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我的詩歌列表

關於簡譜

數字就是音階中的音

簡譜(Jianpu,简谱)用數字而不是五線譜上的音符來記錄旋律。不需要先學過樂理:一次學一個小步驟,並在任何例子上按播放,邊聽邊看每個數字依序亮起。只有按下播放才會發出聲音。

簡譜不用五線譜上的音符,每個音都寫成 1 到 7 的數字。它們就是你早已熟悉的音階七個級:do re mi fa sol la ti。7 之後,音階又從 1 重新開始。

七個數字和它們的唱名。按播放,每當數字亮起就唱出它的唱名。
跟著唱:do re mi fa sol,再唱回 do。

只要會唱 do re mi,就已經會唱 1 到 7 的每一個數字。點一下任何數字,就能單獨聽到那個音。

「1=C」告訴你從哪裡開始

譜面左上方會看到像 1=C 這樣的標示,這叫做首調:數字 1(do)就是 C 音,其他數字都由它往上數。1=G 表示 do 是 G,整首曲子就高了一些。其他都不變:同樣的數字畫出同樣的旋律形狀,只是整體變高或變低。

1=C:do 就是 C。
1=G:同樣的數字,從較高的音開始。

找不到 C?在鋼琴上,它是兩個黑鍵左邊的那個白鍵。你也可以不管字母,從自己嗓音舒適的音開始唱:旋律只要保持形狀就好。詩歌頁面上的 − 和 + 調號按鈕可以幫你移調。

圓點讓音變高或變低

數字上方加一點表示高八度,下方加一點表示低八度,兩點就是兩個八度。沒有圓點就是中音區,也就是大部分旋律所在的音域。唱名不變,只是音高改變。

同一個數字的三種高度:下方加點、不加點、上方加點。
一段往上爬的旋律:從低音 sol 開始,到高音 do 結束。

每個音唱多久

用腳穩穩地打拍子,每打一下就是一拍。單獨的數字是一拍,所以每打一下就唱一個新的數字。增時線、減時線和附點會改變這個長度。

單獨的數字是一拍

四個數字、四拍:每打一下拍子唱一個數字。

增時線(短橫線)讓音拉長

每一條短橫線多加一拍。5 唱兩拍,3 唱四拍。

下方的減時線讓音變短

一條底線是半拍,所以兩個帶底線的數字合起來是一拍。(兩條底線是四分之一拍。)

附點讓音延長一半

數字後面的附點再加上它一半的長度。第一個 5 唱一拍半,短短的 3 補滿第二拍。

0 表示休止符

0 是休止符,停頓一拍。繼續數拍子、繼續打拍子,但不要唱。0 後面的增時線會讓停頓變長,就像它讓音拉長一樣。

唱 1 3 5,安靜一拍,再唱下來。休止符也會亮起,讓你感受到停頓。

小節線與拍號

直立的線把音樂分成一個個小節,每個小節的拍數都一樣。開頭的兩個小數字叫拍號,例如 4/4 或 3/4,說明每小節有幾拍:4/4 是每小節四拍,3/4 是三拍。每小節的第一拍最強,唱的時候稍微加重。一條粗細並列的雙線表示結束。

4/4:數 1 2 3 4,1 2 3 4。每小節的第一拍聽起來稍微大聲一點。
3/4:數 1 2 3,1 2 3,像圓舞曲的感覺。

弧線:延音線與連音線

數字上方的弧線把它們連在一起。如果連接的是兩個相同的數字,這是延音線:只唱一次,並把兩個音的長度合起來唱。如果連接的是不同的數字,這是連音線:這些音唱在同一個字上,從一個音滑到下一個音。

延音線:5 只唱一次,延續過小節線,一共六拍。
連音線:「祂」這個字唱兩個音,先 3 再 2。

歌詞寫在數字下面

每個數字對應一個音節(中文是一個字),寫在它的正下方。字詞中間的短橫線表示這個詞還沒唱完,下一個數字繼續唱。如果某個數字下面沒有字,它屬於弧線或增時線:繼續唱目前那個字。

由左到右閱讀,每個數字對應一個字:一閃一閃亮晶晶。

反復記號與 1. 2. 結尾

帶兩個圓點的小節線 :| 表示回頭,從對應的 |: 記號(如果沒有,就從頭)再唱一遍。有時反復會有兩個結尾:第一次唱第 1 結尾;反復時跳過它,改唱第 2 結尾。

播放看看:你會聽到第 1 結尾、反復,再接第 2 結尾。注意亮起的位置會跳回去。

小調:「6=A」

小調的歌聽起來通常比較莊重或溫柔,譜面標示的是像 6=A 這樣的記號,而不是 1=C。它表示數字 6(la)是主音,這裡是 A。數字的唱名不變;旋律只是以 6 為歸宿,常常也在 6 結束。6=A 與 1=C 使用相同的音。

從 6(la)開始,也在 6 結束,也就是主音。聽聽它比較暗的色彩。

綜合練習:一句詩歌

這是詩歌第 8 首「Praise God, from whom all blessings flow」第一句的簡譜寫法。先用慢速試試,每當一個數字亮起就唱出對應的歌詞。

1=G,4/4 拍。先休止三拍,第 4 拍唱「Praise」。7、6、5 下方的圓點表示這幾個音低八度。

自我檢測

四個小問題,不計分也沒有壓力。點選答案就能立刻看到對錯的原因,隨時都可以改選別的答案。

點選持續最久的數字。

點選比第一個 5 高八度的 5。

0 是什麼意思?

