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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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God, You are now rearranging my way

Longings For Obedience to God

English8273
1
God, You are now rearranging my way.
All I have built You’re destroying today.
Those serving faithfully daily decrease.
Dishonesty, misunderstandings increase.
 
My eyes are teary; I can’t see You clearly,
As though all Your words aren’t as real as before.
You make me decrease, that You might thus increase,
To make Your will sweeter than e’er before.
2
For Your hand stopping I’d almost implore,
When I feel I cannot take any more.
Yet You are God! Oh, how can You give way?
Please, Lord, do not give in; wait ’til I obey.
3
If Your good pleasure and will should decree
That I must take suff’ring’s yoke upon me,
Then may my heart’s deepest joy be this thing—
Obeying Your will to take the suffering.
4
It seems the price that’s required for Your joy
Is that I’m hindered and knocked down by You;
Therefore I’d welcome Your hindering pull,
If thus I could cause Your heart to be joyful.
5
You’ve given chariots to others instead.
You have made them thus to ride o’er my head.
You stretch Your hand out my all now to take,
Yet please leave Your stripping hand here for my sake.

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Janna Alpes

Cagayan De Oro, Philippines

Jan 23, 2017

We should believe that everything that passes through God's hand is good. Our circumstances are arranged by God and are there for our benefit. Every environmental arrangement is for our benefit; it deals with the strong points in our natural life.

All the experiences we encounter are arranged by the Holy Spirit and are there to edify us. While we are passing through these disciplines and trials, we may not feel joyful or comfortable, but they are all part of God's work in us. Afterwards, we will realize that these experiences were all for our benefit. -eManna

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Anonymous

Jerusalem, Israel

Dec 14, 2016

O Lord...
YOU ARE GOD!
In the moments we see it,
Deep inside of our being there is a whisper AMEN.
So weak but so strong AMEN...
I love You my God!

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Regan and Chris

Hamilton, New Zealand

Jun 18, 2015

You stretch Your hand out my all now to take,

Yet please leave Your stripping hand here for my sake.

We often think receiving the Lord means our life will be full of blessing. Yet, actually, the Lord takes many things away from us. However, we will come to realise that having the Lord Himself, at the cost of everything else, is the real blessing.

Thank You, Lord, for Watchman Nee.

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Rebecca Cupp

Centerville, GA, United States

Oct 25, 2010

This psalms brings me to tears yet so beautiful. Everything happens for a reason and it is better to take His blessed will with all His mercy and love. Take Job's example plus I look at my life and consider why hard times comes upon me. Even Adam and Eve were sent out because they were disobedient so they had to die yet God made a way for them.

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Orc

Oct 3, 2010

I am deeply touched by this hymn. Like Brother Watchman Nee, may every word be a reality in my life and living. O Lord Jesus, trusting Your far-reaching mercy, unfailing love, abounding grace!

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Glorifel Brioso

Cebu, Philippines

Aug 6, 2009

AMEN!!! I am also experiencing every line of this hymn...I was so grateful that I was able to browse this in this website. It is so timely and it has strengthened me! Thank the Lord for His sovereign arrangement.

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Ana

Philippines

Jun 25, 2009

Amen! Every word spells out my experience now....Oh Lord Jesus, may You have Your way in all of us..

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