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Meine Lieder

Über die Zahlennotation

Die Zahlennotation (auch Jianpu oder 简谱 genannt) schreibt jede Melodienote als Zahl von 1 bis 7 statt als Note auf einem Notensystem. Die Zahl zeigt die Stellung der Note in der Tonleiter des Liedes -- nicht ihre genaue Tonhöhe --, sodass dieselbe Melodie unabhängig von der gesungenen Tonart gleich aussieht.

Innerhalb einer Oktave entsprechen die Zahlen 1 2 3 4 5 6 7 den bekannten Solmisationssilben Do Re Mi Fa Sol La Ti. Ein Punkt über einer Zahl hebt sie um eine Oktave an; ein Punkt darunter senkt sie um eine Oktave ab -- ohne Punkt bleibt es bei der mittleren, so geschriebenen Oktave.

Eine einzelne Zahl dauert einen Schlag. Ein Bindestrich (-) direkt nach einer Zahl hält dieselbe Note einen weiteren Schlag lang. Ein Strich unter einer Zahl verkürzt sie dagegen -- ein Strich ist ein halber Schlag, zwei Striche ein viertel Schlag. Eine 0 ist eine Pause: ein Schlag Stille.

Die Angabe oben auf dem Notenblatt, zum Beispiel "1=C" oder "1=Ab", zeigt, auf welcher Tonhöhe die Stufe 1 ("Do") liegt. Ein Lied in Moll trägt stattdessen die Angabe "6=X" -- Stufe 6 ("La") ist dann der eigentliche Grundton. Akkordsymbole über den Noten (wie "C" oder "G7") werden immer mit ihren gewohnten Buchstabennamen geschrieben, nie als Zahlen.

Bei der Angabe "1=C" klingen die Zahlen 1 2 3 4 5 6 7 als C D E F G A B. Bei "1=G" klingen dieselben Zahlen dagegen als G A B C D E F# -- gleiche Form, andere Tonart.

We are never weary singing our eternal song

Worship of the Father His Redemption

English41
1
We are never weary singing our eternal song:
Glory to God, hallelujah!
We would sing His praise forever with our spirit strong:
Glory to God, hallelujah!
 
O the children of the Lord have a wondrous song to sing,
For the Lord will by His grace many sons to glory bring.
We are going in that day to the presence of the King:
Glory to God, hallelujah!
2
We are lost amid the rapture of redeeming love:
Glory to God, hallelujah!
We are seeking every moment all its grace to prove:
Glory to God, hallelujah!
3
We are going on to glory as the Lord has told:
Glory to God, hallelujah!
Where the King in all His beauty we shall soon behold:
Glory to God, hallelujah!
4
There we’ll sing His grace and mercy in a glad new song:
Glory to God, hallelujah!
There we’ll praise our glorious Savior with the blessed throng:
Glory to God, hallelujah!

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Renae Brasted

Clute, TX, United States

Feb 6, 2023

What a glorious beautiful song.

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Anonym

Lubbock, Texas, United States

Sep 18, 2022

We are never weary singing our eternal song, we would sing His praise forever with our spirit strong! Glory to God, hallelujah!

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Larry S.Taylor

Siloam Springs, AR, United States

Jul 10, 2022

O the children of the Lord have a wondrous song to sing, hallelujah

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Anitha Nokku

Tustin, California, United States

Apr 2, 2022

Glory to God, hallelujah!

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Ana Lara

Storrs, Connecticut, United States

Feb 23, 2022

William James Kirkpatrick was born February 27, 1838, Duncannon, Pennsylvania and died September 20, 1921, Pelham Court Hotel, Germantown, Pennsylvania. He was buried in West Laurel Hill Cemetery, Bala Cynwyd, Pennsylvania.

William was the son of school teacher Thomas Kirkpatrick and Elizabeth Storey. He married Susana Doak in 1861, and had three children with her including hymnist May Kirkpatrick who wrote the hymn “He’s With Me All the Time”. After Susana‘s death, he married Sarah Lankford Kellogg Bourne in 1893. After Sara died in 1917, he married Lizzie Sweeney widow of John Sweeney who wrote music for over 1, 000 Gospel songs, and collaborated in many collections.

Kirkpatrick grew up in a musical atmosphere and in 1854, went to Philadelphia, Pennsylvania, to study music and learn a trade. He spent over three years as a carpenter, but was more interested in music spending his leisure time in studying it. His ambition at the time was to become a violinist.

In 1855, Kirkpatrick joined the Horton St. Methodist Episcopal Church in Philadelphia, and from then on devoted himself mostly to sacred music, giving his services to the choir and Sunday school.

Because there were few church organs in that day, his violin and cello were in constant demand for choir rehearsals, singing societies, and church programs.

In 1861, at the beginning of the American Civil War, Kirkpatrick enlisted in the army as a Fife Major. He was discharged the next year apparently because of an act of Congress ending regimental bands.

Kirkpatrick studied vocal music under Professor T. Bishop, a leading oratorio and ballad singer. He became a member of the Harmonia and Handel and Haydn Sacred Music Societies were he heard the great singers of the day and became familiar with the principal choral works of the great composers.

In his early years, Kirkpatrick wrote a number of unpublished hymn-tunes and anthems. His first published composition was “When the Spark of Life is Waning”, which appeared around 1858 in the Musical Pioneer in New York. He went on to publish about 50 hymn collections.

This text was written by Fanny Crosby in 1855. William Kirkpatrick composed the tune which has made this a favorite hymn for more than century.

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DJQ

Iligan City, Philippines

Feb 13, 2022

"We are going on to glory as the Lord has told
Where the King in all His beauty we shall soon behold"
Hallelujah! We'll see Him face to face.

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Emmanuel Tar

City College, Nasarawa, Nigeria

Jan 31, 2022

This beautiful song to the glory of God Almighty.

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Peggy Swaney

Canton, GA, United States

Dez 10, 2021

Enjoying this song this morning but changed the last line to “we are living in this day in the presence of the King”. It is by our living in the presence of the Lord day by day that will cause our King to come and bring us into His Glory. Let the redeemed sing aloud their praises and put the enemy on the run. Hallelujah to our God for all He has done and doing for us and within us, making us His sons.

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Brian Young

Walnut, CA, United States

Mar 14, 2021

Glory to God Hallelujah!

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Glenna Herron

Odessa, TX, United States

Sep 8, 2020

Rev 14:3 And they sing a new song before the throne... and no one could learn the song except the 144,000 who have been purchased from the earth. Footnote:because no one has their specific experiences of Christ. O Lord let us learn this song through all our situations.

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