在 1=G 之下,數字 1 是哪個音?

在詩歌上試試看

你是從有簡譜檢視的詩歌打開這份指南的,所以現在就可以試試。

  1. 看看譜面左上方:調號,例如 1=D,以及拍號,例如 3/4。
  2. 找到第一個數字,把它唱出來。然後由左到右跟著數字,看下面的歌詞,每個數字唱一個字。按播放器裡的播放,邊看邊聽錄音。
  3. 數字上方的字母(C、G7)是給吉他或鋼琴用的和弦。學旋律的時候可以先不管它們。
  4. 想要有人帶著你唱,請打開學習頁籤並按播放。在顯示裡把學習記譜法設為簡譜(或先在和弦譜頁籤選簡譜)。有簡譜行的詩歌,每一行數字會隨著錄音捲動到畫面上,同時跳動的小球跟著歌詞走;其他詩歌則會在那裡顯示鋼琴譜。用速度選單可以放慢。

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Lord, in Thy Spirit, take and fill my heart

Fullness of the Spirit The Filling

English270
1
Lord, in Thy Spirit, take and fill my heart;
Wean it from earth, through all its pulses move;
Into my spirit all Thy grace impart,
And make me love Thee as I ought to love.
2
I ask no dream, no prophet ecstasies,
No sudden rending of the veil of clay,
No angel visitant, no opening skies;
But take the dimness of my soul away.
3
Hast Thou not bid us love Thee, God and King?
All, all Thine own—soul, heart and strength and mind.
I see Thy cross—there teach my heart to cling.
Oh, let me seek Thee, and, oh, let me find.
4
Teach me to feel that Thou art always nigh;
Teach me the struggles of the soul to bear,
To check the rising doubt, the rebel sigh;
Teach me the patience of unanswered prayer.
5
Teach me to love Thee with a virgin love,
One holy passion filling all my frame;
Thus all the riches of Thyself to prove,
My heart an altar, and Thy love the flame.

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Maurice Ward

Irving, Texas, United States

十一月 26, 2023

My heart an altar and Thy love the flame

"Who proves our hearts." 1 These 2:4c

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Ana Lara

United States

六月 27, 2020

In 1854, when George Croly was 74 years old, he wanted a new hymnal for his congregation. He prepared and published his own “Psalms and Hymns for Public Worship. ” This text is from that collection and was originally entitled “Holiness Desired. ” It is Croly’s only surviving hymn from that collection.

The five stanzas show the author’s personal desire for holiness which has an appeal for believers even today.

Stanza One-A desire to change the focus of one’s life from temporal things to spiritual things-“make me love Thee as I ought to love. ”

Stanza Two-A desire for no outward manifestation but that God would grant him

a “seeing” due to the soul’s blinding sway-“but take the dimness of my soul away. ”

Stanza Three-Complete consecration to God-“soul, heart, strength and mind. ”

Stanza Four-A prayerful concern for knowing fully the Spirit’s abiding presence as an antidote for the soul’s impatience when confronted with struggle, doubt, rebellion or a delayed answer to prayer-“teach me the patience of unanswered prayer. ”

Stanza Five-The last phrase of this verse is considered to be one of the most beautiful metaphors found in any hymn-“my heart an altar, and Thy love the flame. ”

The tune “Morecambe, ” was written by a church organist, Frederick C. Atkinson, in 1870. It was originally intended for Henry Lyte’s hymn, “Abide with Me”. It is though that the tune was named after an English town in the Midland district where music festivals were held periodically.

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IrisCrystal Seok

South Korea

一月 12, 2014

This lyric reminds me of one of the ministry messages:

“The Bible tells us that we have three different enemies: (1) the flesh—in us. (2) the world—outside of us, and (3) Satan—above and below us. According to the ascended position of the church, Satan is under us…. The flesh is set against the Holy Spirit (Gal. 5:17). The world opposes the Father (1 Jn. 2:15). And Satan contends with Christ (1 Jn. 3:8). We thus see that the flesh is overcome by walking after the Spirit; the world is overcome by loving the Father; and Satan is overcome by believing in Christ… Unshaken by outward and inward forces, this is victory. No flesh activating itself within, no worldly attraction or instigation stirring without, and no Satanic ground being yielded to beneath—that is victory. Throughout His life, our Lord never lived according to the flesh. He had set the flesh so completely aside that He was the first man in whom Satan had absolutely nothing. Neither the flesh nor the world nor the devil had any place in Him…

Therefore, God’s overcomers must forsake all self-complacencies, pay the cost, let the cross cut off all that comes out of the old creation, and stand against the gates of Hates (Matt. 16:18).

Are you willing to hurt your own heart that you may gain God’s heart? Are you ready to let yourself be defeated so that the Lord may triumph? When your obedience is made full, God will quickly avenge all the disobedience (2 Cor. 10:6).”

It also reminds me of one sentence from a minister:

“Let my heart be broken with the things that break the Heart of God.”

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Steve Miller

Detroit, MI, United States

五月 17, 2013

George Croly came from Ireland to minister in a small parish church in London. During his 25 years of service there he had much time for writing and became known for poems, novels, biographies and plays. Then when he was 50 years old, he was asked to reopen a church in one of London's worst slums that had been closed for more than a century. Croly's preaching soon attracted crowds. At the age of 74, he prepared a new hymnal for the congregation, including this hymn under the title "Holiness Desired." In this hymn he shuts the door and asks for a fresh filling of the Spirit. - Great Songs of Faith by Brown and Norton

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