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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Life at best is very brief

Gospel Persuasion

English1043
1
Life at best is very brief,
Like the falling of a leaf,
Like the binding of a sheaf,
Be in time!
Fleeting days are telling fast
That the die will soon be cast,
And the fatal line be passed,
Be in time!
 
Be in time! Be in time!
While the voice of Jesus calls you,
Be in time!
If in sin you longer wait,
You may find no open gate,
And your cry be just too late:
Be in time!
2
Fairest flowers soon decay,
Youth and beauty pass away;
O you have not long to stay,
Be in time!
While God’s Spirit bids you come,
Sinner, do not longer roam,
Lest you seal your hopeless doom,
Be in time!
3
Time is gliding swiftly by,
Death and judgment draweth nigh,
To the arms of Jesus fly,
Be in time!
O I pray you count the cost!
Ere the fatal line be crossed,
And your soul in hell be lost,
Be in time!
4
Sinner, heed the warning voice,
Make the Lord your final choice,
Then all heaven will rejoice,
Be in time!
Come from darkness into light;
Come, let Jesus make you right;
Come, receive His life tonight,
Be in time!

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Olufemi Omole

Kano, Nigeria

Jun 14, 2013

I first sang this song over 30 years ago, it came to my mind now and searching the Internet found it with piano accompaniment. The song really challenged me as a Christian and expectations of life after. I pray sincerely to be in time while the voice of Jesus calls.

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Yinka

Lagos, Nigeria

May 6, 2013

I just woke up from a dream where I was in a congregation singing this hymn. I sang it first in my secondary school as a young convert in 1971. I was 12 going on 13 then. Now in my 54th year to be 55 in a few months I appreciate God's mercy and grace that saved me. Such a lovely song deep in my subconscious as I haven't sung it in years. Now just waking from that dream and searching out the song on the Internet and discovering this instrumental accompaniment moves me to tears. Thank You Lord Jesus for saving me.

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Lisa

Abuja, FCT, Nigeria

Apr 5, 2013

First heard the hymn in 1992, when I was 5, it happened to be Dad's favourite. He stays awake all night playing and keeping it on re-play, then sits us down to explain the words the next morning. Guess I was too young to comprehend the meaning, but now that I'm 26, I'm pushed to tears when I finally sang it word for word last night. God bless His church and saints. AMEN.

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Ken Rystead

Delta, B.C., Canada

Jun 3, 2012

I first heard this hymn at The wst Richmond Gospel Hall in 1973 when was newly saved.

It tells it all. Be in time is the message and that means, NOW.

It is my favourite gospel hymn and as my beest friend Wayne Guindon says, it is the best hymn I ever heard in my whole life.

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Oghale Olugua

Emede, Delta, Nigeria

Jan 13, 2012

I heard this song in 1971 as we learnt it in the Choir at the Evangelical Christian Union of the University of Benin, Benin city, Nigeria; under Sister NWAKA MBA. I have been blessed with its timeless TRUTH of responding to GOD'S CALL whenever we hear GOD'S VOICE, audibly or as a STILL SMALL VOICE. Indecision, delay or rejection is suicidal. So, my humble plea to anyone hearing these words is: BE IN TIME. For, the sweet nothingness of life is so insignificantly brief in comparison to the JOY of ETERNITY with GOD.

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Happy Wilson Abali

Port Harcourt, Rivers, Nigeria

Nov 9, 2011

Reminds me why it is important to obey God rather man. Remaining on God's side and being obedient to ALL His requirements is the best one can ever do in his life. "There is" the Bible says "no repentance in the grave."

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Helena Munasque

Iligan City, Philippines

Oct 30, 2011

Come Lord Jesus!

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Onovo-Agbo David

Aba, Abia State, Nigeria

Oct 13, 2011

I'd say I've always known this hymn all my life. But sometime in the late 90s, our song book was changed with a new one which hadn't this hymn on it. Surprisingly, my mind would race back to these lines again this morning as I gave deep thoughts to my friends and relations departed. It beckons on sinners to the mercy seat and His saving grace: whilst also warning of the iminent damnation that awaits a recalcitrant soul. Such a great hymn I love so much!

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Martin Adu

Leiden, Zuid Holland, Netherlands

Sep 3, 2011

I knew this song way back in the early 80s while in a campus Christian fellowship. We sang it in choir to invite people to the altar for Jesus. It's words are so direct, imploring, encouraging, directing the sinner to Jesus. It just came in my head and I got searching and fount it here. I am so blessed and reminded of what life is all about, it's brevity and how we should seek, find and live for the Lord.

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Dorothy Burks

Covington, TN, United States

Jan 1, 2011

Lyrics by Bishop Charles Harrison Mason, Founder of Churches of God in Christ, Inc. I heard the lyrics for the first time from a cd of his funeral (about 1961) and I couldn't wait to get the music. Most enjoyable!!!!!!

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