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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Let us eat Jesus every day

Experience of Christ As Food and Drink

English1146
1
Let us eat Jesus every day,
Eating His flesh in such a way
That in the trials great or small
He as a Man will be our all.
 
Eat, eat more of Jesus!
Eat, eat more of Jesus!
Why should we undernourished be
When we have His humanity?
2
Let us drink Jesus till we see
That we are human, Jesusly!
Till rivers flood the barren ground
And quench the thirst of all around.
 
Drink, drink more of Jesus!
Drink, drink more of Jesus!
Why should we ever thirsty be
When we have His humanity?
3
We must eat Jesus till God can
Have the fulfillment of His plan—
One man expressed for all to see,
One church in each locality.
 
We’ll masticate Jesus!
We’ll masticate Jesus!
Then to the tent of meeting bring
Jesus, our real meal offering.

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Medea

Tbilisi, Georgia

Sep 13, 2018

Oh Lord what a union , we are organically one with You and we eat You and drink You and live because of You.

Thank You that YOU made us eating vessels, we are able to eat You and become as You in life and nature, we are Your living organic members, we are joined to You, mingled with You, we are living, we are growing in You. Oh Lord how we thank You.

I love this hymn so much. It's very dear and precious, very simple but full of meaning, everything in God's economy depends on our eating of Christ. We are reconstituted by eating Christ. All we have to do is eat, digest and asimilate God. Oh LORD RECOVER OUR FUNCTION OF EATING YOU.

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Alexandra Jones

Reno, Nevada, United States

Aug 30, 2018

We’ll masticate Jesus!!! We’ll digest Jesus!! We’ll assimilate Jesus!! We’ll be constituted with Jesus. We are the Body of Christ!!!

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Kathy Beard

Boise, Idaho, United States

Jul 7, 2018

I just want to Amen what Andrea shared. Oh what a Christ we have! He's done everything for us to receive all that He is! We can enjoy Him by eating and drinking Him as the Life- Giving Spirit, supplying us moment by moment. We love You Lord Jesus!

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Andrea

Tacoma, WA, United States

Apr 22, 2018

We have His Humanity! We don't need to try and "imitate" Him because He's become our Meal Offering. My "feelings" are not trustworthy but I have One in me who IS accomplishing ALL that's in His heart concerning us! Oh Lord, open us to receive You as Food, drink You as Joy, breathe You as Fresh Air until Your uplifted Humanity brings us All the Way into Glory!

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Karl K Reimer

Belmopan, Cayo, Belize

Jul 31, 2016

This song is to bring it to the tent meeting. The Lord's Table.

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Sherill Gill

Bridgetown, West Indies, Barbados

Apr 5, 2012

The music to this sound is really inspiring,

We as saints of Christ need to really hunger and thirst more for Jesus till he comes.

The melody is so sweet, I will play it over and over. God Bless!

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Gildete Magalhaes de Souza

Bahia, Brasil

Jun 7, 2011

Praise te Lord. Amen.

I really like this song. It is very rich and encourages me to eat and drink more of the Lord. My satisfaction is to eat and drink the Lord every day. I'm very hungry and thirsty. I thank the Lord for drawing me. My need is to chew on the Lord, to be constituted in me, that I will be useful and cooperate with Him in His move on this earth. Amen.

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