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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Softly and tenderly Jesus is calling

Gospel The Lord’s Calling

English1027
1
Softly and tenderly Jesus is calling—
Calling for you and for me;
Patiently Jesus is waiting and watching—
Watching for you and for me!
 
Come home! come home!
Ye who are weary, come home!
Earnestly, tenderly, Jesus is calling,
Calling, O sinner, come home!
2
Why should we tarry when Jesus is pleading—
Pleading for you and for me?
Why should we linger and heed not His mercies—
Mercies for you and for me?
3
Time is now fleeting, the moments are passing—
Passing from you and from me;
Shadows are gathering, death-beds are coming—
Coming for you and for me!
4
Oh, for the wonderful love He has promised—
Promised for you and for me!
Though we have sinned, He has mercy and pardon—
Pardon for you and for me!

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Louisa Gregory

Pretoria, South Africa

Jun 29, 2012

Beautiful first hymn at my brother's funeral. I always feel concerned when I see how few of the younger generation know these words. All soo

true.

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Mick

Dublin, Ireland

Mar 16, 2012

I attended a funeral Mass in Co.Limerick today and the widow of the deceased sang this awesome hymn, so magnificently from the alter, I will never forget this day or hymn...

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Frank

Hamilon, Ontario, Canada

Mar 14, 2012

I like this song because, as my mother was dying, the words of the chorus kept going through my mind, "Jesus is calling, come home, come home". My wife and I sang the sang to her, that evening she did go Home.

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Kayla Ellerman

Winnsboro, United States

Feb 17, 2012

my papaw just passed away and this was one of his favorite song to sing at church. this song means a lot to me and it is because of my papaw that it does.

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Enoch Selasi

Wa, Ghana

Feb 6, 2012

I enjoyed it so much, especially the piano sounds!!

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Vickey

United States

Aug 28, 2011

I love this hymn. It's woven into my earliest memories as a child. What a blessing to have grown up in an extended family who loved the Lord and went to church - teaching me of Christ. This hymn moves me with its sweet way of speaking to 'grace'.

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Stacey

Birch Bay, WA, United States

Jul 20, 2011

I am amazed and quite saddened that people are growing up these days IN THE CHURCH and not hearing the hymns. They are timeless and speak to a close walk with Him in a way contemporary music does not. It's just really sad. I have been trying to find the hymns as He has renewed my walk with Him and I so long to have nothing but Things of Him in my life. There are too many distractions as it is in life without allowing things like music to be one of them. I'm just clearing the clutter off my Path. A narrower path makes more room for His blessings.

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Wendy

Rockford, IL, United States

Feb 6, 2009

I recently heard this song for the first time at a funeral, and it reminded me of the short time we have to take Jesus as a Savior and go home to Him at the end. It has renewed a desire to find Jesus that I had lost after finding no inspiration after attending one of the more "modern" churches. Even though I am young at only 26, I find these classic gospel songs move me so much more than the new songs sung in churches.

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H P Harvey

Texas, U.S.A.

Aug 1, 2006

O come home! I love this song because of the powerful words spoken of Jesus' soft and tender love towards man. The Lord loves you and I so much and desires that all man would come to him; for it is He who will truly give us rest from our weary condition (Matt 11:28). The Lord has helped me so many times in singing, "Softly and Tenderly Jesus is Calling" because I can always come to His wonderful love and recieve His abundant mercy. I pray that no matter what my life holds, I can say at the end that softly and tenderly Jesus is calling.

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Janice Rines

Pasadena, MD, U.S.A.

Jan 20, 2003

This is my favorite song. I miss my hometown church and one of the fondest memories I carry with me was the hymns we always sang in church. I was always a member of the choir also. There is great comfort in the familiarity of these hymns I grew up with. I guess I'm old fashioned or set in my ways as they say but the new music just isn't the same. I am so glad I found your site because now I have my very own hymnal through this site. I am so happy to be able to hear these songs, as well as see the words too. Most I remember, but not neccessarily every verse. I'm not sure why exactly but Softly and Tenderly has always been my favorite since I was a little girl. It's the comfort of knowing that He's always there and I have always believed He does call softly and tenderly and is always waiting for us to come home. Thank you so much for sharing your site with me and others. I can't wait to share this with my neighbor. I'm sure she will be excited as well. Thank you again and may God bless you!

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