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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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1
In a time before time, in an age before the ages;
There was God, all alone in eternity.
Yet He had a heart’s desire, and a counterpart required.
A Desire in His heart, For a bride a counterpart
That was deep inside the hidden heart of God.
2
In His plan, He formed man, who surveyed all that God had made.
While he ached for a mate, for a counterpart.
Man could taste the e’ternal yearning that so long in God was burning!
Eve was built from Adam’s side, And his heart was satisfied;
Told the story of the hidden heart of God.
3
But when Eve was deceived, what was pure fell beyond a cure;
All creation enslaved under vanity!
God was born in human hist’ry, To reveal its greatest myst’ry!
That the answer for the earth was that Christ so loved the church;
He would die to satisfy the heart of God.
4
So alone this grain dies, but with joy to obtain His prize.
And with life both divine and unbreakable!
He arises, powers hear it! He will court her as the Spirit!
Blood and water from His side will redeem and build His bride,
She will satisfy the riven heart of God.
5
When He breathed she received His divine personality;
Flowing in, washing sin, death and age away.
So that He might sanctify her by the washing of the water;
Adding beauty, adding health, to present her to Himself:
Full of glory for the holy heart of God.
6
In a time beyond time, in an age beyond the ages;
God and man will be one for eternity.
Hallelujah! What a story! She is brought from gloom to glory!
And the longing from the start, for a bride, a counterpart,
Is fulfilled inside the happy heart of God!

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Mario Bibi

Austin, Texas, United States

Apr 21, 2025

Thank You, God, for revealing what is deep inside Your hidden heart. Gain us more as Your lovers! As Your counterpart! Fulfill inside Your happy heart. Lord Jesus, we love You!

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Cándida Nunez

Houston, Texas, United States

Apr 2, 2025

Thank you Lord for bringing us from gloom to Glory. Now you have a counterpart.

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Benjamin Lee

New York, NY, United States

Jun 26, 2024

In a time before time, in an age before the ages;
There was God, all alone in eternity.
In a time beyond time, in an age beyond the ages;
God and man will be one for eternity.

Hallelujah! What a story! She is brought from gloom to glory!

Read more
Cathy Archambeault

Boise, Idaho, United States

May 31, 2024

From God’s intent in eternity past til “she is brought from gloom to glory” what a sweet presentation of the truths of the high gospel! So sweet to enjoy such a marvelous love story.

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Enid Adiegwu

Blacksburg, VA, United States

Jan 13, 2024

Wow!!

What a beautiful love story!

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Jeffrey

California, United States

Jan 2, 2023

In a time before time, in an age before the ages;
There was God, all alone in eternity.
In a time beyond time, in an age beyond the ages;
God and man will be one for eternity!

Read more
Leisa Dunn

Kansas City, Missouri, United States

Nov 4, 2022

What a gospel!!! This is our God!!! I’m sending this to my friends/family who do not know the heart of God. What a washing away of all the erroneous concepts we have of our God!!! 🥰🥰🥰. He died for this! He lives for this! Hallelujah we are for making our God’s heart HAPPY!!!

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Alyssa McLane

Eastvale, CA, United States

Oct 22, 2022

Amen, God longed for a counterpart and His counterpart He will get!

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Grant

Romford, Essex, United Kingdom

Sep 23, 2022

Hallelujah! What a story , She is brought from gloom to glory , praise the Lord He shall gain His counterpart His bride Amen

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Samuel

Aug 25, 2022

Hallelujah!!!
And the longing from the start, for a bride, a counterpart,
Is fulfilled inside the happy heart of God!

Read more