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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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We praise Thee, glorious Father

Worship of the Father His Predestination

English36
1
We praise Thee, glorious Father,
As objects of Thy grace,
Who for Thine own heart’s pleasure
Are now before Thy face:
Thy sons marked out for glory
Known from eternity
With Christ Thy Well-beloved,
Object supreme to Thee.
2
Who else but Thee, O Father,
Could in Thine only Son
So bless us with Thy Spirit,
And have us for Thine own?
Soon shall we be forever
With Christ in glory; then
We’ll shine in His blest image
Eternally, Amen!

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Anonymous

United Kingdom

Feb 8, 2026

Praise you Lord father

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Catherine C

London, United Kingdom

Jul 20, 2025

Amen
Amen
Lord Jesus Hallelujah Hallelujah
Who else but Thee, O Father,
Could in Thine only Son
So bless us with Thy Spirit,
And have us for Thine own?
Soon shall we be forever
With Christ in glory; then
We’ll shine in His blest image
Eternally, Amen!

Read more
Un Hermano

Jun 4, 2025

An eternal plan that God made in Christ

God's economy is an eternal plan that God established in Christ. Ephesians 3:11 says, "According to the eternal purpose that he accomplished in Christ Jesus our Lord." This purpose is the purpose of eternity, the eternal purpose, the eternal plan that God established in eternity past.

God accomplished His eternal economy in Christ. The Christ revealed in the Bible is the embodiment of the Triune God and all the processes He went through, including His incarnation, human life, crucifixion, resurrection, ascension, and descent. It is in such Christ that God accomplished His eternal economy. Therefore, Christ is the element, sphere, means, goal, and objective of God's eternal economy. Christ is everything in God's economy. In fact, the entire content of God's eternal economy is simply Christ. Christ is the center, circumference, element, sphere, means, goal, and objective of this economy. According to Ephesians 3, this economy was accomplished in Christ.

So that God Himself, in His Trinity,

may impart Himself to His chosen people

God's New Testament economy is His plan by which God Himself, in His Trinity, imparts Himself into His chosen people. How does God, in His Trinity, impart Himself into His people? This impartation has three steps. First, this impartation is from God the Father. The Father is the source, the origin. Second, this impartation is through God the Son, who is the course. Third, God's dispensing is in God the Spirit, who is the instrument and sphere. Through these steps—from God the Father, through God the Son, and in God the Spirit—God imparts Himself into His chosen people.

In order to produce the church as the kingdom of God,

whose consummation is the New Jerusalem

God's New Testament economy, which consists of God dispensing Himself into His chosen people, is intended to produce the church (Eph. 3:10). This dispensing produces the church for the manifestation of the manifold wisdom of God according to the eternal purpose God accomplished in Christ (vv. 9-11). This means that through the dispensing of God, in His Trinity, the church is produced to exhibit the manifold wisdom of God.

The Conclusion of the
New Testament
Message 2 (LSM)

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V Carire

Tampa, FL, United States

Apr 6, 2025

We praise Thee, glorious Father!

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Maria L

Fremont, California, United States

Mar 7, 2025

Praise the Lord! Our God and Father has graced us in the Beloved (Eph. 1:6); He put us in Christ, His Beloved Son, and He made us the object of His grace by our being in His beloved Son. Hallelujah! 😀

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Lhevie

Houston, Texas, United States

Sep 29, 2024

With Christ, Thy well-beloved!

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Marie Yulo

Dubai, United Arab Emirates

Aug 11, 2024

Soon, we’ll shine in His blest image, Amen!

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Hannah

Atlanta, Georgia, United States

Apr 21, 2024

Abba Father, we praise and thank you!!

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Samuel Yu

Austin, TX, United States

Dec 10, 2023

Soon shall we be forever
With Christ in glory; then
We’ll shine in His blest image
Eternally, Amen!

Read more
Nathan Sanchez

Aug 13, 2023

With Christ thy well beloved!

Read more