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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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God be with you till we meet again

The Church Her Fellowship

English861
1
God be with you till we meet again;
By His counsels guide, uphold you,
With His sheep in love enfold you;
God be with you till we meet again.
 
Till we meet, till we meet,
Till we meet at Jesus’ feet;
Till we meet, till we meet,
God be with you till we meet again.
2
God be with you till we meet again!
’Neath His wings protecting hide you,
Daily manna still provide you;
God be with you till we meet again!
3
God be with you till we meet again!
When life’s perils thick confound you,
Put His arms unfailing round you;
God be with you till we meet again!
4
God be with you till we meet again!
Keep love’s banner floating o’er you,
Smite death’s threatening wave before you;
God be with you till we meet again!

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Galauzani Chirwa

Lusaka, Zambia

Apr 20, 2019

Soul soothing gospel song and Blessing song.

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Nana Kofi Mbeah

Sekondi-Takoradi, Western Region, Ghana

Feb 4, 2019

One of the most passionate and emotional hymns of all time.

I felt the power of this hymn, when my late grandmother’s best friend, sang it in her late husband’s funeral.

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Peter Kimiti

Nairobi, Central, Kenya

Jan 2, 2018

I'm really blessed by this song, we used to sing the song back in my high school during closing day.

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Anonymous

Dec 17, 2017

Lovely

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Jusa

Atambua, East Timor, Indonesia

Oct 23, 2017

I sing thing song over and over during my duty in East Timor and I feel so trembled by the meaning on how Lord Jesus will protect me. Blessed His Holy name.

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Motunrayo Akindeju

Somolu, Lagos, Nigeria

Feb 11, 2016

Good song. Can I get the Yoruba translation?

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Steve Miller

Detroit, Michigan, United States

Dec 16, 2015

"It was written as a Christian good-bye, and first sung in the First Congregational Church, of which I was minister for fifteen years. We had Gospel meetings on Sunday nights, and our music was intentionally of the popular kind. I wrote the first stanza, and sent it to two gentlemen for music. The music which seemed to me to best suit the words was written by T. G. Tomer, teacher of public schools in New Jersey, at one time on the staff of General 0. 0. Howard. After receiving the music (which was revised by Dr. J. W. Bischoff, the organist of my church), I wrote the other stanzas." - Jeremiah Eames Rankin in 'Dictionary of Hymnology' by Julian.

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Stanza 4 above was printed on postcards to soldiers.
----------------
There are 4 additional stanzas which are usually omitted:
2b. God be with you till we meet again;
With the oil of joy anoint you;
Sacred ministries appoint you;
God be with you till we meet again.
------------
3b. God be with you till we meet again;
Of His promises remind you;
For life’s upper garner bind you;
God be with you till we meet again.
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3c. God be with you till we meet again;
Sicknesses and sorrows taking,
Never leaving or forsaking;
God be with you till we meet again.
--------------

5. God be with you till we meet again;
Ended when for you earth’s story,
Israel’s chariot sweep to glory;
God be with you till we meet again.

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Fortune Ngwenya

Manchester, United Kingdom

Jun 7, 2015

Beautiful hymn, so inspiring; surely enjoyed the service in Leeds UK today....

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Bill

Provo, Utah, United States

Mar 30, 2015

To Mary from Hamilton, Ontario—my mother always tagged it with 494, according to her Irish father's hymn book from Belfast. She loved to hear him, a great tenor, sing it back in "the day" (she'll be 100 next week!)

Good day!

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Applis McGrady

Albany, Ga, United States

Mar 18, 2012

I so love this song. At my church growing up it was filled with military families.The last service before they deployed we would sing this song. It was 8 years before they were playing it for my family. Thank you Rockville Bethal Bible Church and Paster Raube for all the wonderful memories and the firm foundation you helped build in my life.

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