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我的詩歌列表

關於簡譜

數字就是音階中的音

簡譜(Jianpu,简谱)用數字而不是五線譜上的音符來記錄旋律。不需要先學過樂理:一次學一個小步驟,並在任何例子上按播放,邊聽邊看每個數字依序亮起。只有按下播放才會發出聲音。

簡譜不用五線譜上的音符,每個音都寫成 1 到 7 的數字。它們就是你早已熟悉的音階七個級:do re mi fa sol la ti。7 之後,音階又從 1 重新開始。

七個數字和它們的唱名。按播放,每當數字亮起就唱出它的唱名。
跟著唱:do re mi fa sol,再唱回 do。

只要會唱 do re mi,就已經會唱 1 到 7 的每一個數字。點一下任何數字,就能單獨聽到那個音。

「1=C」告訴你從哪裡開始

譜面左上方會看到像 1=C 這樣的標示,這叫做首調:數字 1(do)就是 C 音,其他數字都由它往上數。1=G 表示 do 是 G,整首曲子就高了一些。其他都不變:同樣的數字畫出同樣的旋律形狀,只是整體變高或變低。

1=C:do 就是 C。
1=G:同樣的數字,從較高的音開始。

找不到 C?在鋼琴上,它是兩個黑鍵左邊的那個白鍵。你也可以不管字母,從自己嗓音舒適的音開始唱:旋律只要保持形狀就好。詩歌頁面上的 − 和 + 調號按鈕可以幫你移調。

圓點讓音變高或變低

數字上方加一點表示高八度,下方加一點表示低八度,兩點就是兩個八度。沒有圓點就是中音區,也就是大部分旋律所在的音域。唱名不變,只是音高改變。

同一個數字的三種高度:下方加點、不加點、上方加點。
一段往上爬的旋律:從低音 sol 開始,到高音 do 結束。

每個音唱多久

用腳穩穩地打拍子,每打一下就是一拍。單獨的數字是一拍,所以每打一下就唱一個新的數字。增時線、減時線和附點會改變這個長度。

單獨的數字是一拍

四個數字、四拍:每打一下拍子唱一個數字。

增時線(短橫線)讓音拉長

每一條短橫線多加一拍。5 唱兩拍,3 唱四拍。

下方的減時線讓音變短

一條底線是半拍,所以兩個帶底線的數字合起來是一拍。(兩條底線是四分之一拍。)

附點讓音延長一半

數字後面的附點再加上它一半的長度。第一個 5 唱一拍半,短短的 3 補滿第二拍。

0 表示休止符

0 是休止符,停頓一拍。繼續數拍子、繼續打拍子,但不要唱。0 後面的增時線會讓停頓變長,就像它讓音拉長一樣。

唱 1 3 5,安靜一拍,再唱下來。休止符也會亮起,讓你感受到停頓。

小節線與拍號

直立的線把音樂分成一個個小節,每個小節的拍數都一樣。開頭的兩個小數字叫拍號,例如 4/4 或 3/4,說明每小節有幾拍:4/4 是每小節四拍,3/4 是三拍。每小節的第一拍最強,唱的時候稍微加重。一條粗細並列的雙線表示結束。

4/4:數 1 2 3 4,1 2 3 4。每小節的第一拍聽起來稍微大聲一點。
3/4:數 1 2 3,1 2 3,像圓舞曲的感覺。

弧線:延音線與連音線

數字上方的弧線把它們連在一起。如果連接的是兩個相同的數字,這是延音線:只唱一次,並把兩個音的長度合起來唱。如果連接的是不同的數字,這是連音線:這些音唱在同一個字上,從一個音滑到下一個音。

延音線:5 只唱一次,延續過小節線,一共六拍。
連音線:「祂」這個字唱兩個音,先 3 再 2。

歌詞寫在數字下面

每個數字對應一個音節(中文是一個字),寫在它的正下方。字詞中間的短橫線表示這個詞還沒唱完,下一個數字繼續唱。如果某個數字下面沒有字,它屬於弧線或增時線:繼續唱目前那個字。

由左到右閱讀,每個數字對應一個字:一閃一閃亮晶晶。

反復記號與 1. 2. 結尾

帶兩個圓點的小節線 :| 表示回頭,從對應的 |: 記號(如果沒有,就從頭)再唱一遍。有時反復會有兩個結尾:第一次唱第 1 結尾;反復時跳過它,改唱第 2 結尾。

