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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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God has called us for His purpose

Ultimate Manifestation God’s Eternal Purpose

New Songs28
1
God has called us for His purpose,
His economy so glorious,
For which He was fully processed;
Consummated now is He!
As the Spirit, He indwells us;
As our God allotted portion,
Working out His full salvation,
Making us the same as He is.
 
Oh, may a clear, controlling vision of
The Lord’s economy direct my heart,
And burn in me until my spirit’s wholly set afire!
With spirit strong and active we’ll press on
To consummate God’s goal—
New Jerusalem, Hallelujah!
2
Jesus lived the God-man pattern,
Set the way for us to follow,
He denied His natural man and
Was obedient unto death,
Once He was the only God-man;
Now we are His duplication.
As the many grains we’re blended
As His corporate reproduction.
3
Living out His resurrection,
Dying to the flesh and soul-life.
Living by the mingled spirit,
Natural man we will deny.
Now we’re living in the Body,
Every day we’re overcoming,
Striving for the peak of Zion,
Watching for our Lord’s appearing.
4
God and man will have one living,
Always in the mingled spirit;
We two are incorporated
One organic entity!
This the vision of the ages
Will control our daily living
That the Lord may have His Body
Shining as the holy city.

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Jenny Flores Hufana

San Fernando, La Union

Oct 25, 2006

Praise the lord for His economy! The Lord is our sweetest satisfaction! He is good and ever faithful! We must delight ourselves in the Lord no matter sadness comes along the way! For He is the genuine happiness!

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Jade

Paris, France

May 26, 2006

I love this song! We are separated from the world for Lord's purpose and God's economy.

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Daniel Acevedo

Salt Lake City, UT, U.S.A.

Jan 27, 2006

I love singing this song! I often find myself singing to the Lord as I do the dishes or drive to work... God and man will have one living / Always in the mingled spirit / We two are incorporated / One organic entity! Lord, we love You! Come back quickly!

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Christine S.

Santa Monica, CA, U.S.A.

May 3, 2005

I first heard this song at a college meeting at UCLA campus" country="and it touched me. This past Lord's Day the meeting was on God's Economy, and the ONEness the God wants us to have. I am in a hotel room on a business trip and found this website, clicked on "song of the day" and here it was again! This brings tears to my eyes and touched my spirit that another Saint halfway around the world just listened to it as well. Our life in Christ is amazing and we are ONE indeed!

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Paul Choo

Helsinki, Finland

May 1, 2005

This is the song I learnt to sing when I went to a students' training meeting for the first time and was saved there. I was but a small young boy then, this song really touched my little heart and still continues to do the same now!! I remember singing this song with top of my voice until my throat gave away. I sensed something really burning within.

The words in this song are just wonderful, fully revealing His heart's desire and purpose for men. This song just causes you to give yourself for the Lord's purpose by renewing our consecration to the Lord.

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Nat

Modesto, CA, U.S.A.

Mar 23, 2005

Thank you Lord!! You have called me for Your purpose!!! Amen.

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Steve Lin

Franklin Park, NJ, U.S.A.

Mar 23, 2003

Both music and the verse are good. It's also a good match. Hard to find a good one like this.

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