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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Glory be to Jesus

Praise of the Lord His Redemption

English115
1
Glory be to Jesus,
Who in bitter pains
Poured for me the life-blood
From His sacred veins.
2
Grace and life eternal
In that Blood I find;
Blest be His compassion,
Infinitely kind.
3
Blest through endless ages
Be the precious stream,
Which from endless torments
Did the world redeem.
4
Abel’s blood for vengeance
Pleaded to the skies;
But the blood of Jesus
For our pardon cries.
5
It the conscience sprinkles,
Frees our guilty hearts;
Satan in confusion
Terror-struck departs.
6
Oft as earth exulting
Wafts its praise on high,
Angel-hosts rejoicing
Make their glad reply.
7
Lift ye then your voices;
Swell the mighty flood;
Louder still and louder
Praise the precious blood.

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Carole

Owerri, Nigeria

May 1, 2026

A very interesting piece. A prayer song indeed!

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Un Hermano

Oct 29, 2025

(Heb. 10:29; 13:20 2. “The blood of the covenant”;

“The blood of an eternal covenant”).

The blood of the Lord not only redeems us from our sins, but it also establishes a covenant with us that requires God to forgive our sins, grace us, and accomplish all His promises to us. Thus, the blood of the Lord is not only redeeming blood but also the blood of the covenant. The Lord’s blood established a new covenant for us, an eternal covenant. Therefore, this blood is called the blood of an eternal covenant. The new covenant cannot be annulled, because the Lord’s blood is eternally efficacious; it is not a temporary covenant established by the blood of calves and goats, which was effective only in type for a time.

All the grace and blessings given to us by God are included in the new covenant and are given to us in the execution of the new covenant. This new covenant has been established and is efficacious because the Lord shed His blood through death, fully satisfying God’s righteous requirement. This means that God must grace us. Thus, the Lord’s blood established a new covenant for us and made this new covenant efficacious.

THE MEANS FOR RECEIVING ETERNAL LIFE

1. “Jesus therefore said... He who eats My flesh and drinks My blood has eternal life”(John 6:53-54).

Because the Lord’s blood washed us of our sins, it enabled us to obtain God’s holy life, which is God Himself as the eternal life. God gives us His eternal life because the Lord shed His blood for us. The Lord’s blood is the means for us to receive God’s eternal life.

Crucial Truths in the Holy Scriptures, Volume 4

Chapter 39 CWWL, 1932–1949, vol. 4 (LSM)

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Michael Tessman

Wakefield, RI, United States

Apr 19, 2025

The hymnal editions I’m using omit verses 4&5, in an effort, I believe, to emphasize God’s action through the sacrificial love/blood of Jesus rather than our human sin (vengeance, etc).

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Anonymous

May 28, 2023

Lovely hymn to sing at the Lord's table. Praising Him for His redemption

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Bella

Lagos, Nigeria

Jun 23, 2021

This one of my dad's favorite Catholic hymn's. His name is Sir Bertrand Igbokwe and he is 104yrs and has an awesome voice even in his old age. He remembered a few lines and I googled the enter hymn and was too happy to get all the lyrics plus the tune.

Dad sang it so many times. Thank you so much and God bless you all Amen.

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Mike

Leicester, United Kingdom

Sep 13, 2020

Great old hymn.

Praise God

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Barbara Anzalone

Shavertown, PA, United States

Apr 16, 2020

Fabulous hymn! One of my favorites!!! 🌷❤

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Charlene

Apopka, FL, United States

Oct 27, 2013

One of my grandfather's favorites. My mother just told me and sang what she could remember to me. My grandfather loved to sing the hymns. We miss him but have these fond memories. Thank God.

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Bob

Sep 9, 2013

Best song ever!!

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