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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Music tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Tempo menu slows it down without changing the pitch.

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Would you be free from your burden of sin

Gospel The Blood

English1009
1
Would you be free from your burden of sin?
There’s power in the blood, power in the blood;
Would you o’er evil a victory win?
There’s wonderful power in the blood.
 
There is power, power, wonder-working power,
In the blood of the Lamb;
There is power, power, wonder-working power,
In the precious blood of the Lamb.
2
Would you be free from your passion and pride?
There’s power in the blood, power in the blood;
Come for a cleansing to Calvary’s tide,
There’s wonderful power in the blood.
3
Would you be whiter, much whiter than snow?
There’s power in the blood, power in the blood;
Sin-stains are lost in its life-giving flow,
There’s wonderful power in the blood.
4
Would you do service for Jesus your King?
There’s power in the blood, power in the blood;
Would you live daily His praises to sing?
There’s wonderful power in the blood.

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Daniel John Batiller Dalmino

Pierson, Florida, United States

May 1, 2026

Hallelujah!!! For the wonder working power of the precious blood of the Lamb!!!

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Maureen

Canton, GA, United States

Mar 26, 2026

One of the precious songs of my childhood realizing how much I love this song and Jesus gave his all for us! New songs come along but the precious old ones remain a steadfast reminder of his love

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Stellah

Nairobi, Kenya

Mar 7, 2026

How I need to be free from any burdens of sins...

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Olubunmi Agboola

Edmonton, Alberta, Canada

May 10, 2025

The precious blood of the Lamb that speaks better things than the blood of Abel. Thank you Jesus 😊 🙏.

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Un Hermano

United States

Apr 16, 2025

In Acts 20:27 and 28 the apostle Paul told the elders of the Church in Ephesus: For I did not shrink from declaring to you all the counsel of God. Take heed to yourselves and to all the flock, among whom the Holy Spirit has placed you as overseers to shepherd the church of God, which He obtained through His own blood.

Indicating the precious love of God for the church and the preciousness, the exceeding worth, of the church in the eyes of God. Here the apostle did not touch the divine life and nature of the church as in Eph. 5:23-32, but the value of the church as a treasure to God, a treasure which He acquired with His own precious blood. Paul expected that the elders as overseers would treasure the church as God did.

Both the Holy Spirit and God’s own blood are divine provisions for the church that He treasures. The Holy Spirit is God Himself, and God’s own blood denotes God’s work. God’s redemptive work acquired the church; now God Himself, the all-inclusive life-giving Spirit (1 Cor. 15:45), cares for the church through the overseers. God’s own blood is the blood of Jesus Christ. This implies that the Lord Jesus is God.

Note 5 of Acts 20:28 of the Recovery Version (LSM)

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Joyce

Thirsk, North Yorkshire, United Kingdom

Dec 21, 2024

I am reading H A Maxwell Whyte's book The Power of the Blood. An excellent book, well worth reading, especially to remind us of the Power and relevance of The Blood of Jesus. We need to hear more on this subject in the church.

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Isaac O

Middlesbrough, Durham, United Kingdom

Nov 17, 2024

Power, a wonder working power

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Lisa Mudike

Abuja, FCT, Nigeria

Aug 26, 2024

there is power in the blood of calvary . Jesus reigns. amen

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Abuh

Abuja, FCT, Nigeria

May 12, 2024

Amen

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Joel Marcellus

Troy, NY, United States

Oct 24, 2023

This song gives testimony of the mighty power of God and his Son, Jesus Christ.

I used to call it my power outage song because when the power would go out, I'd start singing the song or humming it. Drove my mom nuts!

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