhappiness; then the feeling of unhappiness will disappear. This indicates that our way is the cross, not asceticism or any severe treatment of the self. Realizing that we have already died in Christ, we should have a consciousness of the cross. If we realize that we have died in Christ, we will be in resurrection as a new person. We not only have Christ, the unique person, who is versus all things; we also have the cross, the unique way, which is versus all other ways.

As we drive, we come to many intersections; every intersection is a cross. Only by passing through many crosses can we get to our destination. Speaking of spiritual experience, we also must pass through many crosses before we can reach the New Jerusalem ( Rev. 21:2 ). Just as we cannot travel very far geographically without crossing an intersection, so we cannot progress spiritually without passing through the cross. Only when we arrive at the New Jerusalem will we cease to pass through the cross, for by that time all the negative things will have been eliminated (cf. v. 8 ). Until we come to the New Jerusalem, we need to pass through the cross day by day in our walk with the Lord.

The Conclusion of the
New Testament: Experiencing,
Enjoying, and Expressing Christ,
Chapter 355 (LSM)

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Arigbede Tomisin

Ado, Ekiti State, Nigeria

Aug 12, 2025

I love this

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Maria L

Fremont, California, United States

Nov 8, 2024

Lord, show us that the church as the kingdom of God cannot exist in the natural life but can exist only in the realm of transfiguration! May we cooperate with You today by exercising our spirit to lose our soul-life for the Lord’s sake and experience transformation and transfiguration 🙏. We love you Lord Jesus ❤️

Read more
Deidre Johnson

Vista, CA, United States

Oct 18, 2024

In memory of Faithful brother, Michael Stewart passing in London 10/16/24, 5 pm London time.

v. 5 - he is the seed that fell into the ground and died, yielding the “ripened harvest on the golden countryside” in the many places he served and lived. Also as a coworker, husband and father. I was formerly with the family in Long Beach, CA.

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James Smith

Mansfield, Ohio, United States

Feb 10, 2024

I can see some the inspiration for this hymn might of come from AB Simpson’s hymn “Crucified with Christ my savior. ” The tune is the same one written by Mrs. Simpson. They are at least similar in general saying “If no death no Life. ” The lesson of the cross is a hard lesson. I always have trouble singing this hymn, but I know this experience leads us deeper into our relationship with Christ.

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Benjamin Lee

New York City, New York, United States

Jul 4, 2023

Since it must be thus, I pray, Lord,
Help me go the narrow way;
Deal with pride and make me willing
Thus to suffer, Thee t’obey.
I for greater power pray not,
Deeper death is what I need;
All the meaning of the Cross, Lord,
Work in me-for this I plead.

Read more
Maurice Ward

Columbus, Ohio, United States

Nov 1, 2022

When we see the ripened harvest
Of the golden countryside,
We may know that many seeds have
Fallen to the earth and died.
Ere the fruit of life may blossom,
We must surely suffer death;
If with Christ we’ve not been buried,
We’ll not feel the Spirit’s breath.

In the beginning of Moses's ministry God did not allow him to have a quick and swift victory over Pharaoh. Instead he faced opposition. Moses cried out and said, "Why is it that you have sent me?" What Moses saw has defeat was actually his dying to self (self-esteem, self-ambition, self-seeking, and self-confidence). Moses was becoming one who would fall into the ground as a grain of wheat to die, no longer to abide alone, but to bear much fruit.

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Pey-Jing Mehrinfar

San Marcos, TX, United States

Oct 27, 2022

Since it must be thus, I pray, Lord,
Help me go the narrow way;
Deal with pride and make me willing
Thus to suffer, Thee t’obey.
I for greater power pray not,
Deeper death is what I need;
All the meaning of the Cross, Lord,
Work in me-for this I plead.
Lord Jesus! Deeper death is what I need! Work in me!!!

Read more
Glory Jung

Anaheim, CA, United States

Aug 22, 2020

In Hymns, #279 Brother Nee wrote, "I for greater power pray not, / Deeper death is what I need."

Read more