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About Numbered Notation

The numbers are the notes of a scale

Numbered notation (jianpu, 简谱) writes a melody as numbers instead of notes on a staff. You do not need to read music: take one small step at a time and press Play on any example to hear it while each number lights up. Sound only starts when you press Play.

Instead of notes on a staff, each note is a number from 1 to 7. They are the seven steps of the scale you already know: do re mi fa sol la ti. After 7 the scale starts again at 1.

The seven numbers with their names. Press Play and say each name as its number lights up.
Sing along: do re mi fa sol, and back down to do.

If you can sing do re mi, you can already sing every number from 1 to 7. Tap or click any number to hear just that note.

“1=C” tells you where to start

At the top left of the sheet you will see something like 1=C. It means the number 1 (do) is the note C, and every other number counts up from there. 1=G means do is G, so the whole tune sits a little higher. Nothing else changes: the same numbers make the same shape, only higher or lower.

1=C: do is C.
1=G: the same numbers, starting higher.

Not sure where C is? On a piano it is the white key just left of the two black keys. Or ignore the letter and start on any note that is comfortable for your voice: the tune only has to keep its shape. The − and + key buttons on a hymn page shift the key for you.

Dots make a note higher or lower

A dot above a number means one octave higher. A dot below means one octave lower. Two dots mean two octaves. No dot is the middle range, where most of a tune lives. The name stays the same; only the height changes.

The same number at three heights: dot below, no dot, dot above.
A tune that climbs: it starts on a low sol and ends on a high do.

How long each note lasts

Tap your foot at a steady pace: each tap is a beat. A plain number lasts one beat, so you sing a new number on every tap. Dashes, lines and dots change that.

A plain number is one beat

Four numbers, four beats: one number for each tap.

A dash holds the note longer

Each dash adds one beat. The 5 lasts two beats and the 3 lasts four.

A line underneath makes it shorter

One line is half a beat, so two underlined numbers share one beat. (Two lines are a quarter of a beat.)

A dot after makes it half as long again

A dot after a number adds half its length. The first 5 lasts a beat and a half, and the short 3 fills the rest of the second beat.

0 means rest

A 0 is silence for one beat. Keep counting and keep tapping, but do not sing. Dashes after a 0 make the silence longer, just as they hold a note longer.

Sing 1 3 5, stay quiet for one beat, then come back down. Rests light up too, so you can feel the pause.

Bar lines and the time signature

Tall lines cut the music into bars, each holding the same number of beats. The two small numbers at the start, like 4/4 or 3/4, say how many: 4/4 is four beats in every bar, 3/4 is three. The first beat of each bar is the strongest, so lean on it a little. A double line with a thick edge marks the end.

4/4: count 1 2 3 4, 1 2 3 4. The first beat of each bar sounds a little louder.
3/4: count 1 2 3, 1 2 3, the lilt of a waltz.

Curves: ties and slurs

A curve over numbers joins them. If it joins two of the same number, it is a tie: sing the note once and hold it for both. If it joins different numbers, it is a slur: sing them all on one syllable, gliding from one to the next.

A tie: the 5 is sung once and held across the bar line, six beats in all.
A slur: “Him” is sung on two notes, 3 then 2.

The words sit under the numbers

Each number gets one syllable, written right underneath it. A short dash after part of a word means the word carries on under the next number. If a number has nothing under it, it belongs to a curve or a dash: keep singing the syllable you are on.

Read left to right, one syllable for each number: Twin-kle, twin-kle, lit-tle star.

Repeat signs and 1. 2. endings

A bar line with two dots, :|, means go back and sing that part again, from the matching |: sign (or from the start if there is none). Sometimes the repeat has two endings. Sing ending 1. the first time; on the repeat, skip it and sing ending 2. instead.

Play it: you hear the 1. ending, the repeat, then the 2. ending. Watch the highlight jump back.

Minor keys: “6=A”

A song in a minor key, which usually sounds more serious or tender, is labeled like 6=A instead of 1=C. It means the number 6 (la) is the home note, here A. The numbers keep their usual names; the tune simply feels at home on 6 and often ends there. 6=A uses the same notes as 1=C.

It starts and ends on 6 (la), the home note. Listen to the darker colour.

Put it together: a line of a hymn

This is the first line of hymn 8, “Praise God, from whom all blessings flow”, written in numbered notation. Try the slow tempo first, and sing the words as each number lights up.

1=G in 4/4. Three silent beats, then “Praise” on beat 4. The dots under 7, 6 and 5 mean those notes dip one octave lower.

Check yourself

Four quick questions, with no score and no pressure. Tap an answer to see right away why it is right or wrong. You can always try another answer.

Tap the number that is held the longest.

Tap the 5 that is one octave higher than the first 5.

What does a 0 mean?

Under 1=G, which note is the number 1?

