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Über die Zahlennotation

Die Zahlennotation (auch Jianpu oder 简谱 genannt) schreibt jede Melodienote als Zahl von 1 bis 7 statt als Note auf einem Notensystem. Die Zahl zeigt die Stellung der Note in der Tonleiter des Liedes -- nicht ihre genaue Tonhöhe --, sodass dieselbe Melodie unabhängig von der gesungenen Tonart gleich aussieht.

Innerhalb einer Oktave entsprechen die Zahlen 1 2 3 4 5 6 7 den bekannten Solmisationssilben Do Re Mi Fa Sol La Ti. Ein Punkt über einer Zahl hebt sie um eine Oktave an; ein Punkt darunter senkt sie um eine Oktave ab -- ohne Punkt bleibt es bei der mittleren, so geschriebenen Oktave.

Eine einzelne Zahl dauert einen Schlag. Ein Bindestrich (-) direkt nach einer Zahl hält dieselbe Note einen weiteren Schlag lang. Ein Strich unter einer Zahl verkürzt sie dagegen -- ein Strich ist ein halber Schlag, zwei Striche ein viertel Schlag. Eine 0 ist eine Pause: ein Schlag Stille.

Die Angabe oben auf dem Notenblatt, zum Beispiel "1=C" oder "1=Ab", zeigt, auf welcher Tonhöhe die Stufe 1 ("Do") liegt. Ein Lied in Moll trägt stattdessen die Angabe "6=X" -- Stufe 6 ("La") ist dann der eigentliche Grundton. Akkordsymbole über den Noten (wie "C" oder "G7") werden immer mit ihren gewohnten Buchstabennamen geschrieben, nie als Zahlen.

Bei der Angabe "1=C" klingen die Zahlen 1 2 3 4 5 6 7 als C D E F G A B. Bei "1=G" klingen dieselben Zahlen dagegen als G A B C D E F# -- gleiche Form, andere Tonart.

O for a thousand tongues to sing

Praise of the Lord His Grace

English163
1
O for a thousand tongues to sing
My great Redeemer’s praise,
The glories of my God and King,
The triumphs of His grace.
2
My gracious Master and my God,
Assist me to proclaim,
To spread through all the earth abroad,
The honors of Thy name.
3
Jesus! the name that charms our fears,
That bids our sorrows cease;
’Tis music in the sinner’s ears,
’Tis life, and health, and peace.
4
His love my heart has captive made,
His captive would I be,
For He was bound, and scourged and died,
My captive soul to free.
5
He breaks the power of canceled sin,
He sets the prisoner free;
His blood can make the foulest clean;
His blood availed for me.
6
So now Thy blessed Name I love,
Thy will would e’er be mine.
Had I a thousand hearts to give,
My Lord, they all were Thine!

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Jan Fearn

Chicago, Illinois, United States

Dez 1, 2018

"He breaks the power of canceled sin, He sets the prisoner free!" Lord, You are our Jubilee!

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Vivian T

OR, United States

Sep 20, 2018

In Mennonite Publishing House's Church Hymnal 1927, four stanzas are given, corresponding to 1-3 & 5 above. "Dear Redeemer " is used in the first verse, as well as "'tis music to my ravished ears" in the third. The fourth verse uses "reigning sin" instead of "cancelled sin."

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Steve Miller

Detroit, Michigan, United States

Mai 2, 2016

Here is the complete original 18 stanza poem. Most hymnals use only stanzas 7 through 12. By singing the whole thing, I am reminded of all that Salvation has done for me, and what it will do for all kinds of sinners like me.

"The rapture of 'O for a thousand tongues to sing', is explained by what goes before, especially verses 2 & 5." - 'An Illustrated and Annotated Edition of the Hymnal of the Methodist Episcopal Church' by Charles Nutter

1. Glory to God, and praise and love,
Be ever, ever given;
By saints below and saints above,
The Church in earth and heaven.
-------------

2. On this glad day the glorious Sun
Of righteousness arose,
On my benighted soul he shone,
And filled it with repose.
------------

3. Sudden expired the legal strife;
'Twas then I ceased to grieve.
My second, real, living life,
I then began to live.
-----------

4. Then with my heart I first believed,
Believed with faith divine;
Power with the Holy Ghost received
To call the Saviour mine.
------------

5. I felt my Lord's atoning blood
Close to my soul applied;
*Me*, *me* he loved - the Son of God
For *me*, for *me* he died!
-------------

6. I found and owned his promise true,
Ascertained of my part,
My pardon passed in heaven I know,
When written on my heart.
----------------
original stanzas 7-9 are Hymnal.net stanzas 1-3.

