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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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O soul-inspiring story

Praise of the Lord His Humanity

English64
1
O soul-inspiring story—
God’s majesty and grace
In lustrous strokes of glory
Deep-carved in Jesus’ face!
Hearts rapt in contemplation
Of Godhead’s Image bright,
Break forth in adoration,
In wonder and delight!
2
There Manhood, all perfection,
And Godhead-fullness shine;
God’s love and Man’s affection,
The human, the divine;
A life, a death, transcendent,
Revealing God as love:
Here, lowly Man, dependent—
God over all, above!
3
Unsullied blaze of glory!
O ever-radiant Face!
Thy rich, unfathomed story
Transfigures us in grace!
Made like Thee, soon, completely,
With love-lit eyes we’ll scan
God’s face unveiled so sweetly
In Thine, Thou Son of man!

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Un Hermano

Aug 23, 2025

THE CROSS AND THE AFFECTION OF THE SOUL

What our Lord wants is very meaningful because man’s affection is a function which is very difficult to control. Unless the believer hands over this affection to the cross and is willing to lose it in death, he will be greatly hindered in the spiritual life. Since human affairs often change, human affection is also influenced. When the faculty of affection is stimulated, the whole being of the believer very easily loses its spiritual normality. A believer who is soulish in this part will often be disturbed and lose the peace in his spirit. Sorrow, grief, lament, and tears are the usual results of affection. If the Lord cannot have the first place in the matter of affection, it is hard for Him to take charge in other things. This is a test of spirituality as well as a measure of its degree. Therefore, we should hate our own life and not let it have any opportunity for free activity in exercising human love. The Lord’s demand and our natural intention are completely opposite. What we love we must now hate. Not only must we hate what we love, but we must also hate that faculty from which the love issues, that is, our soul-life. This then is the way toward spirituality. If we truly take up the cross in such a way, it will prevent the soulish affection from controlling and influencing the spirit and will enable us to love others by the power of the Holy Spirit. This is precisely how the Lord Jesus treated His family when He was on the earth.

The Spiritual Man (1)
CWWN, vol. 12
Chapter 4 (LSM)

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Un Hermano

Aug 23, 2025

FF. HONOR

Revelation 4:9 says that the living creatures “give glory and honor and thanks to Him who sits upon the throne, to Him who lives forever and ever. ” Revelation 5:13 says, “And every creature which is in heaven and on the earth and under the earth and on the sea, and all things in them, I heard saying: To Him who sits upon the throne and to the Lamb, be the blessing and the honor and the glory and the might forever and ever. ” These verses from Revelation indicate that honor is another attribute of God. Whereas glory—God Himself expressed—refers to a condition, honor refers to a high position, in particular to the dignity that is related to such a position.

GG. MAJESTY

Another attribute of God is majesty. Jude 25 says, “To the only God our Savior, through Jesus Christ our Lord, be glory, majesty, might, and authority before all time, and now, and unto all eternity. Amen. ” Here majesty denotes greatness in honor. The fact that God has the attribute of majesty indicates that He is the greatest One with His dignity. We may also say that majesty is the totality of glory and honor. Because God has glory and honor, He also has majesty.

HH. SOVEREIGNTY

God not only has glory, honor, and majesty; He also has sovereignty. Sovereignty is also one of God’s attributes. He is sovereign. Sovereignty indicates God’s unlimited authority and power. God’s position is also unlimited. We are not able to say how high is God’s position. Likewise, we cannot measure God’s glory and majesty. As the sovereign One, there is no limit to His authority, power, and position.

The Conclusion of the New Testament:

God, Christ, and the Spirit,

Volume 1 Chapter 11 (LSM)

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C. Noland

Clinton, MA, United States

Jul 15, 2025

I agree with Rebecca about this tune. The words are so deep and meaningful. I praise the Lord for His humanity! "There Manhood, all perfection, and Godhead-fullness shine. God's love and Man's affection, the human and divine." I sang it to hymn #42... much better.

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Rebecca

Salem, OR, United States

Nov 29, 2023

Precious words, but perhaps this hymn needs a new melody, one that brings us into the deeper considerations of these longing expressions.

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