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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Naught have I gotten but what I received

Assurance and Joy of Salvation Saved by Grace

English311
1
Naught have I gotten but what I received;
Grace hath bestowed it since I have believed;
Boasting excluded, pride I abase;
I’m only a sinner saved by grace!
 
Only a sinner saved by grace!
Only a sinner saved by grace!
This is my story, to God be the glory,
I’m only a sinner saved by grace!
2
Once I was foolish, and sin ruled my heart,
Causing my footsteps from God to depart;
Jesus hath found me, happy my case;
I now am a sinner saved by grace!
3
Tears unavailing, no merit had I;
Mercy had saved me, or else I must die;
Sin had alarmed me, fearing God’s face;
But now I’m a sinner saved by grace!
4
Suffer a sinner whose heart overflows,
Loving his Savior to tell what he knows;
Once more to tell it, would I embrace—
I’m only a sinner saved by grace!

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Samuel McKibben

Inverness, Highlands Scotland, United Kingdom

Apr 19, 2019

What a blessing to be continually reminded of this great act of grace. I could only weep when I was singing the last verse.

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Oluwayanju Ogun

Port Harcourt, Rivers, Nigeria

Jul 4, 2018

That's who I am – Only a sinner saved by Grace.

Sometimes I forget the glory of his grace and am tempted to cheapen it, but this song reminds me.

I pray for more of God's sanctifying grace for myself and all who know His salvation. AMEN

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Derek Forster

Newcastle, Tyne And Wear, United Kingdom

Apr 2, 2018

I hope to sing this song at Cameo Sunday at Bethany Church Houghton-le-Spring this year.

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Charlene

Mishawaka, Indiana, United States

Dec 21, 2017

I've been studying 1 Corinthians 15 and this song came to mind. I learned it in church when I was a child.

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Steve Howells

Grand Rapids, Michigan, United States

Oct 17, 2017

This great hymn was written at the Moody Bible Institute in Chicago. Dr, Gray, the thirds president of Moody wrote the lyrics. D.B. Towner, who was the chairman of the music department for many year, composed the music. To God be the glory. God bless the school that D.L. Moody founded.

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Lungawiruol Khawbung

Leuven, Belgium

Jan 2, 2016

This Hymn touches the very heart of my soul. Whenever I listen I the deep love of Jesus in the face of all my wretched and filthy nature. I am always in awe of HIM.

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Lungawiruol Khawbung

Churachandpur, Manipur, India

Sep 8, 2015

This classic hymn touches my soul in a very fresh way. It reminds me of the amazing love of Christ who humbled Himself and became obedient to death—even death on a cross! so that a sinner like me will be saved. This is an amazing story of the assurance and the joy of our salvation.

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Adefolaju

Bradford, West Yorkshire, United Kingdom

Nov 15, 2014

Sweet memories. Thanks be to God for His great and marvellous saving grace.

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Sangwa

Johannesburg, Gauteng, South Africa

Jan 9, 2014

We can't make on our own, it's by the grace, the grace and the grace only.

I really like this hymn. It reminds me of home where we use to sing it in Swahili using the book of songs called "Nyimbo za Mungu" meaning songs for God.

Fortunately I took a book before leaving.

I've just discovered this website some minutes ago and I am really blessed. Thanks.

May Jesus bless you.

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Anonymous

May 19, 2013
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