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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Abide with me! fast falls the eventide

Longings For Fellowship with Christ

English370
1
Abide with me! fast falls the eventide;
The darkness deepens; Lord, with me abide!
When other helpers fail and comforts flee,
Help of the helpless, oh, abide with me.
2
Swift to its close ebbs out life’s little day;
Earth’s joys grow dim, its glories pass away;
Change and decay in all around I see;
O Thou who changest not, abide with me.
3
Come not in terrors, as the King of kings;
But kind and good, with healing in Thy wings:
Tears for all woes, a heart for every plea;
Come, Friend of sinners, thus abide with me.
4
I need Thy presence every passing hour:
What but Thy grace can foil the tempter’s power?
Who like Thyself my guide and stay can be?
Through cloud and sunshine, oh, abide with me.
5
I fear no foe, with Thee at hand to bless:
Ills have no weight, and tears no bitterness:
Where is death’s sting? where, grave, thy victory?
I triumph still, if Thou abide with me.

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Mary Oloniyo

London, United Kingdom

Jul 6, 2013

I know this hymn from my childhood, and I love it.

But last week, when I had a sleepless night due to serious pain on my hands,

When the next evening comes I was afraid of the night due to my previous exp; so this hymn came to me, I sang it by faith and since then, am having a good sleep.

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Smaranatha

India

Apr 9, 2013

Abide with me, dear Lord. For what am I precious Lord, without Thee!

JESUS, Name above all names!

All glory to Thee in the highest.

Even so, come Lord JESUS!

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Chri U Sunday

Fort Wortb, Tx, United States

Mar 16, 2013

"Come not in terrors, as the King of kings, but kind and good, with healing in Thy wings; tears for all woes, a heart for every plea; come ,friend of sinners, thus abide with me"...What an evergreen!!!!, I remember this song from my elementry school days, and so many years later, it still brings joy to my soul each time I meditate on it. To God be the Glory, Honor, and Adoration... Amen.

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Joel Lazarus

Vadodara, Gujarat, India

Feb 2, 2013

I am an Indian Christian and proud to hear the trumpet on 26th of Jan 2013. Wow! It's so great to be a Christian and hear the song tunes!!!!! How our Living God is Present!!!!!

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Steve Miller

Detroit, MI, United States

Jan 27, 2013

Adding to Joey's 12/2009 comment on the story behind this hymn:

Henry Lyte coined the phrase, "It is better to wear out than to rust out." And Henry Lyte wore out when he was 54 years old, an obscure pastor who labored for 23 years in a poor church in a fishing village in Devonshire, England. This hymn written shortly before his death, was inspired by the words of the 2 disciples met by Jesus on the road to Emmaus: "Stay the night with us, since it is getting late." (Luke 24:29)

As Lyte wrote this hymn, he knew he was dying of tuberculosis and asthma (see 5th stanza). It was "eventide" for him, darkness was deepening, and he felt very much alone. - Great Songs of faith by Brown & Norton

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Nic

Mesa, Az, United States

Nov 4, 2012

Hold thou thy cross
Before my closing eyes
Shine through the gloom
And Point me to the skies
Heaven's morning breaks
And earth's vain shadows flee
Help of the helpless Oh Abide with me

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Lawrence Otu

London, United Kingdom

Oct 27, 2012

Every true Christian will sing this song. The path that we trod as we walk with the Lord confer the experience that makes us to sing this song by the inspiration of the Holy Spirit. Help always comes to the helpless who looks to the Lord. Such a powerful song and cry of helplessness that the Lord cannot turn His back but attend to. Thank You Lord Jesus for being such a help and comfort to our souls. Amen.

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Ibrahim Joseph M.

Ogori, Ogori-Magongo LGA, Kogi State, Nigeria

Sep 6, 2012

As an Anglican, I've known this song for years, but I got to appreciate and understand the power of this hymn by December 2007, when I lost my Mum. My whole world looks like it has come to an end. But at the wake-keep night, this hymn was song by all and it is the only hymn that give me strong meaning because I truly was helpless. Even My Dad with all his 35 years military experiences/ carrier (with a soldier heart of steel)felt the absence, but after that night, "HELP OF THE HELPLESS TRULY HELPED AND COMFORT US.

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Dinagar

Nattalam, Kanaya Kumari Dist,Tamil Nadu, India

Aug 15, 2012

I like this song very much from my childhood. Every Wednesday evening we sung this song as blessing song in our church service. I also like the story of the hymn very much. I am very happy to hear this song in Olympic opening ceremony. I am so happy to hear this song in India's republic day beating retreat last hymn before the flag is lowered.

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Mrs. Cecilia Bonnah Subun Poku

Sacramento, CA, United States

Aug 8, 2012

This music, so soothing, filled with comfort and care: indeed help of the helpless, oh, abide with me. AMEN.

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