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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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O Christ, in Thee my soul hath found

Experience of Christ As Everything

English522
1
O Christ, in Thee my soul hath found,
And found in Thee alone,
The peace, the joy I sought so long,
The bliss till now unknown.
 
Now none but Christ can satisfy,
None other name for me;
There’s love and life and lasting joy,
Lord Jesus, found in Thee.
2
I sighed for rest and happiness,
I yearned for them, not Thee;
But, while I passed my Savior by,
His love laid hold on me.
3
I tried the broken cisterns, Lord,
But, ah, the waters failed!
E’en as I stooped to drink they fled,
And mocked me as I wailed.
4
The pleasures lost I sadly mourned,
But never wept for Thee,
Till grace the sightless eyes received,
Thy loveliness to see.

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Un Hermano

Jan 7, 2026

Forsaking Jehovah,
the Fountain of Living Waters
---------------------

Jeremiah 2:13 says, “My people have committed two evils: / They have forsaken Me, / The fountain of living waters, / To hew out for themselves cisterns, / Broken cisterns, / Which hold no water. ” God’s intention in His economy is to be the fountain, the source, of living waters to satisfy His chosen people for their enjoyment. The goal of this enjoyment is to produce the church as God’s increase, God’s enlargement, to be God’s fullness for His expression. This is the heart’s desire, the good pleasure (Eph. 1:5 , 9), of God in His economy. The full development of this thought is in the New Testament, but it is sown as a seed in Jeremiah 2:13 .

God’s economy is to dispense Himself as the living water to produce His increase, His enlargement, to be His expression. This thought is developed in the writings of John. In John 1:1 and 14 we see that the Word, which was God, became flesh, full of grace and reality. Verse 16 goes on to say, “For of His fullness we have all received, and grace upon grace. ” In chapter four of John the Lord Jesus spoke to the Samaritan woman concerning living water (vv. 10 , 14). In John 7:38 He said, “He who believes into Me, as the Scripture said, out of his innermost being shall flow rivers of living water. ” In Revelation 21 and 22 we have a vision of the New Jerusalem, which is a great sign of God’s increase for His expression. Revelation 22:1 and 2 show us that in the New Jerusalem the river of life flows and that in this river grows the tree of life as the life supply to support and sustain the entire city. What we have in the writings of John is surely the growth of the seed sown in Jeremiah 2:13

Life-study of Jeremiah

Message 3 (LSM)

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Un Hermano

Jan 7, 2026

Then God came in to call another man by the name of Abraham. Through Abraham God gained a people whom He brought out of Egypt to Mount Sinai. There God gave them the law, the Pentateuch, through Moses. We may say that this was the origin of Judaism, the origin of the Jewish religion. It was founded absolutely according to God’s holy Word, but gradually the children of Israel became corrupted and rotten because they forsook God Himself as their source, the fountain of living waters. In Jeremiah 2:13 , Jehovah said, “My people have committed two evils: / They have forsaken Me, / The fountain of living waters, / To hew out for themselves cisterns, / Broken cisterns / Which hold no water. ” All the idols are broken cisterns, which cannot retain water. The two evils are forsaking God and joining with Satan in worshipping idols. These are the two evils that resulted in the failure of the people of Israel, who were the descendants of Abraham in an earthly sense as the dust of the earth (Gen. 13:16). God sent the Babylonians to come to devastate Jerusalem and the temple and carry the people away into captivity in 606 B. C. Of course, God brought a remnant of them back after seventy years to rebuild the temple (Jer. 29:10), but that recovery did not last too long.

The Overcomers
Message 2 CWWL,
1991–1992, vol. 4
Chapter 2 (LSM)

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Jim Smith

Mansfield, Ohio, United States

Apr 6, 2025

The pleasures lost I sadly mourned,
But never wept for Thee,
Till grace the sightless eyes received,
Thy loveliness to see.

Verse four was my experience when I was young. I mourned for some of the fun times my peers enjoyed and I passed up. But I found grace and satisfaction in Him. But now I see these things never satisfied my old friends and I can proclaim the chorus as my testimony.

Now none but Christ can satisfy,
None other name for me;
There’s love and life and lasting joy,
Lord Jesus, found in Thee.

I have a deep satisfaction in Christ that is ever lasting!

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Russ Postiff

Łódź, Poland

Apr 18, 2024

Often times I come to the Lord for Happiness and rest not loving His as He deserves. This song come to me, then I repent and seek to love the Lord Himself and not His gifts

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Graham Albert Logan

Banbridge, Co Down, United Kingdom

Feb 6, 2024

The line that came to my mind this morning was ‘O the bliss till then I known. ’

Bliss in a broken world. It’s only found in Jesus. He is our hope in our fragile world. He is my everything. Bliss - perfect joy, lasting happiness here and now, and then eternal bliss. Amen

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Naomi

Mumbai, Maharashtra, India

Sep 21, 2023

Very touching song

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Michelle Ellis

Leander, TX, United States

Nov 27, 2021

There are times in our life when loneliness pierces our soul, when no matter how many people are around us, we feel completely and utterly alone. It is in these moments that the Lord sings this hymn within me and reminds me that "None but Christ can satisfy," Whenever we put our hope and love in a name other than Christ, there can only be disappointment eventually. But there is "love and life and lasting joy, Lord Jesus, found in Thee." Lord, fill our every part with Yourself, only You satisfy!

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Maurice

Fayetteville, Arkansas, United States

Jul 10, 2020

The pleasures lost I sadly mourned, I never wept for thee.

Till grace the sightless eyes received, Thy loveliness to see.

There’s love and life and lasting joy, Lord Jesus, found in Thee.

Praise the Lord, None other name for me.

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S

Virginia, United States

Jun 26, 2020

I've always enjoyed this hymn but never so much as now, especially stanza 4 which before had never stood out to me.

The pleasures lost I sadly mourned,
But never wept for Thee,
Till grace the sightless eyes received,
Thy loveliness to see.

"The well and the waterpot meant so much to the Samaritan woman, but after she recognized Christ, she spontaneously gave up those cherished things and went to the people, testifying that Christ was now her satisfying life... The Samaritan woman did not go to her people with the doctrine of Christ; she first gained Christ and then went to them with Christ."

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Gabriel

Lusaka, Zambia

Dec 15, 2019

What a glorious and encouraging hymn. We sang it a lot as young people at our youth fellowship at church and also sang it regularly at our morning services. True satisfaction is found in Christ alone! But we sometimes or is it often forget that don't we? And go off looking for satisfaction in Al the wrong places. Let's continually seek living water from Christ and him alone.

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