Wesley wrote "dear Redeemer" instead of "great Redeemer" in stanza 7 (Charles Nutter), but this change is in all hymnals, old or new that I have seen.

------------
original stanza 10 is Hymnal.net stanza 5.
-----------------

11. He speaks, - and, listening to his voice,
New life the dead receive;
The mournful, broken hearts rejoice;
The humble poor believe.
-------------

12. Hear him, ye deaf; his praise, ye dumb,
Your loosen'd tongues employ;
Ye blind, behold your Saviour come,
And leap, ye lame, for joy.
-------------

13. Look unto him, ye nations; own
Your God, ye fallen race;
Look, and be saved through faith alone,
Be justified by grace.
-------------

14. See all your sins on Jesus laid;
The Lamb of God was slain;
His soul was once an offering made
For every soul of man.
--------------

15. Harlots, and publicans, and thieves,
In holy triumph join!
Saved is the sinner that believes,
From crimes as great as mine.
-----------

16. Murderers, and all ye hellish crew,
Ye sons of lust and pride,
Believe the Savior died for you;
For me the Saviour died.
-----------

17. Awake from guilty nature's sleep,
And Christ shall give you light,
Cast all your sins into the deep,
And wash the AEthiop white.
-------------

18. With me, your chief, ye then shall know,
Shall feel your sins forgiven;
Anticipate your heaven below,
And own that love is heaven.
-------------

Consider stanzas 15 & 18 in light of the fact that Charles Wesley was the son of a pastor and was piously and studiously trained.

--------------

When the full hymn is given in a hymnal, original stanzas 7-12 usually become stanzas 1-6. Then original stanzas 1-6 become stanzas 8-13, followed by original stanzas 13-18 as stanzas 14-19. There is an inserted stanza #7, apparently to bridge the gap from original stanza 12 (as stanza 6) to original stanza 1 (as stanza 8). Here is the inserted stanza. It sounds like it is written by Wesley:

7. In Christ your Head, you then shall know,
Shall feel your sins forgiven;
Anticipate your heaven below,
And own that love is heaven.

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Mark Agnini

Barrington, IL, United States

Jul 10, 2013

I feel as Steve does about stanzas 11 and 12. I cannot sing them without tears of joy gloriously pouring forth

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Steve Miller

Detroit, MI, United States

Jul 9, 2013

Charles Wesley was suffering a bout of pleurisy in May, 1738, while he and his brother were studying under the Moravian scholar Peter Böhler in London. At the time, Wesley was plagued by extreme doubts about his faith. Taken to bed with the sickness on May 21 Wesley was attended by a group of Christians who offered him testimony and basic care, and he was deeply affected by this. He read from his Bible and found himself deeply affected by the words, and at peace with God. Shortly his strength began to return. He wrote of this experience in his journal and counted it as a renewal of his faith; when his brother John had a similar experience on the 24th, the two men met and sang a hymn Wesley had written in praise of his renewal.

One year from the experience, Wesley was taken with the urge to write another hymn, this one in commemoration of his renewal of faith. This hymn took the form of an 18-stanza poem, beginning with the opening lines 'Glory to God, and praise, and love,/Be ever, ever given' and was published in 1740 and entitled 'For the anniversary day of one's conversion'. The seventh verse, which begins, 'O For A Thousand Tongues To Sing', and which now is invariably the first verse of a shorter hymn, recalls the words of Peter Böhler who said, 'Had I a thousand tongues I would praise Him with them all.' The hymn was placed first in John Wesley's A Collection of Hymns for the People Called Methodists published in 1780. It appeared first in every (Wesleyan) Methodist hymnal from that time until the publication of Hymns and Psalms in 1983. - Wikipedia

This shorter version of the hymn starts with the original stanza 7, as almost all shorter versions do, and continues through to the original stanza 10. In this version stanzas 4 and 6 are not written by Wesley, but are inserted.

I also especially like the original stanzas 11-12:

11. He speaks; and, listening to His voice,
New life the dead receive,
The mournful, broken hearts rejoice,
The humble poor believe.

12. Hear Him, ye deaf; His praise, ye dumb,
Your loosen’d tongues employ;
Ye blind, behold your Saviour come;
And leap, ye lame, for joy.

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Patience Otoje

Ago Palace Way, Lagos, Nigeria

Jun 23, 2013

I pray God according to verse 2, to spread abroad the Honors of HIS Name by my Singing ministry in Jesus name. Amen.

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Clarence Boutilier

Toronto, Ontario, Canada

Okt 18, 2010

Very Beautiful

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