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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Softly and tenderly Jesus is calling

Gospel The Lord’s Calling

English1027
1
Softly and tenderly Jesus is calling—
Calling for you and for me;
Patiently Jesus is waiting and watching—
Watching for you and for me!
 
Come home! come home!
Ye who are weary, come home!
Earnestly, tenderly, Jesus is calling,
Calling, O sinner, come home!
2
Why should we tarry when Jesus is pleading—
Pleading for you and for me?
Why should we linger and heed not His mercies—
Mercies for you and for me?
3
Time is now fleeting, the moments are passing—
Passing from you and from me;
Shadows are gathering, death-beds are coming—
Coming for you and for me!
4
Oh, for the wonderful love He has promised—
Promised for you and for me!
Though we have sinned, He has mercy and pardon—
Pardon for you and for me!

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Martha Peet

Winnipeg, Manitoba, Canada

Dec 7, 2016

We used to sing this gospel at our church in Inuktitut (back then Eskimo) way up in the arctic coast. That was between 50 and 60 years ago. I'm now 66 years old. The community was so clean and pristine, calm waters during our short summer.

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Kar Giver

Central, Massachusetts, United States

Oct 26, 2016

This takes me back to my very young childhood, 3 generations singing this in perfect harmony as dinner was being prepared in my grandmother's old farmhouse. 2 of those 3 generations are Home. HalleluYah. Mom and I will join them soon enough, He is on His way.

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Joseph

Koforidua, Ghana

Oct 15, 2016

This hymn speaks to the heart. My spirit is rekindled. Thanks be to God who inspired His men to touch lives with such inspirational songs. Jesus is indeed calling.

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Tammy Groves

Rapid City, South Dakota, United States

Aug 8, 2016

Today as I took my shower to get ready to go to the Hospice house to be with my sister in law as she sat by her brothers side, all I kept hearing in my head.... I knew right then and there that God was calling my brother in law home... When I walked in the door my Brenda told me he had just passed away and he went ever so peacefully. Rest in peace George, you are finally home.

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Arnold Guzman

Round Rock, TX, United States

Jul 29, 2016

This song means so much to me. When I was 13, this was the hymn that was playing in the background during a Sunday night church service back in 1976. At that very moment, I felt the tug at my heart from the Holy Sprint and walked to the front by myself to accept Jesus as my Savior. Within, 5 minutes I felt a hand on my left shoulder and it was my Mother and I felt a hand on my right shoulder and it was my Father. We all accepted Jesus as a family!

Guzman Family

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Stacy

Deer Park, TX, United States

Apr 15, 2016

I can remember this hymn from vacation bible school. I have never forgot it, it touched me then and still does today! I'm 36 so yes we listened to it lol

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Melanie Gill

Dandridge, TN, United States

Apr 7, 2016

Have loved this song since I was a teenager.

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David Noel

White Plains, New York, United States

Mar 27, 2016

Heard this for the first time yesterday at a convention in RI.

What a blessing ( Matthew 11:28-30, Mark 10:49)

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Nelia Phiri

Lusaka, Zambia

Mar 22, 2016

It's such a beautiful hymn it touches my heart and calls me home and reminds me that am nothing but a sinner yet He still calls softly and tenderly.

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Bec

Melbourne, Vic, Australia

Mar 11, 2016

Such a beautiful song, I first heard this sung by Elvis Presley and this in turn has led to me looking up the lyrics. He sung a fair bit of gospel and this is one of my favorite.

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