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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Tempo menu slows it down without changing the pitch.

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We’re gathered here, O Lord, as Thy one Body

Praise of the Lord Remembrance of Him

English1107
1
We’re gathered here, O Lord, as Thy one Body:
Though we be many, yet we all are one.
We share Thy life and own that we are members,
And thus within, in life we all are one.
 
There is one Body in this universe,
And we express it here on earth;
We stand as one in each locality
For all to see, for all to see.
2
There is one loaf, the symbol of Thy body:
’Twas broken so that all the saints may share.
We eat this bread and, as we are partaking,
Our actual oneness with all saints declare.
3
One bread, one cup are now upon the table,
Showing that we can be naught else but one.
Christ has redeemed us, made us His own Body:
What can we say but, “Amen, Lord, we’re one!”
4
We stand as one, and cannot be divided,
Because our oneness is of Christ alone.
We eat as one: one loaf, one cup partaking,
And thus our oneness visibly is shown.
5
Oh, what a joy to have this blessed oneness!
We sense that Thou, O Lord, art satisfied;
And we too share this blissful satisfaction—
Sweet foretaste of the Bridegroom with His Bride.

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Brian

Montréal, Québec, Canada

Apr 8, 2019

1En un seul Corps, ici, Tu nous rassembles.
Quoique nombreux, nous vivons l'unité.
Seule Ta vie en fait de nous les membres,
Et nous sommes un, en Toi tous rassemblés !
 Il y a un seul Corps dans cet univers !
Oh ! quelle joie de L'exprimer !
Dans chaque ville brille un chandelier
Pour déclarer notre unité !
2 Étant tous un, nous mangeons à Ta table
L'unique pain, symbole de Ton Corps.
Tu t'es rendu si proche et accessible
Pour qu'en Toi, nous marchions d'un même accord.
3 Tous réunis, buvons à cette coupe ;
Ton sang versé, un jour, nous racheta !
À chaque fois, ce repas nous annonce
Que Tu mourus et que Tu reviendras.
 4 Tu nous unis malgré nos différences,
Tu es, Seigneur, Toi-même notre paix.
Chacun de nous à ce repas déclare
Qu'il fait partie de Ton Corps si parfait.  
5 Oh ! quelle joie ! En nous l'Esprit témoigne,
Que Tu es satisfait Seigneur Jésus.
Quel avant-goût des noces Tu nous donnes.
Nous T'attendons, Seigneur et cher Époux !

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Anonymous

San Juan Capistrano, CA, United States

Mar 3, 2019

O Lord thank You for Your one Body here! Lord thank You that we can be Your corporate expression on the Earth! O Lord we just love You! Amen!

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Gabriella

Johannesburg, Gauteng, South Africa

Jan 7, 2019

Amen we are truely one. We stand as one a cannot be divided. Thank You Lord for the oneness of the church. The Body needs its different parts to function, and we are one Body. Beloveds we need each other with our own special talents to function as one Body. AMEN.

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Deladem Agawu-Kakraba

Tema, Ghana

Sep 9, 2018

The Lord is so real to me... I just love You Lord.

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Kylie

United States

May 6, 2018

Will always be lit

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Maria

Katy, Texas, United States

Apr 22, 2018

THANK YOU LORD! We stand as one Body and we will forever do your good works. PRAISE THE LORD!

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Jon

Harvest, Alabama, United States

Apr 15, 2018

We are one Body, one loaf, AMEN!

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Ben

Atlanta, GA, United States

Mar 4, 2018

T’was lit

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Nathaniel

Atlanta, GA, United States

Feb 18, 2018

It’s still lit

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Amos Kimani

Naivasha, Nakuru, Kenya

Jan 1, 2018

Hallelujah, we are many yet one Body. We are many nationalities yet one Body. What a miracle! Truly as one Body we appreciate the unlimited dimensions of Christ.

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