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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Lord, Thou art God’s anointed

Praise of the Lord His Kingdom

English147
1
Lord, Thou art God’s anointed,
Thou art of kings the King!
Here in full adoration
Our song to Thee we bring!
Thy kingdom is forever,
Established is Thy throne!
Thy reign with love and justice
In glory stands alone!
2
Upon the hill of Zion
Hath God established Thee
And all the nations given
Thy heritage to be.
To Thee hath God committed
His full authority
To rule with might the nations
Unto eternity.
3
Before the time of fullness,
While darkness still prevails,
Ten thousands daily render
To Thee their loyal hails!
From shore to shore Thy people
To Thee their praises sing;
They worship, love, and serve Thee
As their dear Savior-King!
4
When in the time appointed
With glory Thou wilt come,
The earth with all its nations
Thy kingdom will become.
In majesty and splendor
Wilt Thou be served as King,
All kindreds and all peoples
To Thee their praise shall ring!

Copyright Living Stream Ministry. Used by permission.

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Un Hermano

Jul 24, 2025

1. God’s anointed

In the divine economy Christ is God’s Anointed, the Messiah. Concerning this, John 1:41 says, “He found first his own brother Simon and said to him, We have found the Messiah (which translated means Christ). ” Messiah is Hebrew; Christ is Greek. Both mean “the anointed. ” Christ is God’s Anointed, the One appointed by God to accomplish God’s purpose, His eternal plan.

In John 20:31 we see that Jesus is the Christ, the Son of God: “These have been written that you may believe that Jesus is the Christ, the Son of God, and that believing you may have life in His name. ” The Christ is the title of the Lord according to His office, His mission. The Son of God is His title according to His person. He is the Son of God to be the Christ of God.

The conclusion of the
New Testament
Message 24 (LSM)

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Angel Pyne

London, Surrey, United Kingdom

Apr 8, 2025

I have heard and sung this hymn several times in the past 20 odd years that I’ve been in the church life and I have loved it but not as much as I am loving it now. I am deeply moved by the lyrics and wondered who could’ve written such beautiful words and lo and behold…. it was brother Lee. I very rarely make comments on anything but I felt compelled to do this one. Thank You, Lord, for our dear brother Lee.

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Dasmith

Lincoln, NE, United States

Aug 28, 2024

What a majestic Hymn with such an overarching view of time and place and His coming Kingdom! I also love verse 3–in spite of everything, the Lord has faithful and watching ones praying, longing, looking, and hastening unto His coming! May we be such!

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John T. C. Kan

Chicago, IL, United States

Jun 12, 2023

Luke 12:32 - Do not be afraid, little  b flock, because your Father has been  well pleased to give you the kingdom.

This hymn from the Little Flock really tells how the Son of Man came as the slave of God (Gospel of Mark) has been crowned as the King of kings!

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Stephen Bellingham

Irvine, CA, United States

Jul 20, 2020

This is a wonderful hymn! The Lord Jesus is on the throne! Very encouraging especially during the current pandemic and troubling times. "From shore to shore Thy people to Thee their praises sing." Amen!

(Can also be sung to the tune of hymn #824)

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Alex Lee

Taipei, Taiwan

Jun 14, 2013

Such a wonderful song! especially in Stanza 3 "from shore to shore thy people..."

Always brings me see saints around the world, all praise the one God in one love!! On the Lord's Day, all saints sit / stands around the Lord's table, through singing and praising to remember His death and resurrection! Hallelujah!

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Glenn

Fullerton, CA, United States

May 30, 2012

This is such a wonderful hymn worshipping our Savior-King! The hymn is written with such a global view. Our God has given us His heritage - to rule the nations with His authority. What a high aspiration for us to attain! Amen, Lord Jesus - come quickly!

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