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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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God has called us for His purpose

Ultimate Manifestation God’s Eternal Purpose

New Songs28
1
God has called us for His purpose,
His economy so glorious,
For which He was fully processed;
Consummated now is He!
As the Spirit, He indwells us;
As our God allotted portion,
Working out His full salvation,
Making us the same as He is.
 
Oh, may a clear, controlling vision of
The Lord’s economy direct my heart,
And burn in me until my spirit’s wholly set afire!
With spirit strong and active we’ll press on
To consummate God’s goal—
New Jerusalem, Hallelujah!
2
Jesus lived the God-man pattern,
Set the way for us to follow,
He denied His natural man and
Was obedient unto death,
Once He was the only God-man;
Now we are His duplication.
As the many grains we’re blended
As His corporate reproduction.
3
Living out His resurrection,
Dying to the flesh and soul-life.
Living by the mingled spirit,
Natural man we will deny.
Now we’re living in the Body,
Every day we’re overcoming,
Striving for the peak of Zion,
Watching for our Lord’s appearing.
4
God and man will have one living,
Always in the mingled spirit;
We two are incorporated
One organic entity!
This the vision of the ages
Will control our daily living
That the Lord may have His Body
Shining as the holy city.

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A Dear Sister In The Lord

United States

Apr 30, 2010

Oh Lord Jesus, we thank You that YOU have called US for Your purpose! Hallelujah, Amen!!

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Wendy Risso :D

United States

Apr 5, 2010

Amen, thank You Lord for revealing Your purpose to me!

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Elaine

Mystic, CT, United States

Feb 11, 2010

Oh Lord Jesus! We have Your economy direct our heart to burn in us! Hallelujah for His sovereignty! Amen!!!

As a young person in the Lord I learned this song just a few weeks ago when I was 11! I already love the song so much!

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Danai

Sydney, Australia

Feb 7, 2010

So inspiring. This is the first song that I heard when I came in contact with the church. Such a wonderful song. All His economy is revealed here!!

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Sheinna Pearl

Pagadian, Zamboanga Del Sur, Philippines

Nov 11, 2009

Amen that God has called us for His purpose. We should press on. Hallelujah!

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Samuel Corrêa

Cachoeirinha, Rio Grande Do Sul, Brazil

Nov 6, 2009

Dear Lord Jesus, thank You for the church life, I am now part of Your Body because of Your mercy alone, with millions of other saints. Thank You for all of them. You are making us the same as You are. I definitely do not deserve it. I have no words to express how grateful I am. I love You! Forever, my Lord, I belong to You.

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Ellen Unabia

Cebu City, Cebu, Philippines

Sep 24, 2009

Amen!!! Praise the Lord! Thank You Lord Jesus for Your salvation that makes us the same as You. Thank You for the Spirit who gave as strong to fulfill Your goal. I love You Lord Jesus.

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Seth Peter Morales

Baguio City, Benguet, Philippines

Sep 9, 2009

Amen! Praise The Lord I am only a young saint (11 years old), but I can already feel the Lord burning in me. Lord we are all one, God and man are one organic entity. May we all see the vision of Your goal, the NEW JERUSALEM, HALLELUJAH!!!!!!!!

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JORGE ARIAS

DURAN, GUAYAS, Ecuador

Aug 19, 2009

SI SEOR!
QUE ME GOBIERNE UNA CLARA VISION,
Y QUE,SUE CONOMIA GUIE MI CORAZON,
Y ARDA EN MI HASTA MI ESPIRITU ENCENDER!
PORQUE QUIERO, PROSEGUID CON UN FUERTE ESPIRITU
Y CONSUMAD SU PLAN
NUEVA JERUZALEN! ALELUYA!
ALELUYA! AMEN!

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Asilda Dhembi

Wixom, Michigan, United States

Aug 16, 2009

These 2 lines just get me every time: TO CONSUMMATE GOD'S GOAL - New Jerusalem, Hallelujah!

Lord I give myself to you that you may gain me for the consummation of your goal which you have desired for so long.. The New Jerusalem..

God and man will have one living,
Always in the mingled spirit;
We two are incorporated
One organic entity!
This the vision of the ages
Will control our daily living
That the Lord may have His Body
Shining as the holy city.

WOW!! ONE ORGANIC ENTITY - The Vision of the ages!! His Body shining as the holy city! Wonderful!

Read more