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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Lord Jesus, I long to be perfectly whole

Longings For Cleansing

English408
1
Lord Jesus, I long to be perfectly whole,
I want Thee forever to live in my soul;
Break down every idol, cast out every foe;
Now wash me, and I shall be whiter than snow.
 
Whiter than snow; yes, whiter than snow;
Now wash me and I shall be whiter than snow.
2
Lord Jesus, let nothing unholy remain,
Apply Thine own blood and extract every stain;
To get this blest cleansing I all things forego;
Now wash me, and I shall be whiter than snow.
3
Lord Jesus, look down from Thy throne in the skies,
And help me to make a complete sacrifice;
I give up myself and whatever I know;
Now wash me, and I shall be whiter than snow.
4
Lord Jesus, for this I most humbly entreat;
I wait, blessed Lord, at Thy crucified feet;
By faith, for my cleansing I see Thy blood flow;
Now wash me, and I shall be whiter than snow.
5
Lord Jesus, Thou seest I patiently wait;
Come now, and within me a new heart create;
To those who have sought Thee Thou never saidst, No;
Now wash me, and I shall be whiter than snow.

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Elizabeth Solomons

Blue Downs, Western Cape, South Africa

Feb 1, 2021

My soul just long now for this song, and I am so filled at this moment. My cup is full again, how amazing is the Holy Spirit. Thank you!

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Betty

Oakwood, GA, United States

Apr 21, 2020

I agree with the October comment from Jean. I wake up thinking of one of the old hymns and then write down what I remember of it in a journal. Then I look up the hymn and find out when it was written and by whom. What a surprise they are from the 1800’s and early 1900’s! The poetic beauty and foundational truth found in these old hymns enhance the rest of my devotional (scripture and prayer) and I start my day in praise of our King!

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Jeanne M Grier

Warrensville Heigh, Ohio, United States

Oct 7, 2019

These old hymns are foundational to the church and personal Christian growth. I started using hymns in my daily devotional time again, rather than the popular worship choruses. They seem to give "weight" and stability to my prayers. These hymns never grow old or outdated.

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Lilian Shem

Glasgow, West Dumbartonshire, United Kingdom

Apr 16, 2019

Lord Jesus, the creater of Heaven and the earth and the seas and the fountains of water, Genesis 1:1 what a merciful and pitying Savior! He has never failed a case! Greater love has no man than this that a man lay down His life for His friends. John 15:13 He is a loving Father who ever gives good and perfect gifts to His children. James 1:17 Even a gift of Holy Spirit. Luke 11:13 Lets ask Him. Matthew 7:7. That we may overcome sin, and that our names may be written in Lambs book of life. Revelation 3:5. Thank you Lord Jesus that you are our father. Pls come quickly Rev. 22:12 that we may go and live with You forever and ever. Amen

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Toyin Diyan

London, United Kingdom

Mar 1, 2019

Wow! Thank You Lord for Your all inclusive, life releasing, and life giving death! "You Yourself bore our sins in Your body on the tree" and "by Your bruise we were healed" by Your death we were healed! 1 Pet. 2:24; Isa. 53:5.

Now we must eat You to live to righteousness! John 6:57. Lord You are our wonderful Physician who has come to make us whole Matt. 9:12. We thank You!

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Anonymous

Feb 13, 2019

Oh for daily washing to make me just clean, I want to be clean. I’m tired of the mess sin make.

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Lorna McIntosh

Pottstown

Nov 24, 2018

That's my heart's desire.

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Sashana Wright-Grant

Old Harbour, St Catherine, Jamaica

Nov 13, 2018

This is like Psalm 51. I song of consecration. I thank the Holy Spirit for inspiring the song writer. I’m blessed by this song. HALLELUJAH

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Sandrene Diletty Brown

Brown's Town, Lower Buxton, Jamaica

Oct 6, 2018

Thank God for Jesus who layed the foundation. My soul is in sad exile. This song has lifted my spirit. Lord wash me thoroughly and I shall be whiter than snow.

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Anonymous

Sep 29, 2018

Nice song

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