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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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How firm a foundation, ye saints of the Lord

Assurance and Joy of Salvation A Firm Foundation

English339
1
How firm a foundation, ye saints of the Lord,
Is laid for your faith in His excellent word!
What more can He say than to you He hath said,
To you who for refuge to Jesus have fled?
2
“Fear not, I am with thee, O be not dismayed,
For I am thy God, and will still give thee aid;
I’ll strengthen thee, help thee, and cause thee to stand,
Upheld by My righteous, omnipotent hand.”
3
“When through the deep waters I call thee to go,
The rivers of sorrow shall not overflow;
For I will be with thee, thy troubles to bless,
And sanctify to thee thy deepest distress.”
4
“When through fiery trials thy pathway shall lie,
My grace, all sufficient, shall be thy supply;
The flame shall not hurt thee; I only design
Thy dross to consume, and thy gold to refine.”
5
“E’en down to old age all My people shall prove
My sovereign, eternal, unchangeable love;
And then, when grey hairs shall their temples adorn,
Like lambs they shall still in My bosom be borne.”
6
“The soul that on Jesus hath leaned for repose,
I will not, I will not desert to his foes;
That soul, though all hell should endeavor to shake,
I’ll never, no, never, no, never forsake!”

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Archier

Le Mans, Maine, France

May 21, 2019

Beautiful hymn, nevertheless the music played on the player is not the right one.

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Roberta

May 9, 2019

This hymn has been a great encouragement to me through trials and through my doubts and fears! Thank you!

I do have a question-Maybe it’s a variation some do, I’m not sure, but is this song ever sung to the tune of “O Come All Ye Faithful”? I noticed that’s the tune accompanying this hymn.

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Martha

Cuernavaca, Morelos, Mexico

Jan 26, 2019

Meditating on Colossians 1:20-23 on the APOKATALASSO. The total, absolute, complete, and full reconciliation through Jesus Christ. This hymn came to mind.

So grateful for the Father who drew me, the Spirit who convicted me, the Son who redeemed me. He has done all things well.

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Graeme

Auckland, New Zealand

Sep 3, 2018

Sitting in bus at Blockhouse Bay a choir sang from YouTube inexplicable tears of praise after 70 years he has bought intense praise and longing for Him. Hallelujah

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John Simpson

Lyman, NH, United States

Jun 4, 2018

Oh the wondrous truth of that 5th stanza! After daily grace for over 50 years might I be one of those grey heads that walks in righteousness all for His worthy glory! Hallelujah!

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Mark McConnell

LaCrosse, WI, United States

Feb 23, 2018

Verse 4 seems to be taken from Isaiah 1:25.

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Hanakin

United States

Dec 8, 2017

I was looking for the hymn "Be Still My Soul", and instead I came across this hymn. And oh how wonderful the words are! I've now found a song for my sibling and I to learn together! God bless this website!

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Steve Miller

Detroit, MI, United States

Nov 19, 2017

Dr. Rippon was pastor of the well-known Carter's Lane Baptist Church in London, England for 63 years. [Dr. John Gill was the previous pastor for 51 years. John Fawcett, author had accepted the position to succeed Gill at prestigious Carter's Lane, but changed his mind and wrote the hymn 'Blest be the Tie that Binds' on that occassion. C.H. Spurgeon was a later pastor of this church.] Rippon was considered one of the most popular and influential dissenting ministers of his time.

Like so many of our enduring hymns, "How Firm a Foundation" is really a sermon in a song. In the 1st stanza the sure foundation of the Christian faith is established as being the Word of God itself, The succeeding verses then personalize and amplify precious promises that God has documented in His Word.

The 2nd stanza is a comforting promise found in Isaiah 41:10 "Fear thou not, for I am with thee, be not dismayed, for I am thy God."

The 3rd stanza recalls a precious promise especially for those passing through some deep crisis of life found in Isaiah 43:2 "When you pass through the waters, I will be with you."

The 4th stanza is based on a New Testament promise found in 2 Corinthians 12:9 "My grace is sufficient for you; for my strength is made perfect in weakness."

[The 5th stanza is based on Isaiah 46:4 "Even to old age, I am HE, and to gray hairs I will carry you. I have made, and I will bear,; I will carry and will save."]

Then that powerful 6th stanza is based on one of the most glorious promises in Scripture, Hebrews 13:5 "Never will I leave you; never will I forsake you."

As children of God we need to learn the lesson of daily "leaning for repose" upon the never-failing arms of our God and to remember the faithful promises of His Word whenever the difficulties of life cross our pathways. - '52 Hymn Stories Dramatized' by Kenneth W. Osbeck

---

Like the majority of his co-religionists, Rippon gave his warm sympathy to the Americans during the war of independence, and was in correspondence with leading baptists on the other side of the Atlantic. - wikisource

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M.C.

Beltsville, MD, United States

Aug 16, 2017

Someone suggested singing the first phrase of the final line three times, and that's clever and intriguing, and it works, but if singing with a group it might be easier to just repeat the final line of each stanza (see piano or guitar lead sheet).

I find that when singing a hymn to a different tune than is customary, or just in a new way (like repeating a phrase three times instead of repeating an entire line), often new appreciation is gained for otherwise familiar lyrics. :)

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Henrich Brockhaus

Bellingham, WA, United States

Jan 29, 2016

I just found the other tune: "How Firm a Foundation - YouTube" sung by a men's choir. It also shows the text.

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