Skip to content
hymnal.net
hymnal.net
My Songs

About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

Open this guide as its own page

Download limit reached

Jesus, Fountain of my days

Experience of Christ As Everything

English525
1
Jesus, Fountain of my days,
Well-spring of my heart’s delight,
Brightness of my morning rays,
Solace of my hours of night;
When I see Thee, I arise
To the hope of cloudless skies.
2
Oh, how weary were the years
Ere Thy form to me was known;
Oh, how gloomy were the fears
When I seemed to be alone;
I despaired the storm to brave
Till Thy footprints touched the wave.
3
But Thy presence on the deep
Calmed the pulses of the sea,
And the waters sank to sleep
In the rest of seeing Thee;
And my once rebellious will
Heard the mandate, Peace, be still!
4
Now Thy will and mine are one,
Heart in heart, and hand in hand;
All the clouds have touched the sun,
And the ships have reached the land;
For Thy love has said to me,
No more night! and No more sea!

Delete Comment

Delete this comment? This cannot be undone.

Maria L

Fremont, CA, United States

Apr 26, 2026

Lord Jesus, thank You for being the living Fountain of my days and the constant well-spring of my heart’s delight. I praise You that as I look to You, my heart arises to the hope of cloudless skies, I find everything I need in Your flowing life. I love you Lord Jesus 😀

Read more
Martha Pearce

Atlanta, GA, United States

Mar 21, 2026

Jesus, Fountain of my days! What a marvelous testimony! I love this hymn.

Read more
Maurice Ward

Columbus, Ohio, United States

Dec 3, 2020

Recently, was listening to the conference on our culture being replaced for the One New Man and our brother shared that every locality, and actually every saint should be a miniature of the New Jerusalem. At first I didn't quite comprehend this word, but then I came to this hymn. It says, no more night and no more sea.

When we allow Christ to replace us with Himself we become filled with Him unto the fullness of God. This fullness is the expression of the Triune God, thus we can become the New Jerusalem. In the New Jerusalem there is no night or sea. The New Jerusalem is just the One New Man; so when Christ is our light, rest, peace, newness, good land, and life, we become a miniature of the New Jerusalem. Hallelujah!

Read more
Ana Lara

United States

Jun 22, 2020

George Matheson, born March 1842 in Glasgow, the most populous city in Scotland, was a Scottish minister and a hymn writer.

His father George Matheson was a merchant and his mother was Jane Matheson. They had eight children, George being the eldest. George was educated in Glasgow Academy and then went to the University of Glasgow where he graduated from logic and philosophy.

At age 20, he became completely blind but was determined to enter the ministry and study theology and history. In 1849 he earned the degree of Doctor of Divinity and became a fellow of the Royal Society of Edinburg . He died suddenly of a stroke on August 20, 1906 in Edinburg and is buried with his parents in the Glasgow Necropolis. His grave lies near the summit. George Matheson never married.

Read more
Jasper Flores

Philippines

Mar 21, 2020

I despaired the storm to brave

Till Thy footprints touched the wave

.. Remembering how Peter was called by the Lord asking him to come down from the boat and come to the Lord by stepping into the water while their boat being battered by the waves..

We should not be afraid of the pamdemic (strong, raging winds).. We should not be disturbed by them... Our destiny is in the Lord’s hand, there is no reason for us to be afraid of anything... We just have to obey His voice.. We just trust and believe in Him! He will carry us through!

Read more
Marieth Siku

Houston, TX, United States

Aug 9, 2017

Jesus, Fountain of my days!
When I see Thee, I arise
To the hope of cloudless skies.

Read more
T. Diyan

London, United Kingdom

Oct 31, 2012

No more night! No more sea! New Jerusalem we long for thee!

Read more