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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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I hear Thy welcome voice

Gospel Coming to the Lord

English1051
1
I hear Thy welcome voice,
That calls me, Lord, to Thee,
For cleansing in Thy precious blood
That flowed on Calvary.
 
I am coming, Lord,
Coming now to Thee:
Wash me, cleanse me in the blood
That flowed on Calvary.
2
Though coming weak and vile,
Thou dost my strength assure;
Thou dost my vileness fully cleanse,
Till spotless all, and pure.
3
’Tis Jesus who confirms
The blessed work within,
By adding grace to welcomed grace,
Where reigned the power of sin.
4
And He the witness gives
To loyal hearts and free,
That every promise is fulfilled,
If faith but brings the plea.
5
All hail, redeeming blood!
All hail, life-giving grace!
All hail, the gift of Christ our Lord,
Our strength and righteousness.

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Te Awhi Kokiri

Te Puke, New Zealand

Sep 9, 2026

I enjoyed the Lord's visit this afternoon while leaving my place of employment, my spirit was quickened because of a sense that the Lord is here and these words came to me so fresh, so timely, so sweet. To have the Savior sing in my heart the wonderful words,

I am coming Lord, coming now to Thee, wash me, cleanse me in the blood that flowed on Calvary.

Over and over just drinking, just enjoying.

All hail redeeming blood, all hail life giving grace, all hail the gift of Christ our Lord, our strength and righteousness.

O Lord Jesus our Wonderful Shepherd we love you.

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Matthew Onguru

Nairobi, Kenya

Mar 17, 2026

All honor and glory be to God forever. This song really ministered to My spirit All the time I sing it. Today I've woken up singing and humming it and some lyrics I missed that's why I found it here thanks for your good work may God be your rewarder Amen.

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Enid Fye- Crentsil

United Kingdom

Jan 14, 2026

Very relevant as it has just been sung at my Aunty Hannah’s vigil. She has fought the good fight & is returning to our Lord. May her dear soul rest in peace 🙏🏾

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Tim

Ohio, United States

Aug 21, 2025

Being cleansed by the blood is the only way to be free. My heart was heavy and dark and I missed my Lord and Savior but this hymn resonated in my being when I let go.

Amen

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Clay Sylvester

Waukegan, IL, United States

Aug 20, 2025

When my heart was dark and heavy, this hymn welled up. Lord, I hear Thy welcome voice... “Today if you hear His voice, do not harden your hearts as in the provocation. ”" (Heb. 3:15) RcV

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Stephen Bellingham

Irvine, CA, United States

May 21, 2025

We can come forward with boldness! Thank you Lord Jesus for your cleansing blood!

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Un Hermano

United States

Apr 28, 2025

E. IN HIS DEATH

1. Giving Himself for the BelieversThat He Might Redeem Themand Purify to Himself a Peoplefor His Own Possession as His Peculiar Treasure

2. Giving Himself for the Church

Ephesians 5:25 tells us that Christ loved the church and gave Himself up for her. Christ’s loving the church and giving Himself up for her was for redemption and for the impartation of life. According to John 19:34, blood and water came out of the Lord’s pierced side. The blood was for redemption, and the water was for the impartation of life so that the church might come into existence. In Ephesians 5:25 we have the church coming into existence through Christ’s loving her and giving Himself up for her.

THE CONCLUSION
OFTHE NEW TESTAMENT
Message 70 (LSM)

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Un Hermano

United States

Apr 27, 2025

The Lord was crucified definitely and physically. With nails in His hands and His feet, He hung on a wooden cross probably for six hours, from nine o’clock in the morning until three o’clock in the afternoon. During the first three hours, man did everything possible to mock Him. Then in the last three hours God came in to judge Him as our substitute. As God was judging Him, Christ shed His blood to redeem us. Out of His side came blood and water: blood for redemption and water for the release of life. Therefore, by His crucifixion, Christ accomplished redemption and released the divine life.

LIFE-STUDY OF
FIRST CORINTHIANS
Message 65 (LSM)

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Sharon Omondi

Kisumu, Nyanza, Kenya

Apr 20, 2025

This a wonderful song, it's remind me of passaca festival and Jesus died on the cross for my sin. such a blessing to me thank you

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James Francis

Port Moresby, National Capital District, Papua New Guinea

Jan 23, 2025

Twas at peace singing this beautiful song. Greetings all the way from the beautiful land Philippines.

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