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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Abide with me! fast falls the eventide

Longings For Fellowship with Christ

English370
1
Abide with me! fast falls the eventide;
The darkness deepens; Lord, with me abide!
When other helpers fail and comforts flee,
Help of the helpless, oh, abide with me.
2
Swift to its close ebbs out life’s little day;
Earth’s joys grow dim, its glories pass away;
Change and decay in all around I see;
O Thou who changest not, abide with me.
3
Come not in terrors, as the King of kings;
But kind and good, with healing in Thy wings:
Tears for all woes, a heart for every plea;
Come, Friend of sinners, thus abide with me.
4
I need Thy presence every passing hour:
What but Thy grace can foil the tempter’s power?
Who like Thyself my guide and stay can be?
Through cloud and sunshine, oh, abide with me.
5
I fear no foe, with Thee at hand to bless:
Ills have no weight, and tears no bitterness:
Where is death’s sting? where, grave, thy victory?
I triumph still, if Thou abide with me.

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Okezie-Alaukwu, Ebenezar C.

Delta State, Nigeria

Nov 21, 2017

Whoever that has this website.... I don't think you have even the slightest idea how much lives you're touching by this (And how much you touched mine). I wish I could meet you in person to express my gratitude, but I guess I'll do that here. Thank you. Truly your reward is in heaven.

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Kwong Wai Ming

Hong Kong

Sep 1, 2017

In life in death, oh Lord, abide with me.

Thank my Lord for sparing my soul.

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Chioma

Port Harcourt, Rivers State, Nigeria

Aug 5, 2017

We're of a true "NOTHING" without Christ. Live itself would have been so so meaningless.

This hymn humbles me.

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Ginger Brown

Scarborough, Ont, Canada

Jun 20, 2017

Such a beautiful hymn. Makes you realize how much you need a Saviour, a true friend both of which can be found in a God who loves us, gave all of heaven in the gift of His son, gave us His laws more specifically the Sabbath and has promised that He will return to take all who obey His precepts and believe His words. This truly is a hymn that shows mankind his nothingness.

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Ian Webb

Bowral, NSW, Australia

Dec 4, 2016

It is largely due to this hymn that I was totally healed from near fatal Stilnox addiction, I should NOT be alive let alone alive, sane and Happy, WHAT a Saviour we have, shine through the gloom and point me to the skies, very very true Praise His Name!

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Richard Mensah

Accra, Ghana

Jul 17, 2016

This hymn evokes feelings of helplessness yet the good Lord is always there to abide with us. In Thee we abide Lord.

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Steve Miller

Detroit, Michigan, United States

Jun 25, 2016

The conductor, T. P. Ratcliffe, was asked to conduct at Wembley Stadium in intervals during a football (soccer) game. He thought it would be interesting to try having the great audience sing together. Some had trepidations. However, he first suggested "Pack Up Your Troubles," which was sung with enthusiasm. Then, on a venture, he suggested that the crowd of almost 100,000 rise and sing "Abide with Me." King George V was there and rose and bared his head. The great crowd seemed transformed as they sang this hymn so well known to many of them. For one man it meant a miracle. Here is how it happened:

A man from the North of England had gone down to the game. He had been drinking heavily, as was his custom. He went to a football game to get drunk rather than to see the game. When the hymn was announced, he stood with the others, though with difficulty. He said that the first verse brought back memories of his Christian parents. Then something snapped. He could not explain it differently. The verse that begins:

I need Thy presence every passing hour.

What but Thy grace can foil the tempter's power?

seemed like a prayer suited to his need. He said that he bowed his head, and tried to be reverent as he had at his mother's knee, as a lad saying his prayers.

Bill's wife could not stand going to football games with him; he was such a "boozer." She was expecting his return home, thinking that he would be in his usual state. When he turned the corner, he was singing and running. He entered the house and kissed her, and between sobs told her he was a new man. However, he did not himself realize that he had been converted. Never did he take another drink. Truly, God works in mysterious ways. Who would have thought that a hymn sung at a football game between 2 exciting halves would have resulted in the conversion and radical change of a man who was stoned drunk at the time? The hymn has been sung at Wembly as a regular feature since that time.

The author of this hymn, Henry Lyte, was born in Kelso, Scotland. He attended Trinity College in Dublin, a protestant university. He was ordained in the Church of England. As a young curate (assistant to a parish priest) he was called to the bedside of an elderly saint of the church who was dying. He gripped the young curate's hand, and prayed, "Oh, Lord, abide with me; abide with me!" In prayer, he slipped away to abide with Him forever. The young curate never forgot the incident.

In 1823 he was appointed perpetual curate at Lower Brixham in Devonshire. On one occasion, in company with Rev. Edward Frenkiel, I sat on the stone ledge overlooking the bay, where Henry F. Lyte was said to have sat and watched the setting sun. Thinking of his own life, which seemed to be ebbing to a close, he thought back to his experience as a young curate in Dublin. Soon, too soon, he would have to leave his wife and loved ones. He wrote this hymn that evening, and read it to his wife and guests. They wept. They knew he was ill; little did they realize at the time how fast the "eventide" was falling for him, their beloved curate.

Doctors suggested that he go to a dry, warm climate to preserve his life. He went to the French Riviera, where he passed away 6 months later. Ne died at Nice, France, November 20, 1847.

Times change, people and governments deteriorate and become demoralized and decayed, but the Savior, who does not change, is there where you are, when you need Him most, to abide with you. - Hymn Stories by Wilbur Konkel

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Harrison Varvel

Katy, Texas, United States

Jun 14, 2016

"For if, while we were enemies, we were reconciled to God through the death of his Son, how much more, having been reconciled, will we be saved by his life!"

This is why we need to abide in Him, and He in us, day by day.

Thank You Lord Jesus for this hymn!

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Elizabeth Okinedo

Okota, Lagos, Nigeria

May 18, 2016

I love this hymn so much. It makes me feel the presence of God so strong around me...

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Natalia Schranz

Switzerland

Dec 15, 2015

A blessing I cannot describe!

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