Skip to content
hymnal.net
hymnal.net
My Songs

About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

Open this guide as its own page

Download limit reached

To God be the glory, great things He hath done

Worship of the Father His Redemption

English39
1
To God be the glory, great things He hath done,
So loved He the world that He gave us His Son,
Who yielded His life our redemption to win,
And opened the life-gate that all may go in.
 
Praise the Lord, praise the Lord,
Let the earth hear His voice;
Praise the Lord, praise the Lord,
Let the people rejoice;
Oh, come to the Father, through Jesus the Son,
And give Him the glory; great things He hath done.
2
Oh, perfect redemption, the purchase of blood,
To every believer the promise of God;
The vilest offender who truly believes,
That moment from Jesus a pardon receives.
3
Great things He hath taught us, great things He hath done,
And great our rejoicing through Jesus the Son;
But purer, and higher, and greater will be
Our wonder, our transport when Jesus we see.

Delete Comment

Delete this comment? This cannot be undone.

Sophia

Linstead, St. Catherine, Jamaica

Mar 18, 2024

And great is my rejoicing through Jesus the Son;

I'm so delighted when I song this part of this song. It's inspired me to do greater things

Read more
Mosiuoa Leballo

Roodepoort, Gauteng, South Africa

Mar 15, 2024

Absolutely wonderful ditty I love it.

Read more
Omowumi Veronica Babalola Akinniyi

Ennis, Co.Clare, Ireland

Mar 9, 2024

Thank you sharing this on line. It’s a lot of inspiration and may the Lord continue to bless you in the music world. Amen.

Read more
Chikachamara Gideon Onyedika

Lagos, Nigeria

Mar 9, 2024

I like this song so much that I want to download it but I can't find the download button.

It's a great song talking about what a great love God has shown u by sending His Son to die on the cross for us.

Read more
Wise Solomon

Nairobi, Kenya

Mar 8, 2024

thank you God for your son Jesus

Read more
Isaiah Ibarra

Victorville, California, United States

Mar 3, 2024

Paise the Lord

Read more
Tom Hanna

Indiana, United States

Feb 20, 2024

To God be the glory. Thank you Lord for your redemption through Jesus Christ our Lord.

Read more
James Smith

Mansfield, Ohio, United States

Feb 5, 2024

I was thinking of the last line in verse one. Jesus opened the life gate that all may come in. When Adam fell the way to the tree of life was shut. Man could not take God’s life which was His deepest desire. Now Christ has redeemed us and brought us to the place we can partake of His life! The much more eternal life of God. Now through Christ’s blood (the vail) we can enter into the holy of hollies ( the very presents of God). It is not only the Jewish people but now the life gate, by faith in Christ, is open to all men! That is truly good news.

“Hence we can sing the chorus. Glory to God. Great things He has done! Even this seems inadequate praise. ”.

Read more
Ana Lara

Storrs, Connecticut, United States

Feb 2, 2024

This hymn, “To God be the Glory” was written by Fanny Crosby (1820-1915). It was published in the 1875 collection, “Brightest and Best. ” also included in the collection were: “All the Way My Savior Leads Me” “I am Thine, O Lord, ” “Savior, More Than Life to Me, ” and

“Christ Arose. ” However, “To God be the Glory” gained popularity among Christian worshipers much later after it was written. Ira Sankey sang it in the Dwight L. Moody, evangelistic campaigns, and he included it in his “Sacred Songs and Solos, “ which was published in England, and is still in use today. But after that, it faded from public use until Cliff Barrows was given a copy in 1954 and began to popularize it during the Billy Graham crusades in London. Barrows was impressed with its song message of praise and included it in the songbook being prepared for the services and used it in the crusade. The crowds responded so enthusiastically that he sang it nearly every night. Later Graham and Barrows introduced the song in the U. S. for the first time at their Nashville crusade. The crowd again responded well, so the song was adopted as one of the standards for future campaigns. Because of the influence of Billy Graham, the compilers of hymnals began including it in the new publications, and thus it became widely popular. Students of Fanny Crosby‘s hymns point out that this song differs from many of her other hymns because it is not so much a personal testimony, as many of her others hymns are, but rather contains more of a theological message to it. Dr. Carl Daw noted that “this is a remarkably objective celebration of God’s saving work in Jesus Christ. ”

L. Codington

Read more
Justine Patricia

Riyadh, Saudi Arabia

Jan 30, 2024

This song is a soul soother. Bringing peace to our minds and not forgetting to always praise the Lord

Read more