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About Numbered Notation

Numbered Notation (also called Jianpu, 简谱) writes each melody note as a number from 1 to 7 instead of a note on a staff. The number shows the note's position in the song's scale -- not its exact pitch -- so the same tune looks identical no matter what key it's sung in.

Within one octave, the numbers 1 2 3 4 5 6 7 correspond to the familiar do re mi fa sol la ti. A dot above a number raises it an octave higher; a dot below lowers it an octave lower -- no dot means the middle, as-written octave.

A plain number lasts one beat. A dash (-) right after a number holds that same note for one more beat. A line underneath a number shortens it instead -- one line is half a beat, two lines a quarter of a beat. A 0 is a rest: silence for one beat.

The label at the top of the sheet, like "1=C" or "1=Ab", shows which pitch scale degree 1 ("do") is tuned to. A song in a minor key is labeled "6=X" instead -- scale degree 6 ("la") is the true tonic. Chord names printed above the notes (like "C" or "G7") always use their familiar letter names, never numbers.

For example, under a "1=C" heading, the numbers 1 2 3 4 5 6 7 sound as C D E F G A B. Under a "1=G" heading, those very same numbers sound as G A B C D E F# instead -- same shape, different key.

Lord, in that coming day

Consecration Constrained by the Lord’s Love

New Songs468
1
Lord, in that coming day
When all will bow the knee,
’Twill be a commonplace display
To waste one’s all on Thee.
2
For Thee, Lord, on that day
Ten thousand hearts would break,
And if there were ten thousand worlds,
These all, men would forsake.
3
But now, while yet ’tis rare,
My being won’t delay;
Inspired by Thy love, could I,
Thy noble tribute stay?
4
My all I gladly give
In love’s response to Thee,
For how can I withhold my all
When Thou gav’st all for me?
5
Time’s window soon shall close;
Now, while ’tis open still,
This golden moment I’d redeem,
Thy house with fragrance fill.
6
The moments fly apace;
Lord, Thou art coming soon!
Can I delay, and fail to grasp
This moment opportune?
7
While there is still today
(Beyond, no guarantee),
Seizing this opportunity,
I waste myself on Thee.
8
That woman’s noble deed
Was for Thy going wrought;
In view of Thy return, I too
Would offer as I ought.
9
Two resurrections tell
The foolish from the wise;
Some would “beforehand” pay the price
And lukewarmness despise.
10
I dare not passive be
But fully consecrate
“Beforehand”, lest I miss my chance,
And risk arriving late.
11
There is but one regret
Both hell and heaven hold—
The loss of opportunity
Eternity unfolds.
12
Performing love’s sweet task,
While time doth still permit,
I break mine alabaster flask
And Thine own love requit.
13
May this be, in that day
When I Thy coming hail
(E’en if I sleep and wait for Thee),
Our love’s memorial.

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