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我的詩歌列表

關於簡譜

數字就是音階中的音

簡譜(Jianpu,简谱)用數字而不是五線譜上的音符來記錄旋律。不需要先學過樂理:一次學一個小步驟,並在任何例子上按播放,邊聽邊看每個數字依序亮起。只有按下播放才會發出聲音。

簡譜不用五線譜上的音符,每個音都寫成 1 到 7 的數字。它們就是你早已熟悉的音階七個級:do re mi fa sol la ti。7 之後,音階又從 1 重新開始。

七個數字和它們的唱名。按播放,每當數字亮起就唱出它的唱名。
跟著唱:do re mi fa sol,再唱回 do。

只要會唱 do re mi,就已經會唱 1 到 7 的每一個數字。點一下任何數字,就能單獨聽到那個音。

「1=C」告訴你從哪裡開始

譜面左上方會看到像 1=C 這樣的標示,這叫做首調:數字 1(do)就是 C 音,其他數字都由它往上數。1=G 表示 do 是 G,整首曲子就高了一些。其他都不變:同樣的數字畫出同樣的旋律形狀,只是整體變高或變低。

1=C:do 就是 C。
1=G:同樣的數字,從較高的音開始。

找不到 C?在鋼琴上,它是兩個黑鍵左邊的那個白鍵。你也可以不管字母,從自己嗓音舒適的音開始唱:旋律只要保持形狀就好。詩歌頁面上的 − 和 + 調號按鈕可以幫你移調。

圓點讓音變高或變低

數字上方加一點表示高八度,下方加一點表示低八度,兩點就是兩個八度。沒有圓點就是中音區,也就是大部分旋律所在的音域。唱名不變,只是音高改變。

同一個數字的三種高度:下方加點、不加點、上方加點。
一段往上爬的旋律:從低音 sol 開始,到高音 do 結束。

每個音唱多久

用腳穩穩地打拍子,每打一下就是一拍。單獨的數字是一拍,所以每打一下就唱一個新的數字。增時線、減時線和附點會改變這個長度。

單獨的數字是一拍

四個數字、四拍:每打一下拍子唱一個數字。

增時線(短橫線)讓音拉長

每一條短橫線多加一拍。5 唱兩拍,3 唱四拍。

下方的減時線讓音變短

一條底線是半拍,所以兩個帶底線的數字合起來是一拍。(兩條底線是四分之一拍。)

附點讓音延長一半

數字後面的附點再加上它一半的長度。第一個 5 唱一拍半,短短的 3 補滿第二拍。

0 表示休止符

0 是休止符,停頓一拍。繼續數拍子、繼續打拍子,但不要唱。0 後面的增時線會讓停頓變長,就像它讓音拉長一樣。

唱 1 3 5,安靜一拍,再唱下來。休止符也會亮起,讓你感受到停頓。

小節線與拍號

直立的線把音樂分成一個個小節,每個小節的拍數都一樣。開頭的兩個小數字叫拍號,例如 4/4 或 3/4,說明每小節有幾拍:4/4 是每小節四拍,3/4 是三拍。每小節的第一拍最強,唱的時候稍微加重。一條粗細並列的雙線表示結束。

4/4:數 1 2 3 4,1 2 3 4。每小節的第一拍聽起來稍微大聲一點。
3/4:數 1 2 3,1 2 3,像圓舞曲的感覺。

弧線:延音線與連音線

數字上方的弧線把它們連在一起。如果連接的是兩個相同的數字,這是延音線:只唱一次,並把兩個音的長度合起來唱。如果連接的是不同的數字,這是連音線:這些音唱在同一個字上,從一個音滑到下一個音。

延音線:5 只唱一次,延續過小節線,一共六拍。
連音線:「祂」這個字唱兩個音,先 3 再 2。

歌詞寫在數字下面

每個數字對應一個音節(中文是一個字),寫在它的正下方。字詞中間的短橫線表示這個詞還沒唱完,下一個數字繼續唱。如果某個數字下面沒有字,它屬於弧線或增時線:繼續唱目前那個字。

