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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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I’ve found a friend in Jesus, He’s everything to me

Praise of the Lord Satisfaction with Him

English210
1
I’ve found a friend in Jesus, He’s everything to me,
He’s the fairest of ten thousand to my soul;
The Apple-tree of trees, in Him alone I see
All I need to cleanse and make me fully whole.
In sorrow He’s my comfort, in trouble He’s my stay,
He tells me every care on Him to roll:
He’s the Apple-tree of trees, the Bright and Morning Star,
He’s the fairest of ten thousand to my soul.
2
He all my griefs has taken, and all my sorrows borne;
In temptation He’s my strong and mighty tower;
I’ve all for Him forsaken, and all my idols torn
From my heart, and now He keeps me by His power.
Though all the world forsake me, and Satan tempt me sore,
Through Jesus I shall safely reach the goal:
He’s the Apple-tree of trees, the Bright and Morning Star,
He’s the fairest of ten thousand to my soul.
3
He’ll never, never leave me, nor yet forsake me here,
While I live by faith and do His blessed will;
A wall of fire about me, I’ve nothing now to fear,
With His manna He my hungry soul shall fill.
Then sweeping up to glory to see His blessed face,
Where rivers of delight shall ever roll:
He’s the Apple-tree of trees, the Bright and Morning Star,
He’s the fairest of ten thousand to my soul.

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Olufemi Akintitan

Denton, TX, United States

Apr 2, 2010

I had a strong urge and an unwavering compulsion to sing this song. I have sang it in the past but the urge had never been like what led me to this website. First, I listened to the lyrics and it appears as if I have never paid the desirable attention to the song. I am still listening to the song been played on the web site, yet the initial urge is still gaining momentum. The song is a substance to my faith.

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Dr P. Obadare

London, United Kingdom

Mar 26, 2010

This song is a song of reassurance. The Lord gave me this song to sing in my revelation this morning. This song re-emphasized the Master's support and backing in whatever He orders us to do. It is a song of one of the attributes of God, His Omnipresence.

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Jason Au

Markham, Ontario, Canada

Mar 25, 2010

A sister requested this song at a meeting once. She said she sang it everyday to school when she was younger. It's an encouraging song.

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Bolaji Ezra

Croydon, Surrey, United Kingdom

Feb 26, 2010

If anyone wants to find out what a true definition of a friend is, either as an exercise to determine whether that person can truly call himself a friend to another person, or to measure whether a so called friend is a friend indeed, one only have to sing this song and the answer will readily be apparent. Tell me which friend can lay his life down for another even when that person is not faithful- a big gamble, yet Jesus paid the price and died for us while we were yet sinners. This is what this song mean to me...

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Geoff Daniels

Jackson Heights, Queens, New York, United States

Jan 26, 2010

It is most inspiring as mighty source of comfort and encouragement.

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Tope O'fowora

London, United Kingdom

Oct 16, 2009

I like this song because it reassures me that in evrything there is a Big friend Jesus that knows everthing about me and with Him beside me I can do all things.

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Unwana Inyang

Tallinn, Estonia

Aug 10, 2009

Going through wild and tough times in a strange land far from home. This song tells me that the greatest friend and comforter (JESUS) is always with me ANY TIME AND ANYWHERE.

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Favour Dan Sunny-Orike

Aberdeen, United Kingdom

May 31, 2009

The best of all my hymns. It encourages me that by Jesus alone, I must surely get to the goal I am pursuing. I sing it regularly and recommend it to everybody.

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adepero adams

Baltimore, Maryland, United States

Feb 12, 2009

This is an inspirational song that let you know that you are not alone in your struggles and troubles.

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pastor emmanuel lawrence

Abuja, Fct, Nigeria

Feb 11, 2009

This song is inspiring and draws one closer to the Creator. I love it.

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