Try it on a hymn

You opened this from a hymn that has a Numbered view, so you can try it right now.

  1. Look at the top left of the sheet: the key, such as 1=D, and the time signature, such as 3/4.
  2. Find the first number and sing it. Then follow the numbers from left to right with the words underneath, one syllable for each number. Press Play in the player to hear the recording while you follow.
  3. Letters above the numbers (C, G7) are chords for a guitarist or pianist. Ignore them while you learn the tune.
  4. To be guided, open the Learn tab and press Play. Under Display, set Learn notation to Numbered (or choose Numbered on the Lead Sheet tab first). For hymns that have numbered lines, each line of numbers scrolls into view in time with the recording while a bouncing ball follows the words; other hymns show the piano notation there. The Speed menu slows it down.

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Softly and tenderly Jesus is calling

Gospel The Lord’s Calling

English1027
1
Softly and tenderly Jesus is calling—
Calling for you and for me;
Patiently Jesus is waiting and watching—
Watching for you and for me!
 
Come home! come home!
Ye who are weary, come home!
Earnestly, tenderly, Jesus is calling,
Calling, O sinner, come home!
2
Why should we tarry when Jesus is pleading—
Pleading for you and for me?
Why should we linger and heed not His mercies—
Mercies for you and for me?
3
Time is now fleeting, the moments are passing—
Passing from you and from me;
Shadows are gathering, death-beds are coming—
Coming for you and for me!
4
Oh, for the wonderful love He has promised—
Promised for you and for me!
Though we have sinned, He has mercy and pardon—
Pardon for you and for me!

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James Faehr

Fort Lauderdale, FL, United States

Oct 19, 2013

We play this as we go up to Communion. I always get chills.

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Pierre Macedo

Brazil

Aug 10, 2013

The Lord Jesus is so just that He respects the personal decision and waits.

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Steve Miller

Detroit, MI, United States

Jul 10, 2013

Will Thompson was called the bard of Ohio. From his home in East Liverpool, Ohio, he went to New York City to sell some of the secular songs he had written. Music dealers picked them up, and soon people across the country were singing "My Home on the Old Ohio" and "Gathering Shells from the Seashore." He made so much money from his compositions that newspapers called him "the millionaire songwriter."

But Thompson, a Christian, soon began concentrating on hymnwriting and set up his own firm for publishing hymnals. Two million copies of his gospel quartet books were sold. Sometime around 1880, when Thompson was 33 years old, he wrote this invitation hymn. - Great Songs of Faith by Brown & Norton.

When the world-re­nowned lay preach­er, Dwight Ly­man Moody, lay on his death bed in his North­field, Mass­a­chu­setts, home, Will Thomp­son made a spe­cial vi­sit to in­quire as to his con­di­tion. The at­tend­ing phy­si­cian re­fused to ad­mit him to the sick­room, and Moody heard them talk­ing just out­side the bed­room door. Re­cog­niz­ing Thomp­son’s voice, he called for him to come to his bed­side. Tak­ing the Ohio po­et-com­pos­er by the hand, the dy­ing evan­gel­ist said, “Will, I would ra­ther have writ­ten “Soft­ly and Ten­der­ly Je­sus is Call­ing” than an­y­thing I have been able to do in my whole life.” - Living Stories of Famous Hymns by Emurian

In the original, stanza #1, line #3 says:

See, on the portals, He's waiting and watching,

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Dulce

Dumaguete, Negros Oriental, Philippines

Feb 17, 2013

i love this song...always Jesus is calling for you and me.

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Kitty Joubert

Bloemfontein, Free State, South Africa

Feb 12, 2013

Though we have sinned, He has mercy and pardon for you and me. Why do we tarry? Time is now fleeting, the moments passing away. Shadows, death beds are coming for you and me...Jesus is calling! Answer Him TODAY,NOW! Call upon His wonderful soft, tender and sweet Name.He is calling....for you and me....

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Jasona Williams

Jan 31, 2013

I love this song and Jesus.

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Melissa Dawn

Manteca, Ca, United States

Oct 1, 2012

I remember hearing this song in church when I was young and even though I may have lost my religion and do not attend church anymore, this song is one that sticks with me. I love how beautiful the lyrics are. I sing it often to my children. I am so glad I look into and found this site.

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Samuel

Edo, Nigeria

Sep 27, 2012

This is an example of song written with inspiration. Singing this song makes JESUS so real in my mind. I will write songs of inspiration.

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Emmanuel

Lagos, Nigeria

Aug 4, 2012

Since I heard the song yesterday, I could not just take my heart and lips off the song. This song is full, I want to sing it so many more will hear the message in it.

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Tanya Praise Chakadonha

Brentwood, Essex, United Kingdom

Aug 3, 2012

I love this song. I heard it when I was 5. It was beautiful in my ears and it is still ringing in my ears. It makes me wanna cry right now.

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