由左到右閱讀,每個數字對應一個字:一閃一閃亮晶晶。

反復記號與 1. 2. 結尾

帶兩個圓點的小節線 :| 表示回頭,從對應的 |: 記號(如果沒有,就從頭)再唱一遍。有時反復會有兩個結尾:第一次唱第 1 結尾;反復時跳過它,改唱第 2 結尾。

播放看看:你會聽到第 1 結尾、反復,再接第 2 結尾。注意亮起的位置會跳回去。

小調:「6=A」

小調的歌聽起來通常比較莊重或溫柔,譜面標示的是像 6=A 這樣的記號,而不是 1=C。它表示數字 6(la)是主音,這裡是 A。數字的唱名不變;旋律只是以 6 為歸宿,常常也在 6 結束。6=A 與 1=C 使用相同的音。

從 6(la)開始,也在 6 結束,也就是主音。聽聽它比較暗的色彩。

綜合練習:一句詩歌

這是詩歌第 8 首「Praise God, from whom all blessings flow」第一句的簡譜寫法。先用慢速試試,每當一個數字亮起就唱出對應的歌詞。

1=G,4/4 拍。先休止三拍,第 4 拍唱「Praise」。7、6、5 下方的圓點表示這幾個音低八度。

自我檢測

四個小問題,不計分也沒有壓力。點選答案就能立刻看到對錯的原因,隨時都可以改選別的答案。

點選持續最久的數字。

點選比第一個 5 高八度的 5。

0 是什麼意思?

在 1=G 之下,數字 1 是哪個音?

在詩歌上試試看

你是從有簡譜檢視的詩歌打開這份指南的,所以現在就可以試試。

  1. 看看譜面左上方:調號,例如 1=D,以及拍號,例如 3/4。
  2. 找到第一個數字,把它唱出來。然後由左到右跟著數字,看下面的歌詞,每個數字唱一個字。按播放器裡的播放,邊看邊聽錄音。
  3. 數字上方的字母(C、G7)是給吉他或鋼琴用的和弦。學旋律的時候可以先不管它們。
  4. 想要有人帶著你唱,請打開學習頁籤並按播放。在顯示裡把學習記譜法設為簡譜(或先在和弦譜頁籤選簡譜)。有簡譜行的詩歌,每一行數字會隨著錄音捲動到畫面上,同時跳動的小球跟著歌詞走;其他詩歌則會在那裡顯示鋼琴譜。用速度選單可以放慢。

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I will sing the wondrous story

Assurance and Joy of Salvation A Wonderful Savior

English337
1
I will sing the wondrous story
Of the Christ who died for me,
How He left His home in glory
For the cross of Calvary.
 
Yes, I’ll sing the wondrous story
Of the Christ who died for me,
Sing it in the light of glory,
Sing it through eternity.
2
I was lost, but Jesus found me,
Found the sheep that went astray,
Threw His loving arms around me,
Drew me back into His way.
3
I was bruised, but Jesus healed me;
Faint was I from many a fall;
Sight was gone, and fears possessed me,
But He freed me from them all.
4
Days of darkness still come o’er me,
Sorrow’s paths I often tread,
But the Savior still is with me;
By His hand I’m safely led.
5
He will keep me till the rapture,
Day by day He’ll wash my feet,
And will transform all my nature
That in glory we may meet.

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Joseph Duruibe

Owerri, Imo State, Nigeria

十一月 21, 2024

Tis very comforting to know that after this hard toil on earth, we will one day live forever with him in glory - where the sun will never set again.

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Benjamin Ngua

Nairobi, Kenya

十一月 13, 2022

Then He will bear me safety over where the loved ones I shall meet.

Oh God help me to witness this in your kingdom on that day.

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Pey-Jing Mehrinfar

San Marcos, TX, United States

十月 31, 2022

Days of darkness still come o’er me,
Sorrow’s paths I often tread,
But the Savior still is with me;
By His hand I’m safely led.

Lord Jesus, we need You as our Savior to rescue us from all darkness and sorrow. Transform all our nature that in glory we may meet. We want to meet you face to face.

