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hymnal.net
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Meine Lieder

Über die Zahlennotation

Die Zahlennotation (auch Jianpu oder 简谱 genannt) schreibt jede Melodienote als Zahl von 1 bis 7 statt als Note auf einem Notensystem. Die Zahl zeigt die Stellung der Note in der Tonleiter des Liedes -- nicht ihre genaue Tonhöhe --, sodass dieselbe Melodie unabhängig von der gesungenen Tonart gleich aussieht.

Innerhalb einer Oktave entsprechen die Zahlen 1 2 3 4 5 6 7 den bekannten Solmisationssilben Do Re Mi Fa Sol La Ti. Ein Punkt über einer Zahl hebt sie um eine Oktave an; ein Punkt darunter senkt sie um eine Oktave ab -- ohne Punkt bleibt es bei der mittleren, so geschriebenen Oktave.

Eine einzelne Zahl dauert einen Schlag. Ein Bindestrich (-) direkt nach einer Zahl hält dieselbe Note einen weiteren Schlag lang. Ein Strich unter einer Zahl verkürzt sie dagegen -- ein Strich ist ein halber Schlag, zwei Striche ein viertel Schlag. Eine 0 ist eine Pause: ein Schlag Stille.

Die Angabe oben auf dem Notenblatt, zum Beispiel "1=C" oder "1=Ab", zeigt, auf welcher Tonhöhe die Stufe 1 ("Do") liegt. Ein Lied in Moll trägt stattdessen die Angabe "6=X" -- Stufe 6 ("La") ist dann der eigentliche Grundton. Akkordsymbole über den Noten (wie "C" oder "G7") werden immer mit ihren gewohnten Buchstabennamen geschrieben, nie als Zahlen.

Bei der Angabe "1=C" klingen die Zahlen 1 2 3 4 5 6 7 als C D E F G A B. Bei "1=G" klingen dieselben Zahlen dagegen als G A B C D E F# -- gleiche Form, andere Tonart.

Lord, speak to me, that I may speak

Service By being Wrought upon by the Lord

English903
1
Lord, speak to me, that I may speak
In living echoes of Thy tone;
As Thou hast sought, so let me seek
Thy erring children lost and lone.
2
O lead me, Lord, that I may lead
The wandering and the wavering feet;
O feed me, Lord, that I may feed
Thy hungering ones with manna sweet.
3
O strengthen me, that while I stand
Firm on the rock, and strong in Thee,
I may stretch out a loving hand
To wrestlers with the troubled sea.
4
O teach me, Lord, that I may teach
The precious things Thou dost impart;
And wing my words, that they may reach
The hidden depths of many a heart.
5
O give Thine own sweet rest to me,
That I may speak with soothing power
A word in season, as from Thee
To weary ones in needful hour.
6
O fill me with Thy fullness, Lord,
Until my very heart o’erflow
In kindling thought and glowing word,
Thy love to tell, Thy praise to show.
7
O use me, Lord, use even me,
Just as Thou wilt, and when, and where,
Until Thy blessed face I see,
Thy rest, Thy joy, Thy glory share!

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Pikkie

Potchefstroom, NW, South Africa

Jul 10, 2026

Yes Lord wing my words that they may reach the hidden depths of many hearts. Teach us to learn to speak to others.

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Jim Smith

Mansfield, Ohio, United States

Mai 5, 2026

This hymn was written by a captured heart overflowing (vs 6) with love for the Lord and others.

Frances Ridley Havergal experienced frequent illness throughout her life, including a near-fatal bout of typhoid fever in 1874. She also suffered from peritonitis, which ultimately led to her death at the age of 42. Her health challenges often interrupted her work and ministry, but she viewed these periods of illness as opportunities for spiritual growth and submission to God's will.  

Except for a brief period of study in Dusseldorf, Germany, in 1852–53, she lived a sheltered life, residing first with her parents and then with her sisters; she never married.

She was a prolific 19th-century English poet and hymnwriter known for hymns of deep consecration, personal devotion, and missionary zeal. Her most famous work is "Take My Life and Let It Be". Other enduring hymns include "Like a River Glorious," "I Gave My Life for Thee," and "Tell It Out".  

Key and Famous Hymns

* "Take My Life and Let It Be" (1874): A well-known hymn of total consecration.

* "Like a River Glorious" (1874): Often sung to the tune Wye Valley.

* "I Gave My Life for Thee" (1858): Inspired by a painting of Christ.

* "Tell It Out" (1879): Inspired by Psalm 96:10.

* "Who Is on the Lord’s Side?" (1877): A hymn of commitment.

* "Lord, Speak to Me, That I May Speak" (1872): A hymn focused on service.

* "Golden Harps Are Sounding" (1871): An Ascension hymn.

* "True-Hearted, Whole-Hearted" (1878): A hymn of faithfulness.

* "I Am Trusting Thee, Lord Jesus" (1874): A hymn of faith.
* "Another Year Is Dawning" (1874): A New Year's hymn.  
  6
Common Themes and Style
Havergal's hymns are characterized by:

* Total Consecration: A focus on giving one's entire life, talents, and possessions to God.

* Personal Relationship with Jesus: Intense, intimate love for Christ as Savior and Master.

* Service and Mission: Strong encouragement to share the gospel.

* Biblical Foundation: Many were based on scripture, such as Psalm 96.  

Her hymns are found in many hymnals and have been translated into numerous languages. She often wrote her own tunes or had them composed to fit her lyrics.

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Lemann Saliou

Yaoundé, Cameroon

Jan 3, 2026

Thank you Lord, this song has just revived my whole being this 3rd of January 2026. Each word, sentence carries light and life. It is a praying lyrics for me. I'm blessed and privileged. Thanks for preserving it till today and beyond.

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Rebecca

Jan 6, 2025

Here after listening to Seedbed Ministries/JD Walt’s Wake Up Call podcast!

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Jack Petrash

Irving, TX, United States

Jun 4, 2024

Oh how the Lord loves to hear such a prayer like this hymn! It reminds me of Acts 5:41-42: So they went from the presence of the Sanhedrin, rejoicing that they were counted worthy to be dishonored on behalf of the Name. And every day, in the temple and from house to house, they did not cease teaching and announcing the gospel of Jesus as the Christ.

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Sunny

Lagos, Nigeria

Mar 29, 2024

While sitting on my meeting point with my God meditating on the wonder of His love, this hymn came to my mind. While search the webs for it, your website provided the answer. Thank you for preserving it for generations yet unborn. What will I leave behind for my generations?

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Faela Maney

Columbia, South Carolina, United States

Feb 20, 2024

This song, particularly the 7th verse, came to mind this morning as I pray

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Grace Eleojo Edward

Kogi, Nigeria

Jan 12, 2024

Song that makes me pray more

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Blessing

Owo, Ondo, Nigeria

Jan 3, 2024

This song came to me while I was praying to God to speak to me. I sang this song some years ago. Thanking God for the song in ever green.

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Dorothy Sandra McKinney

Hillsborough, Co Down

Okt 3, 2023

Woke with this song this morning as I came to pray. An old and precious hymn with timeless significance. As a teacher and counsellor it was my constant prayer reaching out to troubled teens. Still relevant as I attend the funeral later of a "neighbour" in my husband's Nursing Home. "Anywhere, Lord; anytime!" even approaching 80!

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