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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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1
In a time before time, in an age before the ages;
There was God, all alone in eternity.
Yet He had a heart’s desire, and a counterpart required.
A Desire in His heart, For a bride a counterpart
That was deep inside the hidden heart of God.
2
In His plan, He formed man, who surveyed all that God had made.
While he ached for a mate, for a counterpart.
Man could taste the e’ternal yearning that so long in God was burning!
Eve was built from Adam’s side, And his heart was satisfied;
Told the story of the hidden heart of God.
3
But when Eve was deceived, what was pure fell beyond a cure;
All creation enslaved under vanity!
God was born in human hist’ry, To reveal its greatest myst’ry!
That the answer for the earth was that Christ so loved the church;
He would die to satisfy the heart of God.
4
So alone this grain dies, but with joy to obtain His prize.
And with life both divine and unbreakable!
He arises, powers hear it! He will court her as the Spirit!
Blood and water from His side will redeem and build His bride,
She will satisfy the riven heart of God.
5
When He breathed she received His divine personality;
Flowing in, washing sin, death and age away.
So that He might sanctify her by the washing of the water;
Adding beauty, adding health, to present her to Himself:
Full of glory for the holy heart of God.
6
In a time beyond time, in an age beyond the ages;
God and man will be one for eternity.
Hallelujah! What a story! She is brought from gloom to glory!
And the longing from the start, for a bride, a counterpart,
Is fulfilled inside the happy heart of God!

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Chris Abraham

Calgary, Alberta, Canada

Sep 29, 2018

“Though His death’s final breath,
Finally fell, He could not be held
For His life was divine and unbreakable.
He arises, powers hear it! ”

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Sam C

Delft, Netherlands

May 10, 2018

How refreshing to sing the truth according to God's perspective!

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Nelson Liu

Irvine, CA, United States

Dec 19, 2017

Hallelujah, what a story!

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Mark Perocho

Makati, Metro Manila, Philippines

Oct 13, 2017

Hallelujah, what a story!
She was brought from gloom to glory!
And the longing from the start
For a bride, a counterpart
Is fulfilled inside the happy heart of God.

Read more
Glori A.

Atlanta, GA, United States

Aug 24, 2017

Left creation in a quandary! Generations lived in mystery! Seeking Job could not perceive but persisted to believe there was purpose in the hidden heart of God.

What a mercy that we can perceive the mystery that was hidden in God throughout the ages (Eph 3:9)!

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Jules

United Kingdom

Apr 13, 2017

I think that's the most wonderful song I have ever heard.

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Joanna L Smathers

Baton Rouge, LA, United States

Aug 31, 2015

This song was on a printout we had in our meeting this morning. Lord Jesus lovely Bridegroom we Love You.

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RS

Edinburgh, United Kingdom

Apr 28, 2015

I love this hymn. Praise the Lord for His eternal purpose to have the Church!!

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Lelle Ruth

Philippines

Jan 31, 2013

The hymn has portrayed what was on God's heart from eternity to eternity. May we all enter into the satisfaction of God's heart!

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Jarrod Treen

Newington, Connecticut, United States

Jul 15, 2011

What a sweet song manifesting the mystery in God's heart with His love for Christ and the church, and His desire to joined with redeemed, transformed, and glorified man as the lovely Bride matching Christ the Beloved Bridegroom! Praise the Lord for God's heart's desire and for His economy in Christ and the church to carry out His desire. O Lord make us those who live according to Your heart's desire everyday! We love You Bridegroom Jesus!

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