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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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English334
1
A wonderful Savior is Jesus my Lord,
A wonderful Savior to me;
He hideth my soul in the cleft of the rock,
Where rivers of pleasure I see.
 
He hideth my soul in the cleft of the rock
That shadows a dry, thirsty land;
He hideth my life in the depths of His love,
And covers me there with His hand,
And covers me there with His hand.
2
A wonderful Savior is Jesus my Lord,
He taketh my burden away;
He holdeth me up and I shall not be moved,
He giveth me strength as my day.
3
With numberless blessings each moment He crowns,
And, filled with His fullness divine,
I sing in my rapture, oh, glory to God,
For such a Redeemer as mine!
4
When clothed in His brightness, transported I rise
To meet Him in clouds of the sky,
His perfect salvation, His wonderful love,
I’ll shout with the millions on high.

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Chris Kolawole

Akure, Ondo State, Nigeria

Oct 26, 2012

So many saints, from all ages, from every region of the world including even 'closed' communities of the world, praising the Lord for His goodness-surely Heaven will be soooo sweet! Can't wait to see you all. Wow, even eternity will be too short to listen to your and my reviews of overflowing worship. Keep the faith.

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Paul Chi

Taipei, Taiwan

Oct 24, 2012

It seems that this hymn links to Exodus 33. Elija also had a similar experience in 1 King 19. This touched me profoundly. His glory is so powerful yet so gentle.

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Margaret

Imlay City, Mi, United States

Sep 25, 2012

I feel His love come over me when I sing this hymn, strongly. I almost feel His hand touch me gently to protect me. He is my forever blessed Savior! How blessed I am!

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Harold Bowlby

Richmond, IN, United States

Sep 24, 2012

Several years ago, I really needed a touch from God. I was as low and discouraged as one could be. A lady sang this song in our worship service and the Holy Spirit came to me and provided me the spiritual lift I needed. This song has been one of my favorites ever since.

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Phil

Sewell, NJ, United States

Sep 13, 2012

We sang this hymn in our family devotions this am because we read Exodus 32 & how God hid Moses in "the cleft of the rock" as His glory passed by. I couldn't remember the hymn but found the words here. Thank you!

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Nana Tutu Yeboah

Accra, Ghana

Sep 8, 2012

My all time favourite hymn that brings me joy and hope in times of difficulty.Thanks for posting the lyrics! God bless you!

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Okorie Emmanuel

Benin City, Edo State, Nigeria

Sep 6, 2012

God has been so gracious to me, even in troublesome times in my country here: Nigeria. this is the song to keep afloat in dark and troubled waters any moment in time. Dear Lord JESUS, You are our shelter in the time of storm. Thank you.

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AN

Seoul, South Korea

Jun 29, 2012

HIS song will be with me in the dry land.

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Manny Mendez

Land O' Lake, Florida, United States

Jun 8, 2012

This my favorite hymn, though I love every hymn written by these wonderful brothers and sisters as they were and are still inspired by our Wonderful Lord and Savior who loves us without measure.

He died for a sinner such as I, and tears form in my eyes, whenever I listen to these precious gospel hymns. Glory to GOD! He is Worthy of praise and adoration.

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Cathie

Ohio, United States

May 17, 2012

This song came to mind as my first thought this morning and played it on my small harp. I looked up the lyrics and found all these wonderful comments from so many of my brothers and sisters in the Lord all over the world. It is impossible to be alone when we are hidden in Christ. We are truly one heart and mind in Him. It seems as though we all have one foot in heaven praising for his wonderful provision, and one foot on earth giving glory to Jesus our Lord.

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