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Meine Lieder

Über die Zahlennotation

Die Zahlennotation (auch Jianpu oder 简谱 genannt) schreibt jede Melodienote als Zahl von 1 bis 7 statt als Note auf einem Notensystem. Die Zahl zeigt die Stellung der Note in der Tonleiter des Liedes -- nicht ihre genaue Tonhöhe --, sodass dieselbe Melodie unabhängig von der gesungenen Tonart gleich aussieht.

Innerhalb einer Oktave entsprechen die Zahlen 1 2 3 4 5 6 7 den bekannten Solmisationssilben Do Re Mi Fa Sol La Ti. Ein Punkt über einer Zahl hebt sie um eine Oktave an; ein Punkt darunter senkt sie um eine Oktave ab -- ohne Punkt bleibt es bei der mittleren, so geschriebenen Oktave.

Eine einzelne Zahl dauert einen Schlag. Ein Bindestrich (-) direkt nach einer Zahl hält dieselbe Note einen weiteren Schlag lang. Ein Strich unter einer Zahl verkürzt sie dagegen -- ein Strich ist ein halber Schlag, zwei Striche ein viertel Schlag. Eine 0 ist eine Pause: ein Schlag Stille.

Die Angabe oben auf dem Notenblatt, zum Beispiel "1=C" oder "1=Ab", zeigt, auf welcher Tonhöhe die Stufe 1 ("Do") liegt. Ein Lied in Moll trägt stattdessen die Angabe "6=X" -- Stufe 6 ("La") ist dann der eigentliche Grundton. Akkordsymbole über den Noten (wie "C" oder "G7") werden immer mit ihren gewohnten Buchstabennamen geschrieben, nie als Zahlen.

Bei der Angabe "1=C" klingen die Zahlen 1 2 3 4 5 6 7 als C D E F G A B. Bei "1=G" klingen dieselben Zahlen dagegen als G A B C D E F# -- gleiche Form, andere Tonart.

Immortal, invisible, God only wise

Worship of the Father His Immortality

English14
1
Immortal, invisible, God only wise,
In light inaccessible hid from our eyes,
Most blessed, most glorious, the Ancient of Days,
Almighty, victorious, Thy great name we praise.
2
Unresting, unhasting, and silent as light,
Nor wanting, nor wasting, Thou rulest in might;
Thy justice like mountains high soaring above
Thy clouds which are fountains of goodness and love.
3
To all life Thou givest, to both great and small;
In all life Thou livest, the true life of all;
We blossom and flourish as leaves on the tree,
And wither and perish, but nought changeth Thee.
4
Great Father of Glory, pure Father of Light
Thine angels adore Thee, all veiling their sight;
All laud we would render, O help us to see:
’Tis only the splendor of light hideth Thee.
5
Immortal, invisible, God only wise,
In light inaccessible hid from our eyes,
Most blessed, most glorious, the Ancient of Days,
Almighty, victorious, Thy great name we praise.

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Patience

Datla, Nigeria

Mar 19, 2022

I love this song

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Pastor Patrick Olaleye

Ile-Ife, Osun, Nigeria

Feb 5, 2022

Your song blessed my soul greatly. I will like to have the video and or mp3 so I can sing the song to praise my creator inwardly .

Thanks God bless your ministry.

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Ana Lara

Storrs, Connecticut, United States

Feb 1, 2022

Walter Chalmers Smith was born December 5, 1824, Aberdeen, Scotland and died September 19, 1908, Kinbuck, Dunblane, Perthshire Scotland. He was buried in Warriston Cemetery, Edinburgh, Scotland.

Walter was the son of Walter Smith and Barbara Milne. He attended Marischal College at the University of Aberdeen and new College, Edinburg. He was ordained pastor of Chadwell Street Scottish Church, Pentonville, Islington, London, on Christmas Day, 1850.

Walter later served at the Free High Church, Edinburg; the Roxburgh Free Church , Edinburg; the Orwell Free Church, Milnathort, Kinrossshire ; and the Free Tron Church, Glasgow. The Free Church of Scotland elected him its moderator during its Jubilee Year in 1893.

Some of his publications include:

The Bishop’s Walk, 1860

Hymns of Christ and the Christian Life, 1876 North Country Folk, 1883

The music is a Welsh tune, “St. Denio” by John Roberts in 1839. (Born, March 30, 1807), Henllan, Wales. John was the son of Aaron and Jane Roberts. He is often confused with another Welsh musician of the same name John Roberts, (1822-1877).

Some of Roberts’ hymn-tunes were published in “Peroriaeth Hyfryd, ” by John Parry of Chester, 1837.

Other hymn-tunes appeared in Roberts’ “Caniadau y Cyssegr” ( Hymns of the Sanctuary) ( Denbigh, Wales, 1839), and still others in a posthumous Memoriam, published by his sons.

This hymn was sung in Westminster Abbey, London, England, at the 2002 funeral of Queen Elizabeth, the Queen Mother.

“To the King eternal, immortal, invisible, the only God, be honor and glory forever and ever. ” I Timothy 1:17

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Lami Sarah Solomon Monyei

Zaria, Kaduna, Nigeria

Jan 21, 2022

Highly inspirational and leads me into a real experience of worship declaring the Lord's majesty. God bless you.

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V

London, United Kingdom

Jan 15, 2022

This hymn from my childhood was on my heart mind & lips on awakening in the early hours of this morning. Unfortunately I could only remember the first few words but always thought & sang 'invincible' instead of invisible! Although incorrect I feel it's so highly appropriate! May The Almightys" calming truths for these troubled times reign, & help us to face life with courage & faith in 2022. Amen

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Linda Fusilier

Tulsa, Oklahoma, United States

Dez 31, 2021

This powerful Hymn lifts me up to the heights, enabling me to get a closer glimpse of His Glory!!!! His Magnificence!!! His Beauty! Our God is beautiful beyond description. This hymn is the closest I know to sing out high praises to His Great Name. I love singing this hymn and thank God for the composer.

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Tony

Umuahia, Abia, Nigeria

Dez 9, 2021

Soul lifting. The author was highly inspired as he touched on God's attributes. Only someone thus elevated in the spirit can compose such a song.

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Collins

Gießen, Hessen, Germany

Nov 12, 2021

Our God is awesome and this song describes Him in such a tremendous understanding. We love You Lord 😘🔥❤️

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Elmer Lucas

Rome City, IN, United States

Nov 9, 2021

What a great song describing our HEAVENLY FATHER. I LOVE IT.

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Val Boyes

Huyton, Liverpool, Lancs, United Kingdom

Okt 26, 2021

Wonderful memories. This was one of our wedding hymns. Fabulous words.

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