播放看看:你會聽到第 1 結尾、反復,再接第 2 結尾。注意亮起的位置會跳回去。

小調:「6=A」

小調的歌聽起來通常比較莊重或溫柔,譜面標示的是像 6=A 這樣的記號,而不是 1=C。它表示數字 6(la)是主音,這裡是 A。數字的唱名不變;旋律只是以 6 為歸宿,常常也在 6 結束。6=A 與 1=C 使用相同的音。

從 6(la)開始,也在 6 結束,也就是主音。聽聽它比較暗的色彩。

綜合練習:一句詩歌

這是詩歌第 8 首「Praise God, from whom all blessings flow」第一句的簡譜寫法。先用慢速試試,每當一個數字亮起就唱出對應的歌詞。

1=G,4/4 拍。先休止三拍,第 4 拍唱「Praise」。7、6、5 下方的圓點表示這幾個音低八度。

自我檢測

四個小問題,不計分也沒有壓力。點選答案就能立刻看到對錯的原因,隨時都可以改選別的答案。

點選持續最久的數字。

點選比第一個 5 高八度的 5。

0 是什麼意思?

在 1=G 之下,數字 1 是哪個音?

在詩歌上試試看

你是從有簡譜檢視的詩歌打開這份指南的,所以現在就可以試試。

  1. 看看譜面左上方:調號,例如 1=D,以及拍號,例如 3/4。
  2. 找到第一個數字,把它唱出來。然後由左到右跟著數字,看下面的歌詞,每個數字唱一個字。按播放器裡的播放,邊看邊聽錄音。
  3. 數字上方的字母(C、G7)是給吉他或鋼琴用的和弦。學旋律的時候可以先不管它們。
  4. 想要有人帶著你唱,請打開學習頁籤並按播放。在顯示裡把學習記譜法設為簡譜(或先在和弦譜頁籤選簡譜)。有簡譜行的詩歌,每一行數字會隨著錄音捲動到畫面上,同時跳動的小球跟著歌詞走;其他詩歌則會在那裡顯示鋼琴譜。用速度選單可以放慢。

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Once I was bound by sin’s galling fetters

Assurance and Joy of Salvation Freed by the Lord

English310
1
Once I was bound by sin’s galling fetters,
Chained like a slave I struggled in vain;
But I received a glorious freedom,
When Jesus broke my fetters in twain.
 
Glorious freedom, wonderful freedom,
No more in chains of sin I repine!
Jesus the glorious Emancipator,
Now and forever He shall be mine.
2
Freedom from all the carnal affections,
Freedom from envy, hatred and strife;
Freedom from vain and worldly ambitions.
Freedom from all that saddened my life.
3
Freedom from pride and all sinful follies,
Freedom from love and glitter of gold;
Freedom from evil temper and anger,
Glorious freedom, rapture untold.
4
Freedom from fear with all of its torments,
Freedom from care with all of its pain;
Freedom in Christ my blessed Redeemer,
He who has rent my fetters in twain.

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Fabrice Robin

Valley Stream, New York, United States

九月 27, 2015

Chained like a slave I struggled in vain, wow praise the Lord for Freeing us from our chains.

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Erasmo Cantu

Austin, Texas, United States

九月 27, 2015

Cool hymn.

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Acho Godfrey

Surulere, Lagos, Nigeria

七月 18, 2015

The first time I heard this song, it really broke me down, especially when I remembered how I struggled in vain (on my own) to be free from some terrible evil habits. The song reminded me of how Jesus broke the power of sin out of my life and Emancipated me. Praise to His dear name. Amen.

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Rishie

Glen Innes, NSW, Australia

四月 13, 2015

Freedom from fear, what a wonderful blessing! The Lord has been working with me on this one for a while and I'm doing better with it.

Another thing I thought of when I read these lyrics this morning is that God frees us, but we have to choose to stay free and keep away from habits and things that will lead us back into bondage.

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Amanda Sheh

Hong Kong

一月 14, 2015

I cried when I first heard this hymn when I was in the summer training in Anaheim in the year of 2014. Praise the Lord, You are my Savior, thank You for everything You have done and will do to me. Such a beautiful song, I am free :D

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Nelson Liu

Irvine, CA, United States

十一月 25, 2014

Glorious freedom!! Wonderful freedom!!

