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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Tempo menu slows it down without changing the pitch.

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O to be like Thee

Longings For Likeness to Christ

English398
1
O to be like Thee! blessed Redeemer;
This is my constant longing and prayer;
Gladly I’ll forfeit all of earth’s treasures,
Jesus, Thy perfect likeness to wear.
 
O to be like Thee! O to be like Thee!
Blessed Redeemer, pure as Thou art;
Come in Thy sweetness, come in Thy fullness;
Stamp Thine own image deep on my heart.
2
O to be like Thee! full of compassion,
Loving, forgiving, tender and kind,
Helping the helpless, cheering the fainting,
Seeking the wand’ring sinners to find.
3
O to be like Thee! lowly in spirit,
Holy and harmless, patient and brave;
Meekly enduring cruel reproaches,
Willing to suffer, others to save.
4
O to be like Thee! Lord, I am coming,
Now to receive th’ anointing divine;
All that I am and have I am bringing;
Lord, from this moment all shall be Thine.
5
O to be like Thee! While I am pleading
Pour out Thy Spirit, fill with Thy love.
Make me a temple meet for Thy dwelling,
Fit for a life which Thou wouldst approve.

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Revd Philip Akinwande

Lagos, Nigeria

Dec 12, 2013

The first time I heard this hymn was in a camp in year 2001. While singing the hymn, I cried like a baby to God for holiness. It's such a song that imprints on my heart the desire to be holy. Am particularly always moved with the chorus.

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Charles Loghry

Trinidad, Texas, United States

Sep 22, 2013

I love this song from my childhood.

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Karan Baptiste

London, United Kingdom

Aug 26, 2013

I have three favourite hymns and this is one of them. Thank you for sharing the lyrics.

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Steve Miller

Detroit, MI, United States

Aug 22, 2013

When people were introduced to Thomas O. Chisholm, the author of this hymn and of "Great is Thy Faithfulness", he would often say, "Aw, I'm just an old shoe!"

Born in a Kentucky log cabin in 1866, Chisholm was self-educated and began teaching in a rural school when he was 16. At age 27, the Kentucky farm boy wrote this hymn, "O to Be Like Thee!" He served on the staff of the "Pentecostal Herald" in Louisville until his health broke. He was accepted as a traveling preacher in the Methodist Church, but once again health problems caused him to resign. Regretfully he had to leave the ministry. Eventually he became a life insurance agent.

Throughout his life he displayed many of the characteristics that he praised in Jesus in the hymns he wrote. - Great Songs of Faith by Brown and Norton

----

Despite his health limitations, he lived to 93.

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Trish Poynot

Baton Rouge, LA, United States

Jul 6, 2013

This song came (partially) to mind when I was with a friend a while ago. I groped for some of the words, unsuccessfully while we were together, but then, on my way home, I remembered "stamp Thine own image deep on my heart," and called to tell her what they were. She really liked the chorus and suggested I look it up online, so I DID, and voila... there were ALL the words, and I was able to sing the song to the piano music online! Am truly grateful for composers who love the Lord and can put it into words!!

Thank You Lord, for a wonderful day and a wonderful song! I totally agree with Shirley D. Banks in Riverside, New Jersey--that this is a beautiful prayer, and yes, it is in agreement with the Word, Jesus' words specifically. Thank you Thomas Obediah Chisolm and William James Kirkpatrick!! I know y'all are with my Lord. Hope you tell Him a special "Hi" from me!!

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Shirley D, Banks

Riverside, NJ, United States

May 18, 2013

PRAISE THE LORD!!!

Oh! My! What a beautiful prayer request!!! This is indeed my heart's desire and I know it will be will be answered because it is in accordance with Jesus's will as HE prayed for us in HIS High Priestly Prayer in John Chapter 17.

This a very inspiring song. TO GOD BE THE GLORY, BOTH NOW AND FOREVER!!!

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Almenia Cohen

Wilmington, Delaware, United States

Nov 7, 2012

This is a wonderful website service. I was meditating this week and this hymn came to my mind. I search the web. and Voila, it came right up. Thank you. Thank you. Do you take small donations or are you already funded?

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