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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Many weary years I vainly sought a spring

Assurance and Joy of Salvation Satisfied with Christ

English322
1
Many weary years I vainly sought a spring,
One that never would run dry;
Unavailing all that earth to me could bring,
Nothing seemed to satisfy.
 
Drinking at the Fountain that never runs dry,
Drinking at the Fountain of life am I;
Finding joy and pleasure
In abounding measure,
I am drinking at the Fountain of life.
2
Through the desert land of sin I roam no more,
For I find a living Spring
And my cup of gladness now is running o’er,
Jesus is my Lord and King.
3
Here is sweet contentment as the days go by,
Here is holy peace and rest;
Here is consolation as the moments fly,
Here my heart is always blest.
4
Here I find a never ending, sure supply,
While the endless ages roll;
To this healing Fountain I would ever fly,
There to bathe my weary soul.

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Ana Lara

Storrs, Connecticut, United States

Jun 20, 2022

Haldor Lillenas (1885-1959) was born at Stord, Norway. His father sold their 15 acre farm in Norway and emigrated to the US, buying a farm in Colton, SD. After he build a sod house, his family emigrated to SD as well. They moved to Astoria, OR. In 1889, Haldor learned English and began writing song-lyrics at an early age. In 1900 the family moved to Roseville, MN where he worked as a farm laborer and attended a Lutheran high school at Hardwick, MN. He sold a few songs at age 19. At age 21 he wrote more songs, encouraged by some earlier ones becoming popular, “He set me free” was one of many. His mother died in 1906 and his father returned to ND but Haldor decided to move back to Astoria, OR, to finish a chemical correspondence course he had been taking. There he found a job in a chemical factory. He started attending a Lutheran Church. One evening he heard the song, “Tell mother I’ll be there“, sung at a mission. It made him decide to commit his life to Christ. An elderly lady who worked there told him about Jesus, and he began attending and working at Peniel Mission, a holiness rescue mission in Astoria, OR. In 1907 he moved to Portland, where he worked with the Peniel Mission and became its leader. He saw many there come to know Christ and felt called to do God’s work. He joined the First Church of the Nazarene in Portland. He enrolled in a ministerial course of study and afterward, he joined a vocal group associated with the Salvation Army called the ‘Charioteers Brigade’, which held street meetings and revival services throughout much of California. As a result of generous donations made, and efforts by his pastor, A. O. Hendrix, he was able to attend Pacific Bible College later named Pasadena College, in Los Angeles. He also found part-time work to help support himself. Lillenas became a music director at a local church, and was preaching and writing songs. He also studied voice at the lyric school of music in Los Angeles, CA. While at Deeds, he met and married Bertha Mae Wilson, also on an evangelistic team. Both preached and wrote hymns. They practiced music at her father’s house and found that their voices blended well. They had two children: Evangeline, and Wendell. They became elders in the Nazarene Church, and she eventually became an ordained minister as well. He also studied music at the Siegel Myers School of Music Chicago, Illinois and composed songs for cantatas, Christmas, Easter, and special day services. He used several pseudo-names in their compositions. He traveled as an evangelist and pastored two churches in California and one In Indiana from 1920–24. While in Indiana, he founded the Lillenas Music Company. His wife preached at their pastorate until he was able to get the company up and running. They published more than 700, 000 hymnals. After selling the company, he worked there as an editor until his retirement in 1950, becoming an advisor for them until his death. That year he purchased a 500 acre rural estate in Miller County, MO where they built an Ozark home called ‘Melody Lane’. He joined the American Society of Composers, Authors, and Publishers in 1938 and received an honorable doctor degree in 1941 from Olivet Nazarene College in Bourbonnais, IL. In 1945 Bertha died of cancer. Lillenas married Lola Dell and they lived in Melody Lane until 1955 when they moved to Pasadena, attending the Nazarene Church there. They made trips to Norway after his retirement where he wrote three books. In 1955 while touring Israel, they sponsored a Palestinian Greek Orthodox family, the Sirhans, he had met as immigrants to the US. After they arrived in Pasadena the Sirhans stayed with Lillenas and later moved to a home Lillenas rented for them. When Mary Sirhan’s husband abandoned the family, Lillenas ensured they would stay in the US. One of her sons, S. B. Sirhan was the convicted killer of Robert Kennedy. Lillenas wrote 4, 000 hymns. He died in Aspen, CO. and is buried at Kansas City, MO. He was an author, editor, composer, and contributor. He edited and compiled over 50 song books. (Hymnary. org)

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Trevor Pearce

Atlanta, Georgia, United States

Jan 15, 2022

We are drinking at the fountain that never runs dry! Praise the Lord!

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Maurice Ward

Columbus, Ohio, United States

Jun 16, 2021

Here is holy peace and rest. Praise the Lord this peace and rest is holy. It is separated and even uncommon. It is completely divine!

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Joey Annis

Nackawic, NB, United States

Dec 6, 2019

Amen! Hallelujah. The Lord is our supply that will ever satisfy!

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Samuel Yu

Austin, TX, United States

Nov 17, 2019

"To this healing Fountain I would ever fly,

There to bathe my weary soul."

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Jared Huang

Austin, Texas, United States

Sep 28, 2019

Through the desert land of sin I roam no more, For I find a living Spring!

Read more
Ash

Austin, TX, United States

Mar 27, 2019

Take a drink! There’s a fountain flowing for you and me!

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Chris Abraham

Calgary, Alberta, Canada

Oct 28, 2018

“Jesus is my Lord and King!”

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Cody Enderli

San Marcos, TX, United States

Sep 14, 2018

Deep and Wide! Deep and Wide, There’s a Fountain Flowing Deep and Wide!

Hallelujah!

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Nelson Liu

Boston, Massachusetts, United States

Sep 8, 2018

Hallelujah that we are drinking at the fountain that never runs dry!

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