Skip to content
hymnal.net
hymnal.net
My Songs

About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

Open this guide as its own page

Download limit reached

Man of Sorrows, what a name

Praise of the Lord His Redemption

English108
1
“Man of Sorrows,” what a name
For the Son of God who came
Ruined sinners to reclaim!
Hallelujah! what a Savior!
2
Bearing shame and scoffing rude,
In my place condemned He stood;
Sealed my pardon with His blood;
Hallelujah! what a Savior!
3
Guilty, vile, and helpless, we,
Spotless Lamb of God was He;
Full redemption—can it be?
Hallelujah! what a Savior!
4
Lifted up was He to die,
“It is finished!” was His cry;
Now in heaven exalted high;
Hallelujah! what a Savior!
5
When He comes, our glorious King,
To His kingdom us to bring,
Then anew this song we’ll sing
Hallelujah! what a Savior!

Delete Comment

Delete this comment? This cannot be undone.

Francis Y Chow

Dec 21, 2025

Amen Marcelle Eyong Manyi “Man of Sorrows, ” what a name
For the Son of God who came
Ruined sinners to reclaim!
Hallelujah! what a Savior!

Read more
Un Hermano

Oct 22, 2025

B. As a Perfect Man to Live a

Lowly and Sorrowful Human Life

As a perfect man, Christ lived a lowly and sorrowful human life. His birth was lowly, and His family also was in a lowly state. His living was also full of sorrow.

1. Growing Up like a Tender Plant before Jehovah,

and like a Root out of Dry Ground

First, He grew up like a tender plant (like a small, delicate person) before Jehovah (Isa. 53:2a). The plant here actually refers to a sprout, which is very tender, small, and delicate. Christ did not grow up like a large tree, but like a small, delicate sprout. Because He was such, no one would pay any attention to Him. He also grew up like a root out of dry ground, meaning that He was born of a poor family. His mother, Mary, and her husband, Joseph, lived in a despised city called Nazareth, in a despised region, Galilee. It is true that they were descendants of David, but David reigned approximately one thousand years before Jesus was born. When Mary and Joseph came into being, the royal family had become insignificant. In Isaiah 11:1 the royal family of Jesse was likened to the stump of a tree. From that stump a sprout, Christ, came out. Hence, His birth was very lowly.

2. Having No Attracting Form nor Majesty

that Men Should Look upon Him

Second, the Lord Jesus had no attracting form nor majesty that men should look upon Him, nor beautiful appearance that men should desire Him (53:2b). If Jesus had been very handsome and attractive, very majestic and powerful, everyone would have been attracted to Him. But Jesus had neither an attracting form nor majesty, nor did He have a beautiful appearance. Instead of majesty, He had poverty, and instead of a beautiful appearance, He had a visage and form that were disfigured (52:14).

3. Being Despised and Forsaken of Men,
like One from Whom Men Hide Their Faces
and Whom Men Do Not Esteem

Third, Christ was despised and forsaken of men, like one from whom men hide their faces and whom men do not esteem (53:3). Often when the Jews saw Him, they hid their faces. When He was hanging on the cross, many hid their faces from Him. Furthermore, they did not regard or respect Him. This was Christ’s human living.

4. Living as a Man of Sorrows

and Acquainted with Grief

Fourth, Christ lived as a man of sorrows and acquainted with grief (53:3a). As a man in His human living, Christ did not have riches; rather, He had sorrows. Moreover, He was acquainted with grief. He knew nothing but sorrow and grief. This was not for redemption; rather, this was part of Christ’s qualifications for accomplishing redemption.

Life-study of Isaiah

Message 50 (LSM)

Read more
Marcelle Eyong Manyi

Bloemfontein, Free State, South Africa

Oct 18, 2025

thank You Lord for dying on the cross of calvary for my sins. indeed it is finished!!! all my long standing battles, delays, difficulties are finished because you took them away when you died on the cross.

