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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Life at best is very brief

Gospel Persuasion

English1043
1
Life at best is very brief,
Like the falling of a leaf,
Like the binding of a sheaf,
Be in time!
Fleeting days are telling fast
That the die will soon be cast,
And the fatal line be passed,
Be in time!
 
Be in time! Be in time!
While the voice of Jesus calls you,
Be in time!
If in sin you longer wait,
You may find no open gate,
And your cry be just too late:
Be in time!
2
Fairest flowers soon decay,
Youth and beauty pass away;
O you have not long to stay,
Be in time!
While God’s Spirit bids you come,
Sinner, do not longer roam,
Lest you seal your hopeless doom,
Be in time!
3
Time is gliding swiftly by,
Death and judgment draweth nigh,
To the arms of Jesus fly,
Be in time!
O I pray you count the cost!
Ere the fatal line be crossed,
And your soul in hell be lost,
Be in time!
4
Sinner, heed the warning voice,
Make the Lord your final choice,
Then all heaven will rejoice,
Be in time!
Come from darkness into light;
Come, let Jesus make you right;
Come, receive His life tonight,
Be in time!

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Jasper Makworo

Nairobi, Kenya

Jun 3, 2015

Uplifting song to the soul that is calling us to get closer to meet our Savior by making a decision in time Now.

It really reminds us that we need to keep watch and pray and we wait upon our reader. Our life is so short in this world.

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Bishop Praises Omole

Wusasa, Zaria, Kaduna, Nigeria

Jan 15, 2015

Life truly is very brief
Make us true to our call, O Lord
Before we drop off this earth like a falling leaf.

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Betty Hill

Feilding, Manawatu, New Zealand

Sep 16, 2014

I am putting this hymn at the conclusion of my husband's biography. He went to be with the Lord in 2009, and played and sang this hymn in the 1940's. It bring back many memories.

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Samuel Ruth Chadi

Ikeja, Lagos State, Nigeria

Aug 3, 2014

I remember when we were growing up our choir use to sing this very song. When I lost my aunt, this very song was sang during her wake keep. Any time I remember, sing or hear this song I shared tears. Truly and indeed the word of the Lord is sure. Let the whole know that this life at its very best is brief indeed. Lord help me to make useful use of my time for You. This song is not only for the unsaved. Is both for the saved and unsaved.

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Maureen Reid

Gardenstown, Aberdeenshire

Jul 11, 2014

Beautiful hymn especially for the unsaved. Another in the same vein is Meet me there where the tree of life is blooming meet me there.

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Gordon Moore

Millisle, Down N. Ireland, United Kingdom

Jun 27, 2014

I was humming this tune today and could only remember some of the words. What a blessing to know that I'm saved and in time. Jesus is the way the truth and the life. GOD IS LOVE.

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Ruth Chadi Samuel

Lagos, State, Nigeria

Nov 15, 2013

What a joy to belong to the family of Christ.
I new this song in the early 80's as a young child.
I grew up and became a choir member till date.

I can as well sing it in the Hausa language. If you do not have Christ, you are heading to doom. No two ways about it.

It's really a song with sober reflection to the very day I accepted Christ as my Lord and personal Savior.

Life is very very brief.......

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Stanley

Calicut, Kerala, India

Oct 10, 2013

It's a beautiful song which I learned in my childhood, that is somewhere in the early 1950s. Thanks.

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Margaret Olusolape Jemilugba

Akure, Ondo, Nigeria

Aug 7, 2013

"Life at best is very brief" I remember this song tonight as I ponder over the sudden call to glory of Brother Peter Yidawi, the General Secretary of Fellowship of Christian Nurses, Nigeria. I sang this song as a member of the Joint Campus Choir in the university in the 70s during mission outreach at beginning of new sessions during altar calls. Very heart rendering! Thank God I got all the stanzas on the Internet and I sang as in the days of old. Lord keep me faithful till the end!

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Crimson Jebakumar

Nagercoil, Tamil Nadu, India

Jul 1, 2013

In June 1978, a gospel meeting was arranged in the TB hospital, Asaripallam, Nagercoil. I was a young boy, watching my father playing the organ and the drummer. Bro. Antipas preached the word of God and this was the core song of the sermon and he preached on the vanity of life on earth but the eternal salvation through Jesus Christ. I have seen many TB patients accepted Jesus as their Saviour. Many would have died later but one day we can meet in the Lord's presence. This song was sung twice in the beginning and the end and it was so touching. Caleb Annan's voice was superb at that time.

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