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Über die Zahlennotation

Die Zahlennotation (auch Jianpu oder 简谱 genannt) schreibt jede Melodienote als Zahl von 1 bis 7 statt als Note auf einem Notensystem. Die Zahl zeigt die Stellung der Note in der Tonleiter des Liedes -- nicht ihre genaue Tonhöhe --, sodass dieselbe Melodie unabhängig von der gesungenen Tonart gleich aussieht.

Innerhalb einer Oktave entsprechen die Zahlen 1 2 3 4 5 6 7 den bekannten Solmisationssilben Do Re Mi Fa Sol La Ti. Ein Punkt über einer Zahl hebt sie um eine Oktave an; ein Punkt darunter senkt sie um eine Oktave ab -- ohne Punkt bleibt es bei der mittleren, so geschriebenen Oktave.

Eine einzelne Zahl dauert einen Schlag. Ein Bindestrich (-) direkt nach einer Zahl hält dieselbe Note einen weiteren Schlag lang. Ein Strich unter einer Zahl verkürzt sie dagegen -- ein Strich ist ein halber Schlag, zwei Striche ein viertel Schlag. Eine 0 ist eine Pause: ein Schlag Stille.

Die Angabe oben auf dem Notenblatt, zum Beispiel "1=C" oder "1=Ab", zeigt, auf welcher Tonhöhe die Stufe 1 ("Do") liegt. Ein Lied in Moll trägt stattdessen die Angabe "6=X" -- Stufe 6 ("La") ist dann der eigentliche Grundton. Akkordsymbole über den Noten (wie "C" oder "G7") werden immer mit ihren gewohnten Buchstabennamen geschrieben, nie als Zahlen.

Bei der Angabe "1=C" klingen die Zahlen 1 2 3 4 5 6 7 als C D E F G A B. Bei "1=G" klingen dieselben Zahlen dagegen als G A B C D E F# -- gleiche Form, andere Tonart.

In all Thy wisdom, Father God

Worship of the Father His Wisdom

English23
1
In all Thy wisdom, Father God,
According to Thy will,
Eternal purpose Thou hast made
That all Thy Son might fill.
 
How deep and rich Thy wisdom is,
O who can search and trace?
Yet, Father God, in it we find
Thy mercy and Thy grace!
2
How wondrously Thou mad’st all things,
O who can know Thy mind?
All are of Thee, thru Thee, to Thee,
Thy wisdom here we find.
3
Thy wisdom shuts up all in sin,
That mercy may be shown,
That none may boast in anything
But in Thyself alone.
4
In wisdom, by the cross, Thou hast
For us redemption made,
That in our spirit we may have
Thyself, the treasure, laid.
5
Thy wisdom thru Thy Church is known
By principalities,
Thru us Thy wisdom manifold
Shown in the heavenlies.
6
When in the new Jerusalem
In mercy we will boast,
Thy wisdom will be known for aye
Unto the uttermost.

Copyright Living Stream Ministry. Used by permission.

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Un Hermano

Mai 27, 2025

In Ephesians 1:3-14 there are three sections: verses 3 through 6, the Father’s selection and predestination, speaking forth God’s eternal purpose; verses 7 through 12, the Son’s redemption, speaking forth the accomplishment of God’s eternal purpose; and verses 13 and 14, the Spirit’s sealing and pledging, speaking forth the application of God’s accomplished purpose. First, we have the Father’s eternal purpose, then the Son’s accomplishment of the Father’s purpose, and finally, the Spirit’s application of what the Son has accomplished according to the Father’s purpose. By this we see that the Triune God is expressed in His blessings. Through the Father’s purpose, the Son’s accomplishment, and the Spirit’s application, we become the church.

Life-study of Ephesians

Massege 6 (LSM)

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Vanessa

Tampa, FL, United States

Okt 20, 2024

Praise you!!!

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C Mun

Mckinney, TX, United States

Apr 21, 2024

Thy wisdom will be known for aye

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Elmer D. Borres

Sauyo, Quezon City, Metro Manila, Philippines

Jan 19, 2024

The hymn reflects on the depth of God's wisdom, acknowledging the mysterious ways in which His eternal purpose unfolds, ultimately leading to redemption through the cross. It highlights the concept that God's wisdom includes allowing humanity to experience sin, emphasizing the necessity of mercy and grace. The hymn also underscores the role of God's wisdom in the Church and the future glory in the new Jerusalem where His wisdom will be celebrated forever.

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Ana Lara

Storrs, Connecticut, United States

Jul 16, 2023

Samuel Augustus Ward, the composer of the tune for this hymn, was born December 28, 1948, and died on September 28, 1903. He was born in Newark, New Jersey, and was the son of a shoemaker. He studied under several music teachers and became an organist at Grace Episcopal Church in his hometown in 1880. Samuel married Virginia Ward in 1871 whom he had four daughters with.

He is remembered for the tune

“Materna” which he composed in 1882, and had intended it for the hymn, “O Mother Dear, Jerusalem” which was published ten years later in 1892.

In 1903, after Ward had died, the tune was first combined by a publisher with the Katharine Lee Bates poem, “America. ” Itself first published in 1895 to create a patriotic song called “America, the Beautiful, ”. The first book with the combination of the tune, and the poem was published in 1910. Ward and Bates never met.

Ward was founder and Director of Orpheus Club of Newark. He is buried in Newark’s Mount Pleasant Cemetery. Samuel A. Ward was inducted in the Songwriter’s Hall of Fame in 1970.

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Jlin

McKinney, TX, United States

Jan 15, 2023

In mercy we will boast

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Mistica G

Lucena, Quezon, Philippines

Okt 24, 2020

How deep and rich Thy wisdom is,

Rom 11:33a "Oh, the depth of the riches and wisdom and knowledge of God"

Job 11:7a "Can you find out the depths of God?"

Job 5:8-9a "But as for me, I would seek after God,

And I would commit my cause to God, Who does great things that cannot be searched,"

O who can search and trace?

Rom 11:33b "How unsearchable are His judgments and untraceable His ways!"

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Manuela

Zagreb, Croatia

Feb 14, 2019

Oh, the depth of the riches and wisdom and knowledge of God! How unsearchable are His judgments and untraceable His ways! (Rom 11:33)

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