Read more
Jobie

Indiana, United States

Sep 26, 2025

For the joy set before Him He endured the cross, despising the shame, and has sat down at the right hand of the throne of God.

Read more
Un Hermano

Jul 3, 2025

B. As a Perfect Man
to Live a Lowly and Sorrowful
Human Life

1. Growing Up like a Tender Plant
before Jehovah, and like a
Root out of Dry Ground

First, He grew up like a tender plant (like a small, delicate person) before Jehovah (Isa. 53:2a). The plant here actually refers to a sprout, which is very tender, small, and delicate. Christ did not grow up like a large tree, but like a small, delicate sprout. Because He was such, no one would pay any attention to Him. He also grew up like a root out of dry ground, meaning that He was born of a poor family. His mother, Mary, and her husband, Joseph, lived in a despised city called Nazareth, in a despised region, Galilee. It is true that they were descendants of David, but David reigned approximately one thousand years before Jesus was born. When Mary and Joseph came into being, the royal family had become insignificant. In Isaiah 11:1 the royal family of Jesse was likened to the stump of a tree. From that stump a sprout, Christ, came out. Hence, His birth was very lowly.

2. Having No Attracting Form
nor Majesty that Men Should
Look upon Him

Second, the Lord Jesus had no attracting form nor majesty that men should look upon Him, nor beautiful appearance that men should desire Him (53:2b). If Jesus had been very handsome and attractive, very majestic and powerful, everyone would have been attracted to Him. But Jesus had neither an attracting form nor majesty, nor did He have a beautiful appearance. Instead of majesty, He had poverty, and instead of a beautiful appearance, He had a visage and form that were disfigured (52:14).

3. Being Despised and Forsaken of Men,
like One from Whom Men Hide Their Faces
and Whom Men Do Not Esteem

Third, Christ was despised and forsaken of men, like one from whom men hide their faces and whom men do not esteem (53:3). Often when the Jews saw Him, they hid their faces. When He was hanging on the cross, many hid their faces from Him. Furthermore, they did not regard or respect Him. This was Christ’s human living.

4. Living as a Man of Sorrows

and Acquainted with Grief

Fourth, Christ lived as a man of sorrows and acquainted with grief (53:3a). As a man in His human living, Christ did not have riches; rather, He had sorrows. Moreover, He was acquainted with grief. He knew nothing but sorrow and grief. This was not for redemption; rather, this was part of Christ’s qualifications for accomplishing redemption.

Life-study of Isaiah

Message 50 (LSM

Read more
Judy

Conyers, GA, United States

Jul 3, 2025

The gospel in song. So amazing.. What a Savior!

Read more
Kristof Swartzentruber

Lancaster, PA, United States

Jun 10, 2025

Although I’ve always loved this hymn, I didn’t know what it was to be a man of sorrows in the manner of our Lord until facing the painful reality of rejection by those who seemingly mattered most, for the sake of truth. And I would never trade away the abiding in Him that I now enjoy and know that in my weakness, I would have never gained otherwise. Thank you for healing me and being my only Friend, my Lord and Master, Jehoshua ha Meshiach. I pray you bring me to fall at Your feet, any day now.

Read more
Christopher

Brisbane, Queensland, Australia

Nov 3, 2024

A real blessing to me as read the words of this hymn today. “Man of Sorrows” - what a name !

Read more
Pascal Stone

Kamina, Congo DRC 🇨🇩/Haut-Lomami, Democratic Republic Of Congo

Oct 28, 2024

Praise be OUR Lord Jesus for inspiring this song. How great is the love we find in Jesus !

May the Lord Jesus bless you Who put it on liner!

May the God bless this Web site and those Who work behind!

Read more
Rachel Staggers

St Petersburg, FL, United States

Aug 5, 2024

I am 65 years old. My grandmother Albertha vaz spencer taught me this song when I was about 6 years old.

Read more