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Conshad

Prince George, Virginia, United States

十一月 15, 2021

...  He left His home in glory

  For the cross of Calvary.

YESHUA thank you for salvation. You are the perfect sacrifice that takes away the sins of the world.

That evening before the Passover, the children of Israel applied the blood of the sacrificed lamb to the lintel and door post of their houses to be protected from the angel of death. Likewise, we have to stay under the cover of YESHUA to be save from the evil one.

Thank You Father for sending the perfect sacrifice- Your SON.

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Muyiwa A

Leicester, Leicestershire, United Kingdom

三月 17, 2021

Lord Jesus. Help our life to flow by your power presence and peace, and not to stagnate.

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Babajide

Abuja, FCT, Nigeria

七月 18, 2020

He will keep me till the river
Rolls its waters at my feet;
Then He'll bear me safely over,
Where the loved ones I shall meet.

The above is the original verse 5. Don't know why it was so wrongly changed

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Ashley Royal

Holden Beach, NC, United States

四月 26, 2020

My father, 96 years old, coming out from under anesthesia from a procedure that ultimately diagnosed terminal cancer, sang every verse of this sacred hymn from memory. If ever one questions the presence of Jesus in the midst of the valley of death, I have witnessed His loving grace for His own! Jesus spoke to us as we listened and told us I am here, and I love you for eternity. Welcome home Daddy! ❤️

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Francis Y Chow

Anaheim, California, United States

四月 3, 2020

I was lost, but Jesus found me

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Leah Webb

三月 19, 2020

Lovely song

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Ana Lara

United States

二月 23, 2020

Francis H. Rowley was born in Hilton, New York, on July 25, 1854. Later he became a Baptist minister and served churches in Massachusetts, Pennsylvania and Illinois. He has given the following account for the writing of this hymn:

I was a minister of the Baptist Church in North Adams, Massachusetts in 1886. The church and community were experiencing a period of unusual interest in religious matters, and I was assisted by a remarkable young Swiss musician by the name of Peter Bilhorn. One Sunday following the evening service he said, “Why don’t you write a hymn for me to set to music? ” During the night these verses came to me. The original poem began “Can’t You Sing the Wondrous Story? ” However, when the song was first published by Ira Sankey in 1887, the phrase was changed to “I Will Sing... ”

Peter P. Bilhorn was born in Mendota, Illinois, in 1865. With the death of his father, Peter was forced to quit school at the age of eight to help support his family. At the age of fifteen his family moved to Chicago. His voice became famous in concert halls and among his worldly friends. When he was twenty he came to know Christ as his Savior at a meeting given by Dr. Pentecost and musician George Stebbins. After his conversion, he was greatly used of the Lord in the way of Christian service.

The organ he used for playing during services was a small folding one with his name on it. He engineered it because of the need to play while traveling around. He had designed it to weigh 16 pounds and to fold easily . Later he began to manufacture it in 1887. The venture proved to be very successful and the organs were widely used all over the world.

Bilhorn wrote around 2, 000 gospel songs. This hymn is one of his finest compositions. He is also the author and composer of “Sweet Peace, The Gift of God’s Love. ” His evangelistic ministry carried him into all of the United States, Great Britain, and to other countries around the world.

Bilhorn was not only a skillful songwriter and leader but also an earnest soul-winner. One night, while conducting revival meetings in Reedsburg, Wisconsin, he retired to his room but later felt strangely compelled to dress, take his folding organ, and start walking down the street, even though the weather was bitterly cold. Seeing a gleam of light from a basement window, he knocked and was allowed to come in. He found a group of men gambling. Bilhorn began to sing to the men. “Where is My Wandering Boy Tonight? ” Six of them made their peace with God that night.

“I Will Sing the Wondrous Story” was presented by Rowley and Bilhorn to Ira D. Sankey as a gift. Sankey was so impressed with the value and usefulness of this hymn that he published it in the 1887 edition of “Gospel Hymns and Sacred Songs and Solos. ” It became one of the most popular songs of his collection.

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