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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Divine romance

Experience of Christ Loving Him

Long Beach Songbook82
1
How could a country girl like me
Become Your match — Your bride to be?
You’re holy and You are divine
But I’m fallen and human.

Without You, Lord, I have no chance
To be like You in this romance.
But You chose me ere the world began
Nothing could change Your plan.
 
This divine romance
Is My heart’s deep plan.
I became a lowly man
To court My country girl.
 
Nothing could deter,
Nothing can alter
My eternal love for her;
I’ll gain My country girl.
2
No man or angel ever knew
This secret hidden deep in You
That You desired to be one with man
Before the world began.

Though sin came in to ruin me
Through Satan’s scheme and subtlety
Nothing could break Your love for me
To gain me totally.
 
This divine romance
Is My heart’s deep plan,
I became a lowly man
To court My country girl.
 
Nothing could deter,
Nothing can alter
My eternal love for her;
I’ll gain My country girl.
3
As King of kings You became a man,
You died for me—I’ve been redeemed,
In resurrection made us queen
To marry You, my King.

From death You ’rose and entered me,
I now possess Your divinity;
In life and nature we’re the same:
Both human and divine.
 
In Your love I’m drawn,
To You I belong;
I am not my own, Lord,
I’m Yours alone.
 
By Your love I’m drawn,
In Your name I’m charmed,
And Your Person captured me,
For I’ve been kissed by Thee.
4
Lord, in this close sweet fellowship,
Lord, be with me so intimate,
So personal and affectionate;
A sweet relationship.

Lord, daily change my inward being
Lord, all my heart possessing
In all my being—transforming
To be Your bride and queen.
 
In Your love I’m drawn,
To You I belong;
I am not my own, Lord,
I’m Yours alone.
 
By Your love I’m drawn,
In Your name I’m charmed,
And Your Person captured me,
For I’ve been kissed by Thee.

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M Troughton

Vallejo, CA, United States

Mar 22, 2026

In Your love I’m drawn,
To You I belong;
I am not my own, Lord,
I’m Yours alone.

SS1:2-4 .. Your love is better than wine.. Your name is like ointment poured forth; Therefore the virgins love you. 7:10 I am my beloved’s, and his desire is f or me.

Lord Jesus, I cannot help loving You more everyday. Never stop drawing us.

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Sahil

Islamabad, Federal Area, Pakistan

Aug 16, 2025

Ohh my love be my everything I just want to love you more than more my Jesus. Keep me in this Divine romance just Lord one touch of you just want to look into your eyes ohh Jesus my love my best love in this world no one can satisfy me but only you my Lord grab my heart for you ❤️

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Enid Adiegwu

Blacksburg, VA, United States

Jun 3, 2025

Nothing could deter,
Nothing can alter
My eternal love for her;
I’ll gain My country girl.
Wow.
I grew up loving and singing this song as a young person.

I have not sang this song in a very long time and I found it again and I feel the the gospel is being preached to me again🥺❤️

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Ashley

Austin, TX, United States

May 1, 2025

In Your love I’m drawn,
To You I belong;
I am not my own, Lord,
I’m Yours alone

Amen Lord let it be so I willingly give myself to you today and receive your love

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Carl

Malaysia

Feb 1, 2025

This divine romance,
Is my heart's deep plan,
I became a lowly man,
To court My country girl.
Lord Jesus, I do love you!

Read more
Anna

Santa Cruz, CA, United States

Nov 18, 2024

Lord, be with me so intimate,
So personal and affectionate;
Lord, daily change my inward being
Lord, all my heart possessing
In all my being—transforming
Lord, prepare me to be Your bride!

Read more
Lee

India

Aug 15, 2024

he is my king and I am his queen AMEN!!!!

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Ashley

Aix En Provence, France

May 26, 2024

This song came to me on a hike after years of not singing or listening to it. Amen. This is His way.

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Rebecca Sadia

Austin, Texas, United States

Apr 8, 2024

Lord Jesus You are all I want!
You are all I need!
I love You!

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Te Franks

Pullman, Washington, United States

Jan 25, 2024

What a beautiful song to touch our heart and sweet-smelling fragence for God's deep satisfaction! I believe this author did not just read the Song of Songs, then sat down and wrote this hymn. I believe brother Howard absorbed the spirit of the Song of Songs and entered into the reality of the divine romance as portrayed in this hymn. This song is a precious treasure to us and the Lord!

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