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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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English334
1
A wonderful Savior is Jesus my Lord,
A wonderful Savior to me;
He hideth my soul in the cleft of the rock,
Where rivers of pleasure I see.
 
He hideth my soul in the cleft of the rock
That shadows a dry, thirsty land;
He hideth my life in the depths of His love,
And covers me there with His hand,
And covers me there with His hand.
2
A wonderful Savior is Jesus my Lord,
He taketh my burden away;
He holdeth me up and I shall not be moved,
He giveth me strength as my day.
3
With numberless blessings each moment He crowns,
And, filled with His fullness divine,
I sing in my rapture, oh, glory to God,
For such a Redeemer as mine!
4
When clothed in His brightness, transported I rise
To meet Him in clouds of the sky,
His perfect salvation, His wonderful love,
I’ll shout with the millions on high.

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Ed Rosa

United States

Apr 1, 2012

This reminds me of my times with the Church Family.

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Lewis Kono

Poulsbo, WA, United States

Mar 17, 2012

What a wonderful thought, "We are like a precious pearl, a precious treasure, hidden in the Lord."

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John Richardson

Coquitlam, BC, Canada

Mar 11, 2012

As I was eating breakfast this morning I thought I would like to hear a hymn from when I was a boy. This was a wonderful one to find. We have been in the midst of friends and family going through illness and emotional distress. It is good to remember we are hidden in the cleft by the Lord. It is also so good to see how my brothers and sisters across the world have been blessed too.

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Angela Nembhard

Pierrefonds Montreal, Quebec, Canada

Jan 31, 2012

As I stood at my kitchen sink and washed a few dishes. My mind went back to my childhood days in my native Island of Jamaica. I remember we sang this song in church. I began to look at my life from where the Lord has brought me from to where my life is today. I can truly say that God has preserved my life and now I just live to give Him praise for He has surely kept me in the cleft of the rock. Thank You Jesus.

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Gregory Letts

Anaheim, CA, United States

Jan 24, 2012

This song came from my depths as I pondered how I will replace my car following an accident. He hideth my life in the depths of His love and covers me there with is hand. Amen, Lord Jesus.

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Cecilia A

Montreal, Quebec, Canada

Jan 22, 2012

Juat doing some work on my computer at 1:45 AM when this song popped up in my mind and I searched for its words and sang it through.

I was blessed.

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Suan See Tan

Georgetown, Penang, Malaysia

Nov 22, 2011

Yesterday our friend Stephen was called home to the Lord and this wonderful hymn was chosen for his wake service. Stephen whose faith and work had touch so many, was ill for a greater part of his life. His praise of the Lord's faithfulness was never ceasing. For him each time he overcame a crisis in his illness, it was like a crown of blessing from God.

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David McCoy

Minneapolis, MN, United States

Nov 19, 2011

Yes what a wonderful Saviour, what a wonderful song. I used to sing it to my children as they fell asleep, the sweet peace of God filling the room and our hearts. Now I sing it to my granddaughter. Such a blessing to read of its effect on Christians from every nation, tribe and tongue - all one in our wonderful Lord! And thank God for Fanny Crosby, who wrote this song and so many others.

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Anne Jemutai

Invercargill, Southland, New Zealand

Aug 30, 2011

This piece is a great blessing to me. Makes me feel God is still with me at every moment of my life. Glory be to the Almighty.

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Efua Otuwaa Goode

Accra, Ghana

Aug 21, 2011

This song assures God's superb protection. Moreover, this is a heavenly lullaby for all Christians. How fortunate, how blessed to know our Lord watches over us every passing moment. Thank You, God my Father, Jesus my Brother and Friend and the Holy Spirit my Senior Pastor. I salute You all.

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