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Steve Miller

Detroit, MI, United States

十一月 21, 2014

Haldor Lillenas was "one of the most important twentieth-century gospel hymn writers and publishers" and is regarded as "the most influential Wesleyan / Holiness songwriter and publisher in the 20th century". Additionally, Lillenas was an ordained minister in the Church of the Nazarene, author, song evangelist, poet, music publisher and prolific hymnwriter, who is estimated to have composed over 4,000 hymns, the most famous being Wonderful Grace of Jesus. In 1931 Lillenas was the producer of Glorious Gospel Songs, the first hymnal for the Church of the Nazarene. In 1982 Lillenas was inducted into the Gospel Music Hall of Fame.

Like many Scandinavians at that time, Lillenas was raised in a Lutheran family. The Lillenas family were devout in their religious life, and attended community services when held in their area. At the age of fifteen Lillenas became a confirmed member of the Lutheran Church in Hawick. However, Lillenas indicated in his autobiography that at that time, he had not experienced "the miracle of the new birth". As a young boy, Lillenas had been befriended by an elderly woman who taught him English, and told him about Jesus. As a consequence, in 1906 Lillenas began to attend meetings at the Peniel Mission, a holiness rescue mission, in Astoria, Oregon where this woman was an active worker. According to Lillenas in a 1948 interview, it was shortly after the death of his mother, soon after moving to Astoria, one summer evening "he paused to listen to a street corner service. There he heard for the first time the strains of 'Tell Mother I’ll Be There'. He made his decision then to devote his life to Christian service." According to McGraw, the "singing and testimonies brought conviction to his heart. Later that year he was saved, and three weeks later his heart was cleansed. Soon he was "helping in the mission, singing to his heart's content, witnessing with joy to 'the wonderful grace of Jesus,' and writing songs with increasing skill and volume."

In 1907 Lillenas moved to Portland, Oregon, where he worked with the Peniel Mission. All Peniel Mission workers were unsalaried, but the local mission paid for most of their expenses. Soon after, Lillenas testified that he believed he was called to be a minister of the gospel, at which time he was appointed leader of the Portland mission. During his year of leadership, "he saw so many souls won to Christ that he felt more certain than ever that he should devote his life to the Lord's work." In 1908 Lillenas became a member of the Portland First Church of the Nazarene. Soon after Lillenas enrolled in the ministerial course of studies, which he began by correspondence. Soon afterwards, Lillenas joined a vocal group associated with the Salvation Army called the "Charioteers’ Brigade", which held street meetings and revival services throughout a large portion of California.

As a result of some generous donations, and the efforts of Rev. A.O. Hendricks, pastor of the Portland Church of the Nazarene, in 1909 Lillenas was able to continue his ministerial studies at the Deets Pacific Bible College, an antecedent of Point Loma Nazarene University. Additionally, Lillenas was able to secure part-time work to finance his studies, but by the end of the year accepted the ministry as the music director of a local church, and active in songwriting and preaching. During this time Lillenas studied voice at the Lyric School of Music in Los Angeles.

While at Deets College Lillenas was in a college group that held evangelistic services most weekends. On this team was another student, Bertha Mae Wilson, the oldest daughter of Rev. William C. Wilson then pastor of Pasadena First Church of the Nazarene., but later a general superintendent in the Church of the Nazarene. Lillenas and Bertha Mae both preached, sang, and wrote songs, and often practised in the home of her father. In his autobiography Lilenas recalled: "We soon learned that our voices blended well and so we arranged it that our lives should also be blended." On 4 October 1910 Lillenas married Bertha Mae. Bertha Mae was later an ordained minister in the Church of the Nazarene and composer. They had two children.

After a visit to Israel in 1955, Lillenas sponsored a Palestinian Greek Orthodox family he had met as immigrants to the USA, that included twelve-year old Sirhan Bishara Sirhan, the convicted assassin of Robert F. Kennedy. After their arrival in Pasadena, California in January 1957, the Sirhan family stayed with Lillenas for three months in his home, before moving into a home Lillenas rented and furnished for them. When Mary Sirhan's husband abandoned her and her two sons, and returned to Jordan, Lillenas ensured that they were able to remain in the USA. - Wikipedia

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Oladimeji

Oistins, Christ Church, Barbados

六月 15, 2014

Woke up with this song in my spirit this Fathers' Day. I just has to find the song online. We will be singing it in our church service this morning. Wonderful freedom, glorious freedom, no more in chains of sin I repine! Free and free indeed! Hallelujah amen !

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Roger Hsu

Arcadia, CA

三月 11, 2014

Praise The Lord for freeing us from the bondage of the world!

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Elizabeth David Musa

Abuja, FCT, Nigeria

三月 10, 2014

This song gives me peace and hope in God.

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