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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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English1148
1
“Come and dine,” the Lord is calling,
“Come and dine”—
We can eat and drink of Jesus all the time!
He’s our daily food supply,
Only He can satisfy.
“Come and dine,” the Lord is calling,
“Come and dine.”
2
“Come and dine,” the Lord is calling,
“Come and dine.”
When we eat and drink of Jesus all the time,
He becomes our life within,
And He fills us to the brim.
“Come and dine,” the Lord is calling,
“Come and dine.”

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Jeff Hall

Church In Worcester, Massachusetts, United States

Jun 24, 2026

Eating and Drinking Jesus is the Way!

Read more
Un Hermano

Dec 27, 2025

(2) Imparting His Life into
Us for Our Nourishment
-------------------------------

As the Passover Lamb Christ not only shed His blood for our redemption; He also imparts His life into us for our nourishment. Concerning this, in verse 51 the Lord Jesus said, “I am the living bread which came down out of heaven; if anyone eats of this bread, he shall live forever. And the bread which I will give is My flesh, given for the life of the world. ” At this point the bread (mentioned earlier in the chapter) becomes the flesh. Bread is of the vegetable life and is only for feeding; flesh is of the animal life and is not only for feeding but also for redeeming. Before the fall of man, the Lord was the tree of life (Gen. 2:9), which is only for feeding man. After man fell into sin, the Lord became the Lamb (John 1:29), which is not only for feeding man but also for redeeming him (Exo. 12:4 , 7-8).

In John 6:51b the Lord Jesus tells us that His flesh would be given “for the life of the world. ” The Lord gave His body, that is, His flesh, dying for us that we might have life.

b. The Bread of Life

--------------------------

Many verses in John 6 reveal that, for our experience and enjoyment, Christ is the bread of life (vv. 27 , 32-35 , 47-58 , 63a , 68b). As the bread of life, He is the bread with eternal life. Spiritually speaking, everyone is hungry and in need of Christ as the bread of life.

The Conclusion of the
New Testament: Experiencing,
Enjoying, and Expressing Christ,
Message 279 (LSM)

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Maria L

Fremont, California, United States

Sep 15, 2025

Hallelujah! The Lord is calling us “Come and dine” We can eat and drink of Jesus all the time! He’s our daily food supply, that Only can satisfy us! Praise the Lord 😀

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Mercy Mukumba

Airdrie, Alberta, Canada

Aug 31, 2024

A very beautiful and melodious song. It shows that Jesus is always ready to provide for us all the time. It’s only us who do not see the ready prepared meal.

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J and Y

Aug 20, 2023

Life study of John message 11. Only Jesus satisfy!

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Cielito Sio

Paranaque City, Metro Manila, Philippines

Aug 8, 2023

"We can eat and drink of Jesus all the time!"

The best time to eat is when we feel like we have no strength, no encouragement, no words to sing to the Lord.

As I was telling the Lord, I feel weak and short of words to say to Him, this hymn came to mind.. "Come and dine!" Just come and dine! The Lord can fill us and only He can satisfy!

(John 6:51, 57, 4:14)

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Sarah Anne Rolofs

Ochtrup, Munster, Germany

Jul 7, 2021

I remember this, I suddenly thought about this chorus a few months ago. I remember it differently from my childhood, lol, that is way back to the fifties.

Come and dine the Master Calleth, come and dine.
you may feast at JESUS table all the time,
HE has fed the multitude, turned the water into wine.
to the hungry calleth now come and dine.
GOD BLESS everyone. and stay healthy.

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Amos Kimani

Naivasha, Nakuru, Kenya

Mar 19, 2020

Thanks Lord calling us dine. We very hungry for the word.

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Matthew and Jonathan

Irvine, CA, United States

Oct 5, 2019

The Lord is calling! Eat and drink of Him!

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Ludin Gómez

Bquisimeto, Lara, Venezuela

Jun 29, 2019

Esta Pagina es excelente y de mucha Bendicion. He Pasado esta Tarde Oyendo los Himnos con los que Crecí.. Una Nostalgia Bendita. Dios los Bendiga.

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