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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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English334
1
A wonderful Savior is Jesus my Lord,
A wonderful Savior to me;
He hideth my soul in the cleft of the rock,
Where rivers of pleasure I see.
 
He hideth my soul in the cleft of the rock
That shadows a dry, thirsty land;
He hideth my life in the depths of His love,
And covers me there with His hand,
And covers me there with His hand.
2
A wonderful Savior is Jesus my Lord,
He taketh my burden away;
He holdeth me up and I shall not be moved,
He giveth me strength as my day.
3
With numberless blessings each moment He crowns,
And, filled with His fullness divine,
I sing in my rapture, oh, glory to God,
For such a Redeemer as mine!
4
When clothed in His brightness, transported I rise
To meet Him in clouds of the sky,
His perfect salvation, His wonderful love,
I’ll shout with the millions on high.

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Henriette

Nijmegen, Gelderland, Netherlands

Aug 26, 2013

This is such a beautiful song.

I heard for the first time by a concert Guy Penrod was singing it.

It broke my heart in a good way.

Only HIS HAND!!! Oh it was really comforting.

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John Lind

South Walsham, Norfolk, United Kingdom

Aug 24, 2013

Truely an amazing Hymn. Today I am especially blessed with the words of the last verse. Clothed in His brightness (righteousness). Transported I rise (the catching away of the Church).. That IS His perfect Salvation, that IS His wonderful Love. How could I/we be silent even here on earth, let alone when in Glory. Love You Lord and praise Your name.

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Shinette

Jamaica

Aug 22, 2013

What a blessing. I so needed a reminder such an inspirational hymn, it gives me peace.

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John

Nairobi

Aug 20, 2013

I have been blessed with this song since it was our theme song in evangelistic crusade in Nairobi Kenya 13th of August 2013 to 25th of August 2013. May God bless you all who contributed to making this a reality.

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Matsoshe

South Africa

Jul 12, 2013

Amen!

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Amy

Dimapur, Nagalant, India

Jun 15, 2013

Praise God for loving me and cover me with His love. Amen.

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Anugwem. G

Port Harcourt, Rivers State, Nigeria

Jun 11, 2013

Praise God! What a wonderful Saviour! He has set me free. AMEN, AMEN.

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I. B. Tanihaha

Indonesia

Jun 7, 2013

God's love covers me. How Amazing that love is for a sinner such as me! He hides me in the cleft of the rock to protect me, a weak and helpless man. Praise be to our Lord Jesus Christ.

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Philippe Dovoedo

Calgary, Alberta, Canada

Jun 1, 2013

I can truly say that the Lord Jesus has covered me with His hand. How can I ever pay Him back? I will strive to meet Him in heaven.

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Doreen Yeukai Rwanyanya

Harare, Harare East

Apr 30, 2013

Continuation: We left and get back home. The following day my husband and I went for morning glory at church. Our theme was "every altor against my life catch fire". We were pushing in prayers and I felt dizzy and couldn't pray anymore.

Indeed there was fire everywhere. After prayers I went and see my pastor, instead of telling him what I encountered, he is the one who narrated everything to me. He told me go home and decide on a name that I would give the child in my womb and pray commanding him to live. He told me that I wasn't going to miscarry but will have that baby to show the goodness of the Lord. Days came so as months, the ninth month came and there were no signs of labour. We prayed and asked God to intervene. Two weeks later I went a see my gynae and insisted that I be induced for labour. On the 6th of march I was induced for labour and delivered a bouncing baby boy, the one whom I was told that he never existed and also after I was told that am not going to conceive again. I am an Omega Child, the Child Of fire. I named the Boy SHILOH (GOD SENT) the name I dreamt of when the pregnancy was a month old and also which was prophecied about when I was in the sixth by my pastor. Surely I will sing in my rapture Glory to God for such a Redeemer as mine.

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