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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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I come to Thee, dear Lord

Study of the Word Feeding on the Word

English812
1
I come to Thee, dear Lord,
My heart doth thirst for Thee;
Of Thee I’d eat, of Thee I’d drink.
Enjoy Thee thoroughly.
2
Just to behold Thy face,
For this my heart doth cry;
I deeply long to drink of Thee
My thirst to satisfy.
3
Thy glorious, radiant face
My heart delights to see;
Here I’d abide and ne’er depart,
Beholding constantly.
4
In such a fellowship
Thou, Lord, art grace to me;
My heart and spirit gladdened, filled,
I enter rest in Thee.
5
Lord, I would linger here,
Still seeking after Thee,
Continue in the Word and prayer
Till Thou dost flow thru me.

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Colleen

Auckland, New Zealand

Jan 5, 2022

Just to behold Thy face… psalm 27:4 David contacted and absorbed God by beholding Him as beauty. “ Lord May we be those who enter into Your presence to contact You by beholding and absorbing You, to be filled with You and to express You. ”

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Erisa

Auckland, New Zealand

Jan 5, 2022

Genesis 18:22 And the men turned from there and went toward Sodom, while Abraham remained standing before Jehovah.

Lord, save us from rushing our time with You. Make us like Abraham who loved Your presence and lingered in Your presence. Reveal Your heart to us in this way.

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Lilo Xu

Auckland, New Zealand

Jan 3, 2022

Lord, teach us how to linger in Your presence, how to continue to seek You in the word and prayer. Lord, stregthen our beholding Your face until You are able to flow through us.

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Anitha Nokku

Santa Ana, California, United States

Jul 22, 2021

I come to thee dear God to enter rest in you, I would linger and seek after you, continue in the word and prayer until you flow through me.

Read more
James Jaudon

Amherst, Ohio, United States

Jul 2, 2021

A song of songs to me
My ear delights to hear
A song that is a kiss of love
So fragrant with its oils
Your Name like ointment is
Virgins to win by love
Draw me we will run after Thee
A balm of love poured forth
The King has brought me to
Chambers of joy and peace
A place so glad so full of love
A love surpassing wine.

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Thành Le

San Francisco, California, United States

Jul 25, 2020

Oh Lord, when my heart feels hunger and thirst for You, my spirit is poor, I come to You and seek a fellowship with You. I eat and drink You. My heart will be satisfied and my spirit filled with You. Praise the Lord, You are my nourishment and my satisfaction!

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Praise The Lord

Inland Empire, United States

Sep 27, 2019

Vengo a Ti, Senor
De Ti yo tengo sed
Beber de Ti, comer de Ti
Es mi mayor placer
Clama mi corazon
Solo mirar Tu faz
Beber de Ti anhelo yo
Hasta mi sed saciar
Desea mi corazon
Ver Tu gloriosa faz
Yo quiero asi permanecer
Firme, mirandola
En esta comunion
Eres la gracia en mi
De regocijo lleno estoy
Y descansando en Ti
Aqui me quedare
Buscando mas de Ti
En la Palabra y oracion
Hasta el fluir sentir

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Sue

Calgary

Mar 10, 2019

Oh my Lord! Only my Lord can satisfy me!

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Allen In Christ

San Marcos, TX, United States

Feb 6, 2019

Lord, I would linger here,

Still seeking after Thee,

Gain this in us oh Lord!

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Elizabeth

Lagos, Nigeria

Mar 23, 2018

Best thing that happened to me is singing this hymn. Beautiful!

Read more