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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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God, You are now rearranging my way

Longings For Obedience to God

English8273
1
God, You are now rearranging my way.
All I have built You’re destroying today.
Those serving faithfully daily decrease.
Dishonesty, misunderstandings increase.
 
My eyes are teary; I can’t see You clearly,
As though all Your words aren’t as real as before.
You make me decrease, that You might thus increase,
To make Your will sweeter than e’er before.
2
For Your hand stopping I’d almost implore,
When I feel I cannot take any more.
Yet You are God! Oh, how can You give way?
Please, Lord, do not give in; wait ’til I obey.
3
If Your good pleasure and will should decree
That I must take suff’ring’s yoke upon me,
Then may my heart’s deepest joy be this thing—
Obeying Your will to take the suffering.
4
It seems the price that’s required for Your joy
Is that I’m hindered and knocked down by You;
Therefore I’d welcome Your hindering pull,
If thus I could cause Your heart to be joyful.
5
You’ve given chariots to others instead.
You have made them thus to ride o’er my head.
You stretch Your hand out my all now to take,
Yet please leave Your stripping hand here for my sake.

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Barbara

Salem, OR, United States

Jun 21, 2025

It seems the price that’s required for Your joy
Is that I’m hindered and knocked down by You;
Therefore I’d welcome Your hindering pull,
If thus I could cause Your heart to be joyful.

Read more
Jac

San Marcos, TX, United States

Jul 3, 2021

You’ve sovereignly given chariots to others instead, You have made them thus to ride over my head. You stretch Your hand out- my all now to take, but Lord, please leave Your stripping hand here for my sake.

We need to understand His purpose in rearranging what would be our way over and over and over again so He may gain us more deeply and in a continuous way. Hallelujah!

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Mary

New Delhi, India

Mar 6, 2021

Oh Lord... You stretch Your hand out my all now to take,

Yet please leave Your stripping hand here for my sake.

Read more
Maurice Ward

United States

Dec 28, 2020

Lord I love you. Thank you for Your will. Your stripping and consuming proves to me that I do love you because You first loved me.

Leave your stripping hand here for "our" sake, the product of the New Jerusalem. By your grace and mercy grant a soft, open, and turned heart to you Lord that I may remain under Your dispensing and transforming work all the day. Praise You for Your great love towards us!

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Sierra Sorongon

Iloilo, Philippines

Sep 29, 2020

Oh Lord, please wait until I obey. I cannot obey because of the wickedness of my flesh. Help me Lord. My eyes are teary I can't see You clearly💔💔💔💔

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Anonymous

Jul 31, 2020

I fell in love with Him even more! Praise the Lord!

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Anonymous

Jun 6, 2020

Praise the Lord, for You are sovereign in arranging everything for our need. You act on a hidden way, May You cause us to obey and hold on to Your presence, not to loose Your smilling face towards us, or I might be teary again, remembering Your love. , ❤️

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S Lee

Cambridge, United Kingdom

Dec 5, 2019

We are enjoying this hymn this evening, in Cambridge, UK. Praise You Lord, You are God!

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Lashell Sandifer

Greenwood, MS, United States

Oct 8, 2019

God is the orchestra of our lives. Yes! There are disappointments, tears, and misunderstandings ; the Lord is omniscient (all knowing). Please, Lord help me to hold on until my changes come.

Job 42:10

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Phoebe Oracion

San Juan City, Metro Manila, Philippines

Jan 17, 2019

Yet You are God! how can You give way?
Please Lord do not give in , wait 'till I obey.
I'm so glad there's a hymn like this.
'twas a timely supply!
Thank You Lord!

Read more