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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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God be with you till we meet again

The Church Her Fellowship

English861
1
God be with you till we meet again;
By His counsels guide, uphold you,
With His sheep in love enfold you;
God be with you till we meet again.
 
Till we meet, till we meet,
Till we meet at Jesus’ feet;
Till we meet, till we meet,
God be with you till we meet again.
2
God be with you till we meet again!
’Neath His wings protecting hide you,
Daily manna still provide you;
God be with you till we meet again!
3
God be with you till we meet again!
When life’s perils thick confound you,
Put His arms unfailing round you;
God be with you till we meet again!
4
God be with you till we meet again!
Keep love’s banner floating o’er you,
Smite death’s threatening wave before you;
God be with you till we meet again!

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Nsiah Adjei

Accra, Ghana

Sep 24, 2025

One of the things we always wish to do is to pray with people. And commit them into the hands of the everlasting one.

However,
most people depart this life prepared but unaware.
Or aware but not prepare.

Believing in the resurrection power of our Lord and Saviour we have to sign

Till we meet again at Jesús feet

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Nsiah Adjei

Accra, Ghana

Sep 23, 2025

God be with you till we meet again is the song I used to console myself when I lost my mum, close family members. And later one of my best friends .

Till today , I always grief. And have not accepted they are gone to be with the Lord, despite the fact that I miss them and see them know.

To live in the heart of those who love you- is not to die.
Till we meet again.
Lord be with us.

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Vilot

Bafoussam, West, Cameroon

Jun 30, 2025

There’s no better comfort than that from God

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Crispino Nyangate

Kisii, Nyanza, Kenya

Apr 24, 2025

Rest well Aunty Serphine Kerubo Moindis, Forever in our Hearts

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Richard Jakomanyo

Nairobi, Kenya

Apr 12, 2025

Encouraging song, comforting us while on earth 🙏

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Sofiagrace

Castro Valley, California, United States

Mar 15, 2025

This song came to me today while reading Psalm 119:1-24. God be with you till we meet again. Brothers and Sisters, let us pray for souls and share the Gospel of Christ that others know of God’s goodness, repent of sin and follow Christ to live in His way. Then the words of this song will ring true: till we meet again (in Heaven).

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Ana Lara

Storrs, Connecticut, United States

Mar 4, 2025

A lyric of benediction, born at the moment for the need of the great “Society of Christian Endeavor, ” and now adopted into the Christian song-service throughout the Christian world. The author, Rev. Jeremiah Eames Rankin, D. D. was born in Thornton, N. H. , Jan. 2, 1828. He graduated from Middlebury College, VT. , in 1848, and labored as a Congregational Pastor for more than thirty years. He was president of Howard University, Washington, D. C. for thirteen years. Besides the “Parting Hymn, ” he wrote various practical works and religious essays. He died in 1904.

The Tune

As in a thousand other partnerships of hymns and musicians, Dr. Rankin was blessed by his composer. The tune is a symphony of hearts – – subdued at first, but then breaking into a chorus strong with uplifting hope It is a farewell with a spiritual message in it. The author, William Gould was born in Finesville,

N. J. , October 5, 1832. He died in Phillipsburg, N. J. Sept. 26, 1896. William was a soldier in the Civil War and an able writer as well as a composer. For sometime, he was editor of the High Bridge Gazette, and music was more of a vocation than a profession. He wrote the melody to Dr. Ranking’s hymn in 1880, Prof. J. W. Bischoff supplied the harmony, and the tune was first published in Gospel Bells the same year.

Brown and Butterworth 1906

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Koko Mbilo

Anambra, Nigeria

Jan 22, 2025

Rest well dad, your memory lives on

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Omowumi

Ibadan, Oyo, Nigeria

Dec 19, 2024

This song was sang today @ Sis Abosede Olamide Famurewa's burial fondly called big mummy. We love you but God love you most. May your soul continue to rest in peace Amen

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Emmanuel Oyiboka

Port Harcourt City, Rivers State, Nigeria

Nov 26, 2024

I found myself crying 😭 as a sing along.

Till we meet again, till we meet at Jesus' feet,

May the Lord comfort and strengthen me, till that blessed day I meet thee.

Rest in peace, my beloved wife Amblessed Chinalurumoluoma Oyiboka. You will forever be in my heart and memories.

May the Lord receive you with open arms and grant you eternal rest.

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