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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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I’ve found a friend in Jesus, He’s everything to me

Praise of the Lord Satisfaction with Him

English210
1
I’ve found a friend in Jesus, He’s everything to me,
He’s the fairest of ten thousand to my soul;
The Apple-tree of trees, in Him alone I see
All I need to cleanse and make me fully whole.
In sorrow He’s my comfort, in trouble He’s my stay,
He tells me every care on Him to roll:
He’s the Apple-tree of trees, the Bright and Morning Star,
He’s the fairest of ten thousand to my soul.
2
He all my griefs has taken, and all my sorrows borne;
In temptation He’s my strong and mighty tower;
I’ve all for Him forsaken, and all my idols torn
From my heart, and now He keeps me by His power.
Though all the world forsake me, and Satan tempt me sore,
Through Jesus I shall safely reach the goal:
He’s the Apple-tree of trees, the Bright and Morning Star,
He’s the fairest of ten thousand to my soul.
3
He’ll never, never leave me, nor yet forsake me here,
While I live by faith and do His blessed will;
A wall of fire about me, I’ve nothing now to fear,
With His manna He my hungry soul shall fill.
Then sweeping up to glory to see His blessed face,
Where rivers of delight shall ever roll:
He’s the Apple-tree of trees, the Bright and Morning Star,
He’s the fairest of ten thousand to my soul.

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Gilbert

Lusaka, Zambia

Nov 30, 2012

When I listen to this song, I feel relieved. Indeed JESUS is everything to me. Let His love and mercy continue to fall on us.

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Hope

Kaduna, Nigeria

Nov 1, 2012

Indeed Jesus is the only dependable and reliable Friend who will always be there when all fails. I just love this song. Makes me confident in life. Thank You Jesus for Your undying love towards me.

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Akin Oyan

Houston, Tx, United States

Oct 2, 2012

I love this song, when I heard it last Sunday, I forgot everything, am happy that Jesus is still my Friend. Hallelujah!

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Glen Corson

London, United Kingdom

Aug 22, 2012

The title made me weep and drew me to Him in my mingled spirit.

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Taiye Alao

Ile-Ife, Osun, Nigeria

Jul 2, 2012

Jesus is and will always be a dependable Friend and Savior to all who honestly come to Him. This is a powerful music that reassures all Christians, God bless you.

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Isang Akpabio

Port Harcourt, River State, Nigeria

Jun 23, 2012

All believers in Our Dear Lord Jesus Christ, I salute you all. I've truly enjoyed each write up and I'm glad God used the composer to reach you all and also millions arround the globe. For me this song would forever make my day till He takes me. May God bless the composer and remember him when His kingdom shall come.

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Richard

Lagos, Nigeria

Apr 30, 2012

My favourite song since my childhood days; any time I listen to it, I get connected and spiritually find myself at the feet of Jesus experiencing divine care, guidance and rest. I bless the Lord for the writer and the lyrics.

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Esther 靈妙

Ho Chi Minh City, Vietnam

Apr 22, 2012

Just now Lord let me see something about myself. But thank You Lord, I have found a Friend in You. Lord cleanse me and make me fully whole with You. Thank You Lord for everything. Everything is for me to see myself and know You more. Lord, be everything to me. Thank You for being my Friend! How sweet, how fresh, how marvelous You are, my Friend.

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Jim C. Hirschman

Miami, FL, United States

Mar 11, 2012

Thanks to hymnal.net and to all you good Christians around the globe. I remember my parents singing this song in duet as we drove along during my childhood. What a spiritual boost to hear it again.. BUT I remember the later line different..Instead of the "Apple tree of Apples" I recall it as "He's the Lily of the Valley, the Bright and Morning Star."

God's love to you all.

JIM

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Awe Emmanuel

Gwagwalada, Abuja, Nigeria

Feb 17, 2012

Thank You Jesus this heavenly grace and